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In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.
In 1968 a mysterious voice gifted two teenage brothers, Hank and Don Hall, with superpowers that transformed them into the Hawk and the Dove! The superhero duo embodied the clashing political ideologies of the era, with the Hawk, ever militant, ready to jump into battling evil, and the Dove, a pacifist, refusing to raise a fist. Fighting for what’s right on different sides of the ideological spectrum, the two clean up crime on the streets of their hometown, face the threat of the Drop Outs gang, take down a group of dangerous escaped convicts, team up with the Teen Titans and attempt to save their father from the wrath of a man he once sent to prison. HAWK & DOVE: THE SILVER AGE collects SHOWCASE #75, THE HAWK AND DOVE#1-6 and TEEN TITANS #21, and features work from Steve Skeates, Steve Ditko, Gil Kane, Neal Adams and more!
Collects Marvel Tails Starring Peter Porker, The Spectacular Spider-Ham #1 and Peter Porker, The Spectacular Spider-Ham (1985) #1-5. It's 1983, and Star Comics - the branch of Marvel aimed at kids - is launching its most popular title: Peter Porker, the Spectacular Spider-Ham! When average pig Peter Porker gets the powers of a spider, he must balance his super-hero life with his job at the Daily Beagle - or J. Jonah Jackal will have his hide! Featuring such threats as Ducktor Doom and his Kangaroo Court, Captain Reno, Nagneto the Magnetic Horse, the Buzzard and the Bullfrog, and the Breaded Boremamuu! And guest-starring Captain Americat, the Incredible Hulk-Bunny, the Fantastic Fur, Goose Rider, Croctor Strange, Iron Mouse and more!
Mera, the queen of Atlantis, mysteriously disappears, and Aquaman begins searching high and low to find her. In addition, Atlantis is in the grip of a new enemy named Narkran, a duplicitous politician with plans to rule the underwater kingdom with an iron fist. And finally, as if that isnÕt bad enough, Black Manta shows up to take advantage of AquamanÕs desperate situation. Fifty years ago, writer Steve Skeates and artist Jim Aparo began their acclaimed tenure on Aquaman with this epic nine-issue tale of MeraÕs disappearance and AquamanÕs frantic quest to get her back. Collected now in a new Deluxe Edition, Aquaman: The Search for Mera Deluxe Edition includes Aquaman #40-48.
Alan Moore and Dave Gibbons’s Watchmen has been widely hailed as a landmark in the development of the graphic novel. It was not only aesthetically groundbreaking but also anticipated future developments in politics, literature, and intellectual property. Demonstrating a keen eye for historical detail, Considering Watchmen gives readers a new appreciation of just how radical Moore and Gibbons’s blend of gritty realism and formal experimentation was back in 1986. The book also considers Watchmen’s place in the history of the comics industry, reading the graphic novel’s playful critique of superhero marketing alongside Alan Moore’s public statements about the rights to the franchise. ...
A riotous roundup of stories by one of comics' funniest cartoonists! Fred Hembeck roasts the Fantastic Four, aided and abetted by the '80s best artists - then singlehandedly destroys the Marvel Universe! And it's wall-crawling wackiness times three with Spider-Man, Spider-Ham and young Petey Parker! Plus: Who wants to relive Hembeck's humorous hoodoo with Brother Voodoo? You do! But wait - there's more! Packed with gags, guff aws and groaners, it's a heaping helping of Hembeck hilarity you just have to have! COLLECTING: PETER PARKER, THE SPECTACULAR SPIDER-MAN (1976) 86; AMAZING SPIDER-MAN DIGITAL 11, 16; PETEY 1; FANTASTIC FOUR ROAST; FRED HEMBECK DESTROYS THE MARVEL UNIVERSE; FRED HEMBECK SELLS THE MARVEL UNIVERSE & MORE!
Contributions by Lawrence Abrams, Diana Álvarez Amell, Partha Bhattacharjee, Natalja Chestopalova, Jim Coby, Rita Costello, Sam Cowling, Joanna Davis-McElligatt, Elisabetta Di Minico, Kiera M. Gaswint, Vincent Haddad, Kaleb Knoblauch, Christina M. Knopf, Leah Milne, Jacob Murel, Priyanka Tripathi, and Steven S. Vrooman In 1954, the culture, distribution, and content of comics forever changed. Long a mainstay of America’s reading diet, comic books began to fall under the scrutiny of parent groups, church leaders, and politicians. The bright colors and cheaply printed pulp pages of comic books that had once provided an escape were suddenly presumed to house something lascivious, insidious, ...
While many American superheroes have multiple powers and complex gadgets, the Flash is simply fast. This simplicity makes his character easily comprehendible for all audiences, whether they are avid comic fans or newcomers to the genre, and in turn he has become one of the most iconic figures in the comic-book industry. This collection of new essays serves as a stepping-stone to an even greater understanding of the Flash, examining various iterations of his character--including those of Jay Garrick, Barry Allen, Wally West and Bart Allen--and what they reveal about the era in which they were written.
Over 300 pages of timeless terror from a master storyteller! Horror comics visionary and coloring pioneer Richard Corben has been a voice of creativity and change for over four decades. For the first time ever, Corben's legendary Creepy and Eerie short stories and cover illustrations are being collected into one deluxe hardcover! With an informative foreword by artist and comic book colorist José Villarrubia—who also provides color restoration—this volume features Richard Corben's original stories, Edgar Allan Poe adaptations, and collaborations with cast of comic-book writers.
In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.