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Winner of the Christian Gauss Award for excellence in literary scholarship from the Phi Beta Kappa Society Having excavated the world's earliest novels in his previous book, literary historian Steven Moore explores in this sequel the remarkable flowering of the novel between the years 1600 and 1800-from Don Quixote to America's first big novel, an homage to Cervantes entitled Modern Chivalry. This is the period of such classic novels as Tom Jones, Candide, and Dangerous Liaisons, but beyond the dozen or so recognized classics there are hundreds of other interesting novels that appeared then, known only to specialists: Spanish picaresques, French heroic romances, massive Chinese novels, Japan...
The war in Afghanistan creates an urgency for telling stories—between soldiers, as they hand off missions to each other, and between soldiers and civilians, trying to explain what is going on—while also denying a lot of the context that is important for the telling of that story. The landscape is so mountainous and isolating that one incident or anecdote might not fit into a bigger picture beyond itself. A patrol may have no effect on the one that comes next. The war has ground itself into such a stasis that it is hard to see movement or plot. Yet we’re there. We have to say something. We have to be accountable, even though the circumstances complicate the ability to talk about it whil...
Developing "sustainable" architectural and agricultural technologies was the intent behind Blueprint Farm. In this book, Steven Moore demonstrates how the various stakeholders' competing definitions of "sustainability," "technology," and "place" ultimately doomed Blueprint Farm.
Could you betray your government to save your country? Sam Barker works in IT at the Home Office. All he wants is to get his work done and enjoy a quiet existence. But when he’s caught up in a terrorist attack on the London Underground, his life is turned upside down. As he lies recovering in his hospital bed, a shadowy figure visits him and tells Sam not only is he a key witness to the attack, but he has unique access to information which could blow open a huge conspiracy and bring down the British government. Will Sam risk everything he knows and loves to save his country?
Before he embarked on his massive history of the novel, Steven Moore was best known as a tireless promoter of innovative fiction, mostly by way of hundreds of book reviews published from the late 1970s onward. Virtually all have been gathered for this collection, which offers a panoramic view of modern fiction, ranging from well-known authors like Barth and Pynchon to lesser-known but deserving ones, many published by small presses. Moore also reviews dozens of critical studies of this fiction, and takes some side trips into rock music and Buffy the Vampire Slayer. The second half of the book reprints Moore's best essays. Several deal with novelist William Gaddis on whom Moore is considered the leading authority and other writers associated with him (Chandler Brossard, Alan Ansen, David Markson, Sheri Martinelli). Others champion such writers as Alexander Theroux, Brigid Brophy, Edward Dahlberg, Carole Maso, W. M. Spackman, and Rikki Ducornet. Two essays deal with the late David Foster Wallace, whom Moore knew, and others treat such matters as book reviewing, postmodernism, the Beat movement, maximalism, gay literature, punctuation, nympholepsy, and the history of the novel.
A tale of three cities -- The springs of Austin -- The miracle of Curitiba -- The banks of Frankfurt -- Story versus space -- Sustainability and democracy -- Alternative paths to the sustainable city.
As buildings are responsible for fifty per cent of CO2 emissions, their design has become the focus of intense technical scrutiny. Knowing how to build more technically efficient, or ecologically responsible, buildings, and being able to assemble the social resources to do so, requires different forms of knowledge and practice. There is wide contestation over the optimal pathways to greener buildings design and great diversity in practices of sustainable architecture. This volume brings together leading researchers from across the European Union and North America both to illustrate the diversity of practice and to provide a critical commentary on this key debate. The reader is provided with an introduction to competing perspectives on the sustainable architecture debate, international exemplars of differing practice and an overview of new theoretical and methodological resources for understanding and meeting the conceptual, social and technical challenges of sustainable architecture.
A postmodern masterpiece about fraud and forgery by one of the most distinctive, accomplished novelists of the last century. The Recognitions is a sweeping depiction of a world in which everything that anyone recognizes as beautiful or true or good emerges as anything but: our world. The book is a masquerade, moving from New England to New York to Madrid, from the art world to the underworld, but it centers on the story of Wyatt Gwyon, the son of a New England minister, who forsakes religion to devote himself to painting, only to despair of his inspiration. In expiation, he will paint nothing but flawless copies of his revered old masters—copies, however, that find their way into the hands of a sinister financial wizard by the name of Recktall Brown, who of course sells them as the real thing. Dismissed uncomprehendingly by reviewers on publication in 1955 and ignored by the literary world for decades after, The Recognitions is now established as one of the great American novels, immensely ambitious and entirely unique, a book of wild, Boschian inspiration and outrageous comedy that is also profoundly serious and sad.
Edward Dahlberg, one of the last great men of letters, left behind at his death in 1977 dozens of uncollected essays, reviews, stories, and prefaces. Samuel Beckett's Wake gathers all the shorter pieces that were left out of (or written after) his two earlier collections of essays. The full range of Dahlberg's abilities in shorter forms is displayed here: from skillful reportage to imaginative essays, from proletarian fiction to inspired parody, from travel pieces and personal memoirs to historical studies, along with some of the most cantankerous book reviews ever published.
A revelatory collection of correspondence by the lauded author of titanic American classics such as The Recognitions and J R, shedding light on his staunchly private life. UPDATED WITH OVER TWO DOZEN NEW LETTERS AND PHOTOGRAPHS Now recognized as one of the giants of postwar American fiction, William Gaddis shunned the spotlight during his life, which makes this collection of his letters a revelation. Beginning in 1930 when Gaddis was at boarding school and ending in September 1998, a few months before his death, these letters function as a kind of autobiography, and also reveal the extent to which he drew upon events in his life for his fiction. Here we see him forging his first novel, The R...