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In Black Corona, Steven Gregory examines political culture and activism in an African-American neighborhood in New York City. Using historical and ethnographic research, he challenges the view that black urban communities are "socially disorganized." Gregory demonstrates instead how working-class and middle-class African Americans construct and negotiate complex and deeply historical political identities and institutions through struggles over the built environment and neighborhood quality of life. With its emphasis on the lived experiences of African Americans, Black Corona provides a fresh and innovative contribution to the study of the dynamic interplay of race, class, and space in contem...
In The Devil behind the Mirror, Steven Gregory provides a compelling and intimate account of the impact that transnational processes associated with globalization are having on the lives and livelihoods of people in the Dominican Republic. Grounded in ethnographic fieldwork conducted in the adjacent towns of Boca Chica and Andrés, Gregory's study deftly demonstrates how transnational flows of capital, culture, and people are mediated by contextually specific power relations, politics, and history. He explores such topics as the informal economy, the making of a telenova, sex tourism, and racism and discrimination against Haitians, who occupy the lowest rung on the Dominican economic ladder. Innovative, beautifully written, and now updated with a new preface, The Devil behind the Mirror masterfully situates the analysis of global economic change in everyday lives.
NEW YORK TIMES BESTSELLER • “The definitive biography for decades to come.”—Leo Jansen, curator, the Van Gogh Museum, and co-editor of Vincent van Gogh: The Complete Letters Steven Naifeh and Gregory White Smith, who galvanized readers with their Pulitzer Prize–winning biography of Jackson Pollock, have written another tour de force—an exquisitely detailed, compellingly readable portrait of Vincent van Gogh. Working with the full cooperation of the Van Gogh Museum in Amsterdam, Naifeh and Smith have accessed a wealth of previously untapped materials to bring a crucial understanding to the larger-than-life mythology of this great artist: his early struggles to find his place in th...
Vincent van Gogh created some of the best loved - and most expensive - works of art ever made, from the early The Potato Eaters to his late masterpieces Sunflowers and The Starry Night. He had worked as an art dealer, a missionary and as a teacher in England, and only in his late twenties did he begin a life that would be fundamental in shaping modern art. But when he died in Auvers-sur-Oise in 1890 at the age of thirty-seven he was largely unknown. Written with the cooperation of the Van Gogh Museum, Pulitzer-winning authors Steven Naifeh and Gregory White Smith recreate his extraordinary life, and the inside of his troubled mind, like never before - and they put forward an explosive new theory challenging the widespread belief that Van Gogh took his own life. Drawing for the first time on all of his (and his family's) extensive letters, which offer exquisite glimpses into his thoughts and feelings, this is the definitive portrait of one of the world's cultural giants.
"What unites these essays is a common focus on the 'social construction' of racial categories and a desire to expose the exercise of racism and its intersection with other forms of social domination such as class, gender, and ethnicity . . . Fascinating."--Multicultural Review "The coming together of theoretical, multiethnic, and 'on-the-ground' perspectives makes this book a particularly valuable contribution to the discourse on race."--Paula Giddings "Timely and thoughtful. . . contributes to our understanding of how race operates as a social process and in the contextualization of power and status."--Contemporary Sociology "A treasure chest full of gems. Virtually every article is fascina...
"Provides insight into the inner workings of your inner critic and teaches you how to put it in its place"--Back cover.
Andrew Pinkney is a young English lawyer with boyish good looks and a gentle manner, but a dark side emerges when his girlfriend Jennifer laughs at his impotence. He lashes out in a violent rage, knocking her unconscious. At the suggestion of his employer, Andrew heads to an isolated cottage in the dark Welsh countryside to take a break and get a grip on himself. In the woods, he discovers the grotesque stinkhorn mushroom, whose phallic shape seems to rise in obscene mockery of his own shortcomings. But the stinkhorn gives him an idea, a way to win Jennifer back. As the seeds of obsession take root in Andrew's mind, he embarks on a nightmarish quest, with unexpected and horrifying results.
A young family receives a welcome surprise when old Uncle Ian dies and leaves them a cottage in north Wales. For Ian's nephew and his wife Ann, it seems a stroke of incredible good fortune, enabling them to leave their unfulfilling lives in the city for a newfound freedom in the remote seaside cottage. There's just one catch. Uncle Ian's will has a strange condition: the couple must care for his pet cormorant or forfeit the bequest. They think nothing of it at first: Uncle Ian was eccentric, and the bird is amusing in a way. But when the cormorant begins to show a violent and malevolent side, they soon find that Uncle Ian's gift may not be a blessing, but a curse.
How do race and nature work as terrains of power? From eighteenth-century claims that climate determined character to twentieth-century medical debates about the racial dimensions of genetic disease, concepts of race and nature are integrally connected, woven into notions of body, landscape, and nation. Yet rarely are these complex entanglements explored in relation to the contemporary cultural politics of difference. This volume takes up that challenge. Distinguished contributors chart the traffic between race and nature across sites including rainforests, colonies, and courtrooms. Synthesizing a number of fields—anthropology, cultural studies, and critical race, feminist, and postcolonia...