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In The Devil behind the Mirror, Steven Gregory provides a compelling and intimate account of the impact that transnational processes associated with globalization are having on the lives and livelihoods of people in the Dominican Republic. Grounded in ethnographic fieldwork conducted in the adjacent towns of Boca Chica and Andrés, Gregory's study deftly demonstrates how transnational flows of capital, culture, and people are mediated by contextually specific power relations, politics, and history. He explores such topics as the informal economy, the making of a telenova, sex tourism, and racism and discrimination against Haitians, who occupy the lowest rung on the Dominican economic ladder. Innovative, beautifully written, and now updated with a new preface, The Devil behind the Mirror masterfully situates the analysis of global economic change in everyday lives.
In Black Corona, Steven Gregory examines political culture and activism in an African-American neighborhood in New York City. Using historical and ethnographic research, he challenges the view that black urban communities are "socially disorganized." Gregory demonstrates instead how working-class and middle-class African Americans construct and negotiate complex and deeply historical political identities and institutions through struggles over the built environment and neighborhood quality of life. With its emphasis on the lived experiences of African Americans, Black Corona provides a fresh and innovative contribution to the study of the dynamic interplay of race, class, and space in contem...
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Taking a comparative approach, this textbook is a concise introduction to race. Illustrated with detailed examples from around the world, it is organised into two parts. Part I explores the historical changes in ideas about race from the ancient world to the present day, in different corners of the globe. Part II outlines ways in which racial difference and inequality are perceived and enacted in selected regions of the world. Examining how humans have used ideas of physical appearance, heredity and behaviour as criteria for categorising others, the text guides students through provocative questions such as: what is race? Does studying race reinforce racism? Does a colour-blind approach dismantle, or merely mask, racism? How does biology feed into concepts of race? Numerous case studies, photos, figures and tables help students to appreciate the different meanings of race in varied contexts, and end-of-chapter research tasks provide further support for student learning.
Collects excerpts from the personal travel journal sketchbooks of forty-three artists, illustrators, and designers.
Andrew Pinkney is a young English lawyer with boyish good looks and a gentle manner, but a dark side emerges when his girlfriend Jennifer laughs at his impotence. He lashes out in a violent rage, knocking her unconscious. At the suggestion of his employer, Andrew heads to an isolated cottage in the dark Welsh countryside to take a break and get a grip on himself. In the woods, he discovers the grotesque stinkhorn mushroom, whose phallic shape seems to rise in obscene mockery of his own shortcomings. But the stinkhorn gives him an idea, a way to win Jennifer back. As the seeds of obsession take root in Andrew's mind, he embarks on a nightmarish quest, with unexpected and horrifying results.
A young family receives a welcome surprise when old Uncle Ian dies and leaves them a cottage in north Wales. For Ian's nephew and his wife Ann, it seems a stroke of incredible good fortune, enabling them to leave their unfulfilling lives in the city for a newfound freedom in the remote seaside cottage. There's just one catch. Uncle Ian's will has a strange condition: the couple must care for his pet cormorant or forfeit the bequest. They think nothing of it at first: Uncle Ian was eccentric, and the bird is amusing in a way. But when the cormorant begins to show a violent and malevolent side, they soon find that Uncle Ian's gift may not be a blessing, but a curse.
"What unites these essays is a common focus on the 'social construction' of racial categories and a desire to expose the exercise of racism and its intersection with other forms of social domination such as class, gender, and ethnicity . . . Fascinating."--Multicultural Review "The coming together of theoretical, multiethnic, and 'on-the-ground' perspectives makes this book a particularly valuable contribution to the discourse on race."--Paula Giddings "Timely and thoughtful. . . contributes to our understanding of how race operates as a social process and in the contextualization of power and status."--Contemporary Sociology "A treasure chest full of gems. Virtually every article is fascina...
Vincent van Gogh created some of the best loved - and most expensive - works of art ever made, from the early The Potato Eaters to his late masterpieces Sunflowers and The Starry Night. He had worked as an art dealer, a missionary and as a teacher in England, and only in his late twenties did he begin a life that would be fundamental in shaping modern art. But when he died in Auvers-sur-Oise in 1890 at the age of thirty-seven he was largely unknown. Written with the cooperation of the Van Gogh Museum, Pulitzer-winning authors Steven Naifeh and Gregory White Smith recreate his extraordinary life, and the inside of his troubled mind, like never before - and they put forward an explosive new theory challenging the widespread belief that Van Gogh took his own life. Drawing for the first time on all of his (and his family's) extensive letters, which offer exquisite glimpses into his thoughts and feelings, this is the definitive portrait of one of the world's cultural giants.
Answering an ad for a job as live-in tutor to a teenage boy, Christopher Beal arrives at the big, old house deep in the woods with no idea what he's getting into. His pupil is Lawrence Lundy, an odd boy who practices strange rituals by moonlight and is haunted - perhaps literally - by the spirit of his dead father. For mysterious reasons, his mother, Juliet, keeps him at home, isolated from the world. During the suffocating heat of a long summer, Christopher finds himself entangled in the madness of this strange household and must uncover a deadly secret, before it's too late ... The Waking That Kills is a spellbinding novel of psychological horror by one of the genre's finest contemporary practitioners, Stephen Gregory, award-winning author of the modern classic The Cormorant. 'An insidious novel that gets under your skin and itches insatiably from within.' - Tor.com 'Gregory's voice and vision are wholly original.' - Ramsey Campbell