Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Literary Symbiosis
"It is only the unimaginative who ever invents," Oscar Wilde once remarked. "The true artist is known by the use he makes of what he annexes, and he annexes everything." Converying a similar awareness, James Joyce observes in Finnegan's Wake that storytelling is in reality "stolen-telling," that art always involves some sort of "theft" or borrowing. Usually literary borrowings are so integrated into the new work as to be disguised; however, according to David Cowart, recent decades have seen an increasing number of texts that attach themselves to their sources in seemingly parasitic—but, more accurately, symbiotic—dependence. It is this kind of mutuality that Cowart examines in his wide-...
Medievalism and the Quest for the Real Middle Ages
Medievalism, the later reception of the Middle Ages, has been used by many writers, not just during the Victorian period but from the Renaissance to the present, as a means of commenting on their own societies and systems of values. Until recently, this self-interest was used to distinguish between Medievalism, a selective, often romanticised, view of the past, and medieval studies, with its quest for an authentic Middle Ages. The essays in this collection suggest that the search for knowledge of a "real" Middle Ages has always been a problematic one, and that the vitality of the vision of Medievalism is demonstrated by its constant adaption to current concerns.
Revisiting Normativity with Deleuze
An exploration of the relevance of Deleuze's nomadic thought for re-thinking norms, values and laws in a manner that by-passes structural negativity while avoiding relativism.
Levinas, Storytelling and Anti-Storytelling
An exploration of philosophical storytelling in the work of the French-Lithuanian philosopher Emmanuel Levinas.
The Dynamic of Play and Horror in Adorno's Philosophy
Long before Wittgenstein drew attention to its complexities, the concept of play had captured the interest of theorists for millennia. How do games contribute to our knowledge of the world? Wherein lies their universal appeal? Play is usually associated with a certain blitheness and buoyancy - could it nevertheless be argued that playfulness is not quite as innocent as it might seem? Bence Kun draws on Adorno's writings to explore the relation between philosophical play (understood here as imaginative thought as well as experimental expression) and an experience of dread Adorno links to children's first encounter with death. By investigating his less familiar works, some of which have not yet been translated, Kun challenges the received view on Adorno's approach to metaphysics, the role of systematic inquiry and the modern condition. As he has Adorno say, the originary impression of shock at the heart of philosophical reflection can only be fully apprehended through an open-ended and defiantly creative intellectual practice.
Immanent Transcendence
Overthe last twenty years materialist thinkers in the continental tradition haveincreasingly emphasized the category of immanence. Yet the turn toimmanence has not meant the wholesale rejection of the concept oftranscendence, but rather its reconfiguration in immanent or materialist terms:an immanent transcendence. Through an engagement with the work ofDeleuze, Irigaray and Adorno, Patrice Haynes examines how the notion ofimmanent transcendence can help articulate a non-reductive materialism by whichto rethink politics, ethics and theology in exciting new ways. However,she argues that contrary to what some might expect, immanent accounts of matterand transcendence are ultimately unable to do justice to materialfinitude. Indeed, Haynes concludes by suggesting that a theisticunderstanding of divine transcendence offers ways to affirm fully materialimmanence, thus pointing towards the idea of a theological materialism.
Adorno's Poetics of Form
Adorno's Poetics of Form is the first book-length examination of the elusive deployment of the concept of form in Adorno's writings on art and literature, and the first monograph to offer a comprehensive account of the relation of these writings to his broader philosophical project. It examines form within the constellation of concepts that exist around it, considering how it appears when seen in conjunction with and in opposition to content, expression, genre, and material. Illuminated from these angles, form is revealed as the site of a complex web of dynamic conceptual interactions. The book thus offers a resolution to a problem in Adorno's work that has remained unsolved for several decades, and in doing so sets out the consequences of Adorno's poetics for literary and critical theory today.
Reason After Its Eclipse
Tackles a question as old as Plato and still pressing today: What is reason, and what roles does and should it have in human endeavor? The eminent intellectual historian Martin Jay surveys Western ideas of reason, particularly in German philosophy from Kant to Habermas.
Ricoeur and the Hermeneutics of Suspicion
Paul Ricoeur (1913-2005) was one of the most prolific and influential French philosophers of the Twentieth Century. In his enormous corpus of work he engaged with literature, history, historiography, politics, theology and ethics, while debating 'truth' and ethical solutions to life in the face of widespread and growing suspicion about whether such a search is either possible or worthwhile. In Ricoeur and the Hermeneutics of Suspicion, Alison Scott-Baumann takes a thematic approach that explores Ricoeur's lifelong struggle to be both iconoclastic and yet hopeful, and avoid the slippery slope to relativism. Through an examination of the 'hermeneutics of suspicion', the book reveals strong continuities throughout his work, as well as significant discontinuities, such as the marked way in which he later distanced himself from the 'hermeneutics of suspicion' and his development of new devices in its place, while seeking a hermeneutics of recovery. Scott-Baumann offers a highly original analysis of the hermeneutics of suspicion that will be useful to the fields of philosophy, literature, theology and postmodern social theory.
The American Politics of French Theory
Working from the premise that May '68 is a shorthand that delimits an intensive decade of global revolt, Jason Demers documents the cross-pollination of French philosophy, international activist movements, and American countercultures. From the assassinations of Martin Luther King, Jr. and George Jackson to the revolt at Columbia University, the 1968 Democratic National Convention, Woodstock, and the Weather Underground, Demers writes French theory into a constellation of American events and icons uncontained by national borders. More than a compelling new take on the history of theory, The American Politics of French Theory develops concepts gleaned from the work of Derrida, Deleuze, Guattari, and Foucault, providing new tools for thinking about translation, theory, and politics. By recontextualizing "French theory" within a complex fabric of mass communication and global revolt, Demers demonstrates why it is politically potent and methodologically necessary to think of translation associatively.
