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This book sets forth a set of truly controversial and astonishing theories: First, it proposes that below the surface of the earth is a biosphere of greater mass and volume than the biosphere the total sum of living things on our planet's continents and in its oceans. Second, it proposes that the inhabitants of this subterranean biosphere are not plants or animals as we know them, but heat-loving bacteria that survive on a diet consisting solely of hydrocarbons that is, natural gas and petroleum. And third and perhaps most heretically, the book advances the stunning idea that most hydrocarbons on Earth are not the byproduct of biological debris ("fossil fuels"), but were a common constituent...
Leading scientists offer a collection of essays that furnish illuminating explanations of recent discoveries in modern astrophysics--from the Big Bang to black holes--the possibility of life on other worlds, and the emerging technologies that make such research possible, accompanied by incisive profiles of such key figures as Carl Sagan and Georges Lemaetre. Original.
How exactly does one explain Jesus? That is the central question of this book. But the task of explaining Jesus is complicated. For many nonbelievers, skeptics, or practitioners of non- Jesus-based religions or spiritualities, it can be very strange to refer to a particular man who lived in the first century CE as someone who is still living. Even for some believers, this idea can be a difficult thing to understand—even given the teachings of their faith. Thus, whether believer or nonbeliever or somewhere in-between, for the intellectually curious, there is need for an explanation. Explaining Jesus explores the possibilities of a secular, interdisciplinary, science-based explanation for the phenomenon of Jesus.
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Since the early days of motion picture production, film scores have helped define our emotional and aesthetic perception of stories on screen--particularly with space movies and television. The music from The Day the Earth Stood Still, 2001: A Space Odyssey, Star Wars, Star Trek, Battlestar Galactica and others has helped define the public's awareness of space almost as much as the films themselves. In some cases, they have redefined the norms of film music. Star Wars not only revived the popularity of orchestral film scores but also helped stimulate an increased public interest in classical orchestral music around the world. This work explores the music and the composers who have helped define the sound of space for over a century, transforming how we perceive space and even inspiring greater interest in space exploration. This book also details how music has been performed and played in space since the early days of the "space race."
Although many individuals identify as atheists, little is understood about the belief system beyond the simple lack of a belief in a higher power. Hannah K. Scheidt's Practicing Atheism: Culture, Media, and Ritual in the Contemporary Atheist Network unpacks the cultural products, both corporate-driven and grassroots, that carry messages about atheism to examine the complicated relationship between organized atheism and religion.
Not all charms fly at the touch of cold philosophy. Vital Reenchantments examines so-called cold philosophy, or science, that does precisely the opposite - rather than mercilessly emptying out and unweaving, it operates as a philosophy that animates. More specifically, Greyson closely examines how a specific group of "poet-in-scientists" of the late 1970s and 1980s directed attention to the "wondrous" unfolding of life, at a time when the counter-culture in particular had made the institution of science synonymous with technologies of alienation and destruction. In this vein, Vital Reenchantments takes up E.O. Wilson's Biophilia (1984), James Lovelock's Gaia (1979), and Carl Sagan's Cosmos (...
Thomas Gold (1920-2004) had a curious mind that liked to solve problems. He was one of the most remarkable astrophysicists in the second half of the twentieth century, and he attracted controversy throughout his career. Based on a full-length autobiography left behind by Thomas Gold, this book was edited by the astrophysicist and historian of science, Simon Mitton (University of Cambridge). The book is a retrospective on Gold’s remarkable life. He fled from Vienna in 1933, eventually settling in England and completing an engineering degree at Trinity College in Cambridge. During the war, he worked on naval radar research alongside Fred Hoyle and Hermann Bondi – which, in an unlikely chai...
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