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'A startling novel of ferocious psychological acumen, which, to my mind, deserves a large, international readership... very much a book for our times' Siri Hustvedt, from the introduction 'A literary giant in Sweden, Dagerman conjures a Strindbergian atmosphere of shadowy menace in his brief, intense novel, A Moth to a Flame... This moody, death-haunted novel is well worth reading' Evening Standard In 1940s Stockholm, a young man named Bengt falls into deep, private turmoil with the unexpected death of his mother. As he struggles to cope with her loss, his despair slowly transforms to rage when he discovers that his father had a mistress. Bengt swears revenge on behalf of his mother's memory...
After the international success of his collection of World War II newspaper articles, German Autumn—a book that solidified his status as the most promising and exciting writer in Sweden—Stig Dagerman was sent to France with an assignment to produce more in this journalistic style. But he could not write the much-awaited follow-up. Instead, he holed up in a small French village and in the summer of 1948 created what would be his most personal, poignant, and shocking novel: A Burnt Child. Set in a working-class neighborhood in Stockholm, the story revolves around a young man named Bengt who falls into deep, private turmoil with the unexpected death of his mother. As he struggles to cope wi...
Stig Dagerman (1923¿1954) is regarded as the most talented young writer of the Swedish post-war generation. By the 1940s, his fiction, plays, and journalism had catapulted him to the forefront of Swedish letters, with critics comparing him to William Faulkner, Franz Kafka, and Albert Camus. His suicide at the age of thirty-one was a national tragedy. This selection, containing a number of new translations of Dagerman's stories never before published in English, is unified by the theme of the loss of innocence. Often narrated from a child's perspective, the stories give voice to childhood's tender state of receptiveness and joy tinged with longing and loneliness. The title story, "Att döda ett barn" ("To Kill A Child"), is the most famous of Dagerman's short stories and among the most anthologized and oft-read stories in Sweden."Dagerman wrote with beautiful objectivity. Instead of emotive phrases, he uses a choice of facts, like bricks, to construct an emotion."¿Graham Greene
Seven castaways await their death on a deserted island that is home to hordes of blind gulls, iguanas, and a poisonous lagoon.
"Considered by many to be Stig Dagerman's magnum opus, Wedding Worries spans the twenty-four hours of Hildur Palm's wedding day and night, beginning with an ominous knock on her door before sunrise and ending after a fitful night with an uncertain look into her future with her new husband, the village butcher. Characterized by its stream of consciousness style and perspective shifts between a colorful variety of characters, this novel oscillates between chaotic burlesque and sharp meditation, tackling themes of loneliness, suffering, and the human capacity to make do with unalterable circumstances, set against the backdrop of rural Sweden." --
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In late 1946, Stig Dagerman was assigned by the Swedish newspaper Expressen to report on life in Germany immediately after the fall of the Third Reich. First published in Sweden in 1947, German Autumn, a collection of the articles written for that assignment, was unlike any other reporting at the time. While most Allied and foreign journalists spun their writing on the widely held belief that the German people deserved their fate, Dagerman disagreed and reported on the humanness of the men and women ruined by the war-their guilt and suffering. Dagerman was already a prominent writer in Sweden.
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