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David Lynch
New in paperback, this revelatory book features rarely seen multimedia works by the revered cult filmmaker David Lynch showing how he applies his powerful imagination and visual language across genres. David Lynch has always been in the spotlight as a filmmaker, directing some of the most iconic movies ever made, but as a visual artist, he is less widely known. Lynch delights in the physicality of painting and likes to stimulate all the senses in his work. This new paperback edition brings together Lynch's paintings, photography, drawings, sculpture and installation, and stills from his films. Many of these works reveal the dark underpinnings behind Lynch's often-macabre movies. Others explore his fascination with texture and collage. Throughout, Lynch's characteristic style--surreal, stylish, and even humorous--shines through. An introduction by music journalist and Lynch biographer Kristine McKenna, along with a thought- provoking essay by curator Stijn Huijts, offers fascinating new information and perspectives on Lynch's life and career. This book reveals an unexplored facet of Lynch's oeuvre and affirms that he is as brilliant a visual artist as he is a filmmaker.
Jennifer Tee
Accept and submit unreservedly or walk away: these are the choices that Jennifer Tee's work presents to its viewers. With an "all-over" approach, the Dutch-born artist draws from a variety of disciplines and installations that integrate video, objects, photographs, and text. Tee often uses autobiographic material in her work. In her "Down the Chimney" exhibition at the Stedelijk Museum in Amsterdam, she displayed a video based on stories that her closest family members had kept to themselves--stories that they never wanted to tell her. This book provides insight into this personal and autobiographical body of work, and engages its readers in the narration of worlds created within.
Wayward Cognitions
"Wayward Cognitions is a collection of photographs by Ed Templeton (born 1972), chosen from his archives spanning 20 years. For this volume, Templeton selected photographs that do not fit into his usual manner of organizing by theme or subject ... Wayward Cognitions represents the in-between moments that arise when shooting in the streets without theme or subject. "It's about looking, people watching, finding pleasure in the visual vignettes we glimpse each day," says Templeton. When those moments are removed from the context in which they were shot, dynamic stories can be told or imagined in book form. The photographs in Wayward Cognitions were printed by Templeton in his darkroom; he then created the layout and design himself, building the book from scratch in his home studio."--Publisher's website.
The Architecture Co-laboratory
Publicatie n.a.v. de conferentie gehouden op 1 april 2006 op de faculteit Bouwkunde van de TU Delft over de huidige en toekomstige veranderingen rond de digitaal ontworpen architectuur- en designpraktijk.
A Critical Companion to David Lynch
A Critical Companion to David Lynch builds on the vast debate of one of the most discussed and researched directors of the present era, with commercial and critical success across multiple mediums and genres. This edited volume provides a wide-ranging exploration of Lynch’s films, practices, and collaborations, with nineteen original chapters examining themes including narrativity, aesthetics, artistry, sound, experimentation, metafiction, and patriarchy from the disciplinary perspectives of film studies, art studies, gender studies, literary studies, and philosophy. Lynch’s entire thought-provoking oeuvre, spanning over fifty years, will be examined, including his shorts and films, animations, TV series, paintings, and commercials.
Now that Part of Me Has Become Fiction
Wolbers likes stories in which the characters become victims of their own imaginations. In her videos, voice-overs recount the unlikely dramas of her protagonists; abstract visuals look like digital dremscapes but are really miniature film sets.
Analogical City
In Analogical City, Cameron McEwan argues for architecture’s status as a critical project. McEwan revisits architect Aldo Rossi as a paradigmatic figure of the critical rational tradition, studying a neglected aspect of his thought — the analogical city — to excavate its potential. McEwan develops a grammar of the analogical city under the headings of Imagination, Transformation, City, Multitude, and Project. McEwan argues that the analogical city is critical, collective, and emancipatory. Analogical thought and understanding cities as analogical might open the conditions of possibility for rethinking the critical project in architecture. At a time when the humanities and the sciences ...
Werktitel
Presents a themed overview of the work of graphic designer Piet Gerards. Includes fifty works chosen and provided with commentaries by the artist. The author describes and interprets Piet Gerards' development from self-taught man and left-wing activist to publisher and premiated maker of books, organizer of cultural productions and graphic designer.
Regulating Digital Industries
Regulating Digital Industries is the first book to address the tech backlash within a coherent policy framework. It treats competition, privacy and free speech as objectives that must be pursued in a coordinated fashion by a dedicated industry regulator. It contains detailed discussions of current policy controversies involving social media companies, search engines, electronic commerce platforms and mobile apps. It argues for new laws and regulations to promote competition, privacy and free speech in tech and outlines the structure and powers of a regulatory agency able to develop, implement and enforce digital rules for the twenty-first century. Deeply informed by the history of regulation...
Scratch My Name on Your Arm
For the past five years, Deanna Templeton has been photographing skateboard demonstrations, surfing competitions and other beachside congregations of kids in southern California. The photographs in Scratch My Name on Your Arm document a sexy trend emerging in Californian youth culture for getting famous surfers and skaters to autograph bare skin and underwear. Where once the autograph of an idol served primarily as a souvenir or keepsake (a scribble in a diary, on a poster or T-shirt), nowadays autographs on skin or intimate underwear have become the preferred method for drawing the attention of both the autographer and bystanders to one's scantily-clad self. In Scratch My Name on Your Arm, Templeton's black-and-white photographs record both an ephemeral form of calligraphy and body art and the burgeoning customs and styles of a subculture in the making.
