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A new generation of archaeologists has thrown down a challenge to post-processual theory, arguing that characterizing material symbols as arbitrary overlooks the material character and significance of artifacts. This volume showcases the significant departure from previous symbolic approaches that is underway in the discipline. It brings together key scholars advancing a variety of cutting edge approaches, each emphasizing an understanding of artifacts and materials not in terms of symbols but relationally, as a set of associations that compose people’s understanding of the world. Authors draw on a diversity of intellectual sources and case studies, paving a dynamic road ahead for archaeology as a discipline and theoretical approaches to material culture.
This collection of essays in Archaeologies of Mobility and Movement draws inspiration from current archaeological interest in the movement of individuals, things, and ideas in the recent past. Movement is fundamentally concerned with the relationship(s) among time, object, person, and space. The volume argues that understanding movement in the past requires a shift away from traditional, fieldwork-based archaeological ontologies towards fluid, trajectory-based studies. Archaeology, by its very nature, locates objects frozen in space (literally in their three-dimensional matrices) at sites that are often stripped of people. An archaeology of movement must break away from this stasis and c...
Archaeology, as with all of the social sciences, has always been characterized by competing theoretical propositions based on diverse bodies of locally acquired data. In order to fulfill local, regional expectations, different goals have been assigned to the practitioners of Archaeology in different regions. These goals might be entrenched in local politics, or social expectations behind cultural heritage research. This comprehensive book explores regional archaeologies from a sociological perspective—to identify and explain regional differences in archaeological practice, as well as their existing similarities. This work covers not only the currently-dominant Anglo-American archaeological paradigm, but also Latin America, Western and Eastern Europe, Asia, and Africa, all of which have developed their own unique archaeological traditions. The contributions in this work cover these "alternative archaeologies," in the context of their own geographical, political, and socio-economic settings, as well as the context of the currently accepted mainstream approaches.
Museums and Archaeology brings together a wide, but carefully chosen, selection of literature from around the world that connects museums and archaeology. Part of the successful Leicester Readers in Museum Studies series, it provides a combination of issue- and practice-based perspectives. As such, it is a volume not only for students and researchers from a range of disciplines interested in museum, gallery and heritage studies, including public archaeology and cultural resource management (CRM), but also the wide range of professionals and volunteers in the museum and heritage sector who work with archaeological collections. The volume’s balance of theory and practice and its thematic and geographical breadth is explored and explained in an extended introduction, which situates the readings in the context of the extensive literature on museum archaeology, highlighting the many tensions that exist between idealistic ‘principles’ and real-life ‘practice’ and the debates that surround these. In addition to this, section introductions and the seminal pieces themselves provide a comprehensive and contextualised resource on the interplay of museums and archaeology.
This book explores multiple burials, the presence of more than one individual within a grave, within the Viking Age mortuary landscape throughout Scandinavia and the lands of their westward diaspora. Even though a number of spectacular examples have captured the imagination of professionals and the public alike, multiple burials have not been the subject of dedicated and systematic archaeological investigation. By adopting a perspective grounded in relationality and an analysis that centres on three types of beings—humans, animals and things—this book explores the ways in which each being entered into entangled relationships with the other, thereby mutually constituting the nature of the...
Archaeologists excavating burials often find that they are not the first to disturb the remains of the dead. Graves from many periods frequently show signs that others have been digging and have moved or taken away parts of the original funerary assemblage. Displaced bones and artefacts, traces of pits, and damage to tombs or coffins can all provide clues about post-burial activities. The last two decades have seen a rapid rise in interest in the study of post-depositional practices in graves, which has now developed into a new subfield within mortuary archaeology. This follows a long tradition of neglect, with disturbed graves previously regarded as interesting only to the degree they revea...
"Compelling, energizing, and foundational. Opens up an anthropological orientation, one which is welcome and exhilarating. Lafrenz Samuels's equally significant introduction of the transnational as a new orientation in heritage studies offers an escape route from the conception of heritage as monopolized by the nation-state."--Denis Byrne, author of Counterheritage: Critical Perspectives on Heritage Conservation in Asia Mapping out emerging areas for global cultural heritage, this book provides an anthropological perspective on the growing field of heritage studies. Kathryn Lafrenz Samuels adopts a dual focus--looking back on the anthropological foundations for cultural heritage research whi...
The study of Old Norse religion is a truly multidisciplinary and international field of research. The rituals, myths, and narratives of pre-Christian Scandinavia have been studied and interpreted in detail relying mainly on Christian Icelandic literature from the Middle Ages. Here, Anders Andrén offers a long-term perspective on Old Norse cosmology and argues that the fundamental ideas of an ordered universe, time, and space in Old Norse religion can be studied in a dialogue between archaeology and the Icelandic narrative tradition. Ideas about the world tree, middle earth, and the sun can be traced in images and material culture from Scandinavian prehistory. By combining the prehistoric representations with the later written record the author presents a fresh and nuanced study of the fascinating Old Norse world.
An examination of coined money and its significance to rulers, aristocrats and peasants in early medieval Europe Between the end of the Roman Empire in the fifth century and the economic transformations of the twelfth, coined money in western Europe was scarce and high in value, difficult for the majority of the population to make use of. And yet, as Rory Naismith shows in this illuminating study, coined money was made and used throughout early medieval Europe. It was, he argues, a powerful tool for articulating people’s place in economic and social structures and an important gauge for levels of economic complexity. Working from the premise that using coined money carried special signific...
Displaying the Ideals of Antiquity investigates the study and display of ancient sculpture from archaeological, art historical, and museum studies perspectives. Ancient sculptures not only give us knowledge about ancient Greek and Roman pasts, but they also mediate ideals that inform modern perceptions of antiquity. This book analyzes how an art historical tradition establishes and preserves an idealized view of antiquity in classical archaeology and in museum exhibitions. The authors investigate how these ideals are kept alive today—an approach that often is neglected in studies on ancient reception.This book offers an international scope and illustrates how academic conceptual foundations influence museum exhibitions.This timely volume discusses contemporary museum exhibitions of ancient sculpture and clarifies how old discourses continue to affect museum exhibitions and conceptualizations of ancient sculptures. The authors analyze close to 100 museums around the world, and demonstrate the ways in which ancient sculptures are mediated across Europe and the West.