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Grave Disturbances
Archaeologists excavating burials often find that they are not the first to disturb the remains of the dead. Graves from many periods frequently show signs that others have been digging and have moved or taken away parts of the original funerary assemblage. Displaced bones and artefacts, traces of pits, and damage to tombs or coffins can all provide clues about post-burial activities. The last two decades have seen a rapid rise in interest in the study of post-depositional practices in graves, which has now developed into a new subfield within mortuary archaeology. This follows a long tradition of neglect, with disturbed graves previously regarded as interesting only to the degree they revea...
Deviant Burial in the Archaeological Record
This edited volume contains twelve papers that present evidence on non-normative burial practices from the Neolithic through to Post-Medieval periods and includes case studies from some ten countries. It has long been recognised by archaeologists that certain individuals in a variety of archaeological cultures from diverse periods and locations have been accorded differential treatment in burial relative to other members of their society. These individuals can include criminals, women who died during childbirth, unbaptised infants, people with disabilities, and supposed revenants, to name but a few. Such burials can be identifiable in the archaeological record from an examination of the loca...
Anglo-Saxon Deviant Burial Customs
Anglo-Saxon Deviant Burial Customs is the first detailed consideration of the ways in which Anglo-Saxon society dealt with social outcasts. Beginning with the period following Roman rule and ending in the century following the Norman Conquest, it surveys a period of fundamental social change, which included the conversion to Christianity, the emergence of the late Saxon state, and the development of the landscape of the Domesday Book. While an impressive body of written evidence for the period survives in the form of charters and law-codes, archaeology is uniquely placed to investigate the earliest period of post-Roman society - the fifth to seventh centuries - for which documents are lackin...
Mapping Archaeological Landscapes from Space
Mapping Archaeological Landscapes from Space offers a concise overview of air and spaceborne imagery and related geospatial technologies tailored to the needs of archaeologists. Leading experts including scientists involved in NASA’s Space Archaeology program provide technical introductions to five sections: 1) Historic Air and Spaceborne Imagery 2) Multispectral and Hyperspectral Imagery 3) Synthetic Aperture Radar 4) Lidar 5) Archaeological Site Detection and Modeling Each of these five sections includes two or more case study applications that have enriched understanding of archaeological landscapes in regions including the Near East, East Asia, Europe, Meso- and North America. Targeted...
Human Subjects Research after the Holocaust
“An engaging, compelling and disturbing confrontation with evil ...a book that will be transformative in its call for individual and collective moral responsibility." – Michael A. Grodin, M.D., Professor and Director, Project on Medicine and the Holocaust, Elie Wiesel Center for Judaic Studies, Boston University Human Subjects Research after the Holocaust challenges you to confront the misguided medical ethics of the Third Reich personally, and to apply the lessons learned to contemporary human subjects research. While it is comforting to believe that Nazi physicians, nurses, and bioscientists were either incompetent, mad, or few in number, they were, in fact, the best in the world at th...
Art and the Formation of Early Medieval England
This Element covers the art produced in early medieval England from the departure of the Romans to the early twelfth century, an art that shows the input of multi-ethnic artists, patrons, and influences as it develops over the centuries. Art in early medieval England is an art of migrants and colonisers and the Element considers the way in which it was defined and developed by the different groups that travelled to or settled on the island. It also explores some of the key forms and images that define the art of the period and the role of both material and artist/patron in their creation. Art is an expression of identity, whether individual, regional, national, religious, or institutional, and this volume sheds light on the way art in early medieval England was and continues to be used to define particular identities, including that of the island on which it was produced.
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Cemeteries and Society in Merovingian Gaul
Bundeling van de zeven belangrijkste essays over de sociale interpretatie van de Merovingische begraafplaatsen-archeologie.
