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The circus has been both one of the most influential forms of international popular entertainment and yet at the same time remains almost entirely absent from academic studies of popular theatrical forms. This book offers readers an introduction to the cultural history of the circus and gives an account of the dominant characteristics of the circus's aesthetic practices and relates these to the sometimes precarious developments, changes and variations in its economic organization, architecture and social status. The book goes on to outline the particular challenges that this essentially live, dangerous and body-centred form presents to literary and film representation and does so through the particular examples of works by Charles Dickens, Federico Fellini and Wim Wenders. This wide-ranging and accessible book offers ways of thinking about the meaning and significance of the circus as a specifically modern form of art and entertainment.
William Stoddart presents an intelligently selected and organized collection of newspaper cuttings, taken from numerous periodicals during the years 1957 to 1969 that deal with inter-religious relations and social attitudes of that time, and uses them as a basis for comparing the current relations and attitudes, and, in a striking way, shows how there has been an immense deterioration. He provides important insights regarding public moral standards, political correctness and the degeneration of modern art from the analysis of this selection.
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During a long and distinguished career in photojournalism, Tom Stoddart has documented many of the world's most incredible events, including the scourge of famine and AIDS in Africa, the strife of civil war in the Balkans, and the monumental destruction of a superpower in Iraq. His powerful, humanistic, black-and-white photographs have won him many awards and the international respect of his peers. iWITNESS is as much a celebration of Stoddart's exceptional career as a photojournalist as it is a merciless diatribe on the day-to-day business of how the world conducts itself. This is an intensely personal view by an observer who refuses to believe that human beings can only exist in conflict with one another and the environment they inhabit. An exhibition of this work will be mounted in London in the summer of 2004 and will then travel worldwide.
Reprint of the original, first published in 1843.
* A photographic collection that salutes the strong will of women through times of war, poverty and hardship* Photographic assignments from The Balkans, The Sudan, Mozambique, South Africa, India, Bangladesh, Lebanon, Iran, Iraq, Afghanistan, Albania, Turkey, China, America, Ireland, and much more* Foreword by Angelina Jolie, introduction by Robin Morgan, Editor in Chief of the Sunday Times Magazine (1991-2009)* The Extraordinary Women images will be screened at Visa pour I'image, the world's biggest international festival of photojournalism at Perpignan, France, in the first week of September. Extraordinary Women will be exhibited at Side Gallery in Newcastle upon Tyne from Saturday 26th Se...