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"Human faces are carved in surprising ways into Garrity's work, suggesting the threads that connect myth, past and present, and even forces of nature." (c)2000 Boston Neighborhood News 'Introduction to Stone Carving, ' is a step by step illustrated guide to the art of direct stone sculpture by award winning artist, DJ Garrity. Developed during his tenure as Sculptor-In-Residence of Mount Rushmore National Memorial, the artist introduces the 'process aesthetic, ' a subtle approach that allows a likeness and essence of personality to emerge from within the ancient patina and natural contours of stone. The techniques and illustrations presented are derived from a sculpture created by the artist at The Berry Botanic Garden of Portland, Oregon, and serve as a creative template for workshops and seminars at botanic gardens, museums and art associations across America and Ireland.
Stone monuments and objects are highly accessible today and formed a focus for engagement, transformation and re-use in the past. Stone is inextricably linked to ideas of monumentality and remembrance. It formed an active medium in the creation of identities and memory in a range of social contexts and practices, including the embodied, performative and incorporated practices of daily activities and traditions. It can be argued that the material presence and physical character of stone objects and monuments were not only actively harnessed in these encounters, but were also the very stuff from which social relations were derived, perceived and thought through. This volume explores the power and effect of stone through the meanings that emerged out of peoples engagement and encounters with its physical properties. Focused primarily on the Neolithic and Bronze Age of Atlantic Europe it brings together authors working on the materiality (materialitas) of stone via stone objects, rock art, monuments and quarrying activity. This highlights the connections that cross-cut what are traditionally seen as disparate research areas within the archaeological discipline.
"Few decorative crafts can claim to be more ancient than stone carving, with the earliest carved objects being dated well into prehistory. The greatest monuments to human civilization, from the temples of ancient Mesopotamia and Egypt to the great cathedrals of Medieval Europe, are richly ornamented with decorative relief and sculpture carved in stone. Alan Micklethwaite, a stone carver with many years' experience in the conservation of historic monuments and sculpture, introduces the reader to the techniques and methodology of restoration stone carving, from simple relief to complex sculpture in the round, set against a sound conservation philosophy. The book provides a thorough understandi...
Based mainly on the period styles of carving found in historic buildings and ancient ruins, this book features projects which include a mix of decorative and sculptural objects that can be easily displayed in the home or garden.
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The ancient and wonderful art of direct stone sculpture is brought to life in this comprehensive new book by the noted sculptor, Milt Liebson. After a brief, informative historical overview of stone sculpture, he leads the reader through the hands-on experience of sculpting in stone. This is the book that artists, and would-be artists in stone have been seeking for many years.The types of stone used in sculpture are covered, as well as the basic tools for hand sculpting and the techniques for their use. For the advanced sculptor there is detailed information on power tools and their use, the methods of lamination and repair, the business side of stone sculpture, and other helpful information gleaned from years of experience.Detailed photographs take the readers from the rough stone to the polished and mounted piece.Direct Stone Sculpture promises to be the standard reference work in the field for years to come.
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Part of the new 'Basics of Sculpture' series. Sculpting in Stone aims to give the beginner a thorough grounding and knowledge of this ancient craft. It introduces the novice to the basics, looking at the various types of rock (everything from sandstone to marble) and their suitability for specific projects, examining the specific tools needed, their purpose and uses, and discusses creating a safe and suitable environment to work in. The projects are well illustrated and each one introduces specific skills, such as using tools correctly, texturing the surface, drawing the outline of the sculpture, gauging the depth of the relief to be carved, carving letters, or how to cut away large volumes of stone. The projects cover how to carve an inscription, and a Celtic knot and then work up to 3D forms both formal and freehand. It also covers the use of adhesives with stone and how to carry out small repairs. This book is the complete guide to getting started in stone carving.