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Canadian Performance Documents and Debates provides insight into theatrical activities from the seventeenth century to the early 1970s, and probes important yet vexing questions about Canada as a country and a concept. The volume collects playscripts and archival material such as photographs, petitions, performance programs, and musical scores to explore what these documents tell us about the values, debates, and priorities of artists and their audiences from the past 400 years. For each of the 31 chapters, leading and emerging scholars offer introductions that rethink the artistic, economic, and socio-political significance of plays, dance, opera, circuses, and other performance genres and ...
Kidnie brings current debates in performance criticism in contact with recent developments in textual studies to explore what it is that distinguishes Shakespearean work from its apparent other, the adaptation.
Jan Rubes has been a leading performer and director on film, stage, radio and TV and has a varied interest. He emigrated to Canada from Czechoslovakia in 1949 and was soon a leading bass in the Canadian Opera Company. He has performed throughout Canada and the US in countless solo recitals and appearances with symphony orchestras. With his wife, he developed Young People's Theatre in Toronto. A member of the Order of Canada, he holds two doctorates and has been both a national tennis champion as well as an important part of the history of performing arts in Canada. Clearly a man of many talents.
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The Canadian theatre has seen an extraordinary growth in writing talent and new professional companies in the last two decades. This is the first book accurately to chart its expansion and development from the beginnings to the present day. With some 680 entries including biographies of actors, playwrights, directors, and designers and details of major plays, and such diverse subjects as theatres and companies, collective theatre, ethnic theatre, musical theatre, and radio and television drama, this is a unique and definitive reference work, offering a mine of fascinating information to all readers interested in the theatre.
Presents the first comprehensive study of 20th-century theater in Ontario, with eight original essays devoted to the evolution of performance. Subjects include professional performers and companies, "illegitimate" theater, summer festivals, university theater, the development of theatrical design, theater criticism, key playwrights of the period, and amateur theater. Concludes with an overview of resources for further study. Includes bandw photos. For students, scholars, and general readers. Paper edition (unseen), $24.95. Annotation copyrighted by Book News, Inc., Portland, OR
Canada’s foremost cookbook author began her career, not as a cook, but as a journalist writing for Canadian magazines. She was 60 when she turned her attention to food. Food That Really Schmecks immediately became a best-seller, and continues to sell 35 years later. It’s more than a book of wonderful recipes - it also describes the Mennonite way of life. The success of that book led to two more Schmecks books and many other cookbooks. Edna has received the Order of Canada among many other awards. Over the years, Edna developed longstanding friendships with many of Canada’s greatest writers, including Margaret Laurence, W.O. Mitchell, Sheila Burnford, and Pierre Berton. In 1991 she established The Edna Staebler Award for Creative Non-fiction to recognize the first or second book of a Canadian writer. To Experience Wonder is the first book to explore behind the scenes of this successful writer’s life. At the age of 97, Edna leads an active life at her cottage on Sunfish Lake, where she writes, reads, and welcomes the many aspiring writers who come to visit.
Widely sold abroad, Beachcombers and North of 60 are what many international audiences know about Canada. In Outside Looking In Mary Jane Miller traces the evolution of representations of First Nations people in fifty years of Canadian television broadcasts.
Slings & Arrows, starring Susan Coyne, Paul Gross, Don McKellar, and Mark McKinney as members of the New Burbage Theatre Festival, was heralded by television critics as one of the best shows ever produced and one of the finest depictions of life in classical theatre. Shakespeare scholars, however, have been ambivalent about the series, at times even hostile. In Shakespeare and the World of “Slings & Arrows” Gary Kuchar situates the three-season series in its cultural and intellectual contexts. More than a roman à clef about Canada’s Stratford Festival, he shows, it is a privileged window onto major debates within Shakespeare studies and a drama that raises vital questions about the ro...