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Shakespeare and the Problem of Adaptation
Kidnie brings current debates in performance criticism in contact with recent developments in textual studies to explore what it is that distinguishes Shakespearean work from its apparent other, the adaptation.
Shakespeare and Textual Studies
A cutting-edge and comprehensive reassessment of the theories, practices and archival evidence that shape editorial approaches to Shakespeare's texts.
A Companion to Shakespeare and Performance
A Companion to Shakespeare and Performance provides astate-of-the-art engagement with the rapidly developing field ofShakespeare performance studies. Redraws the boundaries of Shakespeare performance studies. Considers performance in a range of media, including in print,in the classroom, in the theatre, in film, on television and video,in multimedia and digital forms. Introduces important terms and contemporary areas of enquiry inShakespeare and performance. Raises questions about the dynamic interplay betweenShakespearean writing and the practices of contemporary performanceand performance studies. Written by an international group of major scholars, teachers,and professional theatre makers.
The Taming of the Shrew
Few of Shakespeare's comedies have proved more popular and enduring than The Taming of the Shrew - and yet it has come to seem one of Shakespeare's more controversial plays. An analysis of the drama that is attentive to its theatrical challenges and stage history allows a better understanding of its power to provoke such diverse responses. How might Katerina's final speech be staged in the twenty-first century? Must it be played for irony, or are her words sincere? How might other characters on stage respond to her account of a woman's duty to her husband? This Handbook provides students and theatre-goers with a performance-oriented guide to the drama. Its commentary explores the action scene by scene, drawing on discussions elsewhere in the book of Shakespeare's cultural and historical moment, and the play's continued fortunes on the stage and screen. Margaret Jane Kidnie equips readers with the skills and materials with which to explore the variety of ways in which this 'troubling comedy' or 'light tragedy' might take on meaning today for modern audiences.
Textual Performances
This important collection brings together leading scholars to examine crucial questions regarding the theory and practice of editing Shakespeare's plays. In particular, the essays look at how best to engage editorially with evidence provided by historical research into the playhouse, author's study and printing house. How are editors of playscripts to mediate history, in its many forms, for modern users? Considering our knowledge of the past is partial (in the senses both of incomplete and ideological) where are we to draw the line between legitimate editorial assistance and unwarranted interference? In what innovative ways might current controversies surrounding the mediation of Shakespeare's drama shape future editorial practice? Focusing on key points of debate and controversy, this collection makes a vital contribution to a better understanding of how editorial practice (on the page and in cyberspace) might develop in the twenty-first century.
Writing Performative Shakespeares
This original and innovative study offers the reader an inventive analysis of Shakespeare in performance.
Still Shakespeare and the Photography of Performance
Examines both theatrical and staged art photographs, demonstrating their role in fixing and unfixing Shakespearean authority.
The Taming of the Shrew
The beautiful Katherina has sworn, never to accept the demands of any would-be husband. But when she is pursued by the wily Petruchio, it seems that she has finally met her match. And as he meets her own caustic words with a feigned, she comes to understand the absurdity of her shrewish behaviour, in one of the comic battles of the sexes.
