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Place, Practice, Politics
What futures are we designing by default? What collaborations are we complicit in? How can we incorporate an active civic engagement into our professional and creative practice – into our everyday lives? Esther Anatolitis presents a dynamic snapshot of her own practice from a distinctly Australian context but with a global perspective, offering tools and techniques for integrating civic engagement into daily practice. Taking leaps across spatial, creative, professional and political work, this is an unsettling text.
Dirty Theory
Dirty theory follows the dirt of material and conceptual relations from the midst of complex milieus. It messes with mixed disciplines, showing up in ethnography, in geography, in philosophy, and discovering a suitable habitat in architecture, design and the creative arts. Dirty theory disrupts a comfortable status quo, including our everyday modes of inhabitation and our habits of thinking. This small book argues that we must work with the dirt to develop an ethics of care and mainte- nance for our precarious environment-worlds.
A Ficto-Historical Theory of the London Underground
This book offers a vision of the London Underground written in the form of a ficto-historical narrative, which combines history and fiction in the creation of a set of theoretical propositions for London's subterranean transportation network. Its amateur-scholar protagonist takes the reader on a labyrinthine journey into the world of research, with sources personified and their works appropriated and subverted. The book offers a model for practising writing and research in the context of architectural history and theory.
Scandalous Space
If architecture is a design-centred discipline which proceeds by suggesting propositional constructions then, Zambelli argues, archaeology also designs, but in the form of reconstructions. He proposes that whilst practitioners of architecture and archaeology generally purport to practice in future-facing and past-facing-modes respectively, elements of these disciplines also resemble one another. Zambelli speculates that whilst some of these resemblances have remained explicit and revealed, others have become occluded with time, but that all such resemblances share homological similarities of interconnected disciplinary origin making available in the scandalous space between them a logically underpinned, visually analogical form of practice.
Modular Structures in Design and Architecture
An exciting method of educational motivation, systematic architectural approach, and understanding of complex geometries.
Problem Invention
This evocative and self-reflective book opens broader and pertinent questions about the physical nature of the architectural design process that will resonate with many of us who are prepared to work sympathetically with material. It is the conscious introduction of artistic experimentation in the architects material practice that can gradually enable intimacy, complexity and the shaping of novelty, as Bertram argues. A loving and rigorous attention to making opens exciting spatial questions and promptsþproblem inventionþ. Bertram helps us to understand this process by linking architecture with philosophy, science and art". - Yeoryia Manolopoulou, Professor of Architecture and Experimental Practice, The Barlett School of Architecture00.
Biomorphic Structures
From leaves to liquids, caves to crystal formations, nature has always been a major source of inspiration for architects. This book examines how nature can act as a precedent for design solutions through twelve case studies. Packed with computer drawings, sketches, models, and photographs, this will be an ideal resource of ideas for students in their studio work, as well as for practicing architects.
Form Defining Strategies
"This book examines experimental design methodologies in the field of architecture and their implementation in academic settings. Theoretical considerations by guest editors and numerous examples of conceptual designs complement our holistic approach to the subject matter. The studies collected here emerged during weekly workshop during 2007 and 2008 with architecture students at the Technische Universität Darmstadt and the Aristotle University of Thessaloniki." -- front book flap.
Breaking Glass
Within a relatively short time, Augmented and Virtual Reality have emerged centre stage in architecture and the arts as novel means for exploring how their creative output is produced, mediated and experienced. Feeding the continuous spectrum between the "fully real" and the "fully virtual," the underlying technology of these media present machine-generated sensorial input where to date the image-based dominate. With these inputs, corporeal existence see "virtual" experiences thrown on the scale with "real" ones as the concepts and models for how we understand perceptional dynamics are shifting. While teasing the disciplines with creative opportunities, the use of the media presents a stagge...
A New Manifold
A NEW MANIFOLD, the inaugural issue of SAC JOURNAL, addres- ses the increased specialisation and possible fragmentation of ex- pertise within architecture. Whilst historically always an amalgam of numerous forms of input, architecture is currently facing the necessi- ty to assimilate and process hitherto unknown amounts and rates of information flow. How can architecture relate to the emerging forms of specialisation within the discipline - not the least in its pedagogy and academic programmes? The issue uses the academic programme of the Städelschule Architecture Class to reflect on these questions. The work presented comprises the finalists for the AIV Master Thesis Prize 2013.
