Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Introduction to Prakrit
Introduction to Prakrit provides the reader with a guide for the more attentive and scholarly study of Prakrit occurring in Sanskrit plays, poetry and prose--both literary and inscriptional. It presents a general view of the subject with special stress on Sauraseni and Maharastri Prakrit system. The book is divided into two parts. Part I consists of I-XI Chapters which deal with the three periods of Indo-Aryan speech, the three stages of the Middle Period, the literary and spoken Prakrits, their classification and characteristics, their system of Single and Compound Consonants, Vowels, Sandhi, Declension, Conjugation and their history of literature. Part II consists of a number of extracts from Sanskrit and Prakrit literature which illustrate different types of Prakrit--Sauraseni, Maharastri, Magadhi, Ardhamagadhi, Avanti, Apabhramsa, etc., most of which are translated into English. The book contains valuable information on the Phonetics and Grammar of the Dramatic Prakrits--Sauraseni and Maharastri. It is documented with an Index as well as a Students' Bibliography.
The Daśanāmī-saṃnyāsīs
This book provides an account of the organisation, practices and history of the Daśanāmī-Saṃnyāsīs, one of the largest sects of sādhu-s ('holy men') in South Asia, founded, according to tradtion, by the legendary philosopher Śaṅkarācārya.
The Hawaiian Steel Guitar and Its Great Hawaiian Musicians
(Fretted). The term "steel guitar" can refer to instruments with multiple tunings, 6 to 14 strings, and even multiple fretboards. To add even more confusion, the term "Hawaiian guitar" refers to an instrument played flat on the lap with a steel bar outside of Hawaii, but in Hawaii, it is the early term for the slack key guitar. Lorene Ruymar clears up the confusion in her new book that takes a look at Hawaiian music; the origin of the steel guitar and its spread throughout the world; Hawaiian playing styles, techniques and tunings; and more. Includes hundreds of photos, a foreword by Jerry Byrd, and a bibliography and suggested reading list.
Abhinavagupta
Abhinavagupta, a leading figure in Kashmir Saivism is increasingly being recognised as one of the chief contributors to the evolution of Indian thought. In his encyclopaedic work the Tantraloka 'Light on the Tantras' he describes the various tantras of his day and places at their apex the most extreme of them, the Kula ritual which proposes the use of wine and meat and intercourse with women of the lowest castes. In Abhinavagupta's esteem of the Kula ritual just the shodow side of genius an aberration best forgotten? This work is a translation-the first into english of any chapter of the Tantraloka of Abhinavagupta's version of the Kula ritual.
Sonic Theology
None
Looking at it from Asia: the Processes that Shaped the Sources of History of Science
How do Documents Become Sources? Perspectives from Asia and Science Florence Bretelle-Establet From Documents to Sources in Historiography The present volume develops a specific type of critical analysis of the written documents that have become historians’ sources. For reasons that will be explained later, the history of science in Asia has been taken as a framework. However, the issue addressed is general in scope. It emerged from reflections on a problem that may seem common to historians: why, among the huge mass of written documents available to historians, some have been well studied while others have been dismissed or ignored? The question of historical sources and their (unequal) use in historiography is not new. Which documents have been used and favored as historical sources by historians has been a key historiographical issue that has occupied a large space in the historical production of the last four decades, in France at least.
Kávya prakása
None
The History and Mythology of the Kumbh Mel_: A Weeny Introduction
The Kumbh Melā, which takes place in India approximately every three years, is the largest festival in the world. This short introduction to its history and mythology was originally published as an appendix to my study of a sect of Indian sādhus, the Daśanāmī-Saṃnyāsīs (The Daśanāmī-Saṃnyāsīs: The Integration of Ascetic Lineages into an Order. Leiden/Boston: E. J. Brill, 2006). It has been reprinted in this small booklet to enable easy access to the information. This booklet is slightly out of date, as only a few publications on this topic have been consulted since this article was first published, in 2006. Dr. Matthew Clark, Research Associate, School of Oriental and African Studies (SOAS), University of Lon
Kalidasa's Meghaduta.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
