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Cubism & Australian Art
Cubism was a movement that changed fundamentally the course of twentieth-century art. It had far-reaching effects, both conceptual and stylistic, which are still being felt today. Described in 1912 by French poet and commentator Guillaume Apollinaire as 'not an art of imitation, but an art of conception', Cubism irreversibly altered art's relationship to visual reality. 'I paint things as I think them, not as I see them', Picasso said. Cubism and Australian Art examines for the first time the impact of this transformative art movement on the work of Australian artists, from the early 1920s to the present day. The authors argue that by its very nature, Cubism was characterised by variation an...
MY METEORIC RISE TO OBSCURITY
"I was fortunate to work with some of the biggest stars in show business. People such as John Wayne, Lucy, Dick Van Dyke, Mary Tyler Moore, George Burns, Jack Benny, Cher, Hal Holbrook, Jaime Farr, Rob Reiner, Sharon Gless, Anne Francis, Jack Lemmon, and more. Many of them were dolls.a few were putzes. I, also, got to know lots of studio and network bosses.some creative, most dumb as a doorknob. I earned a heck of a good living during those fifty years. No regrets. Since this is my book, I intend to tell the truth about me and the people I met during my journey. I have no intention to purposely hurt or be ugly about anyone. However, I am honest about the people I mention in this book. My praise and gratitude might embarrass some of my friends and co-workers - but they will get over it. If some of the people think I was too rough or made them out as monsters - so be it. They'll get over it, too."
Hilma Af Klint
Hidden from view for decades, the work of Hilma af Klint (1862?1944) has captured the imagination of contemporary audiences. She is now widely regarded as a pioneer of twentieth-century abstract art. Her paintings are monumental in scale, with radiant color combinations, enigmatic symbols, and otherworldly shapes. In an era of limited creative freedom for women, her secret paintings were an outlet for her prodigious intelligence, spiritual quest, and groundbreaking artistic vision. Hilma af Klint: The Secret Paintings includes over 125 artworks, ranging from enormous canvasses to small watercolors; pages from her detailed notebooks; and a selection of photographs and other images. Five essays and an illustrated chronology reveal new research on af Klint, her practice, and her place in art history.
Volume One
"The work features over 280 works by more than 170 Australian artists drawn from a period of acquisitions which began with the consitution of the MCA in May 1989."--p. 17.
The Other Side
The first major work of art history to focus on women artists and their engagement with the spirit world, by the author of The Mirror and the Palette. It's not so long ago that a woman's expressed interest in other realms would have ruined her reputation, or even killed her. And yet spiritualism, in various incarnations, has influenced numerous men—including lauded modernist artists such as Wassily Kandinsky, Piet Mondrian, Kazimir Malevich and Paul Klee—without repercussion. The fact that so many radical female artists of their generation—and earlier—also drank deeply from the same spiritual well has been sorely neglected for too long. In The Other Side, we explore the lives and wor...
Zora
The central and precipitating event in this first-rate historical novel by the author of The Kingmakers is the genocide of the Armenians carried out by the Turks in 1915. As a girl of 12, Zora Kazorian witnesses her mother's murder and the slaughter of her neighbors at the hands of the Turkish butcher Kemal Gokalp, aka the Gray Wolf. After a long struggle, she escapes to America with her 10-year-old brother Arra. Years of a different kind of struggle ensue, and in the end the Kazorians achieve brilliant success in their new country-she as an opera diva and he as a businessman. But success is not enough. Zora burns with a need to right the old wrong, or at least gain an admission that it occurred; most people quickly forgot about the massacre, a fact that was not lost on Hitler. So, 40 years later, Zora arranges an accounting with the perpetrators. Richly and authentically detailed, with characters of dimension and substance, this novel convincingly illuminates a tragic era. In addition to his vivid characterizations, Sederberg's ability to integrate long stretches of time and wide sweeps of geography and circumstance is impressive.
When Modern Became Contemporary Art
This book is a portrait of the period when modern art became contemporary art. It explores how and why writers and artists in Australia argued over the idea of a distinctively Australian modern and then postmodern art from 1962, the date of publication of a foundational book, Australian Painting 1788–1960, up to 1988, the year of the Australian Bicentennial. Across nine chapters about art, exhibitions, curators and critics, this book describes the shift from modern art to contemporary art through the successive attempts to define a place in the world for Australian art. But by 1988, Australian art looked less and less like a viable tradition inside which to interpret ‘our’ art. Instead...
Through Dark Eyes
The cast in Through Dark Eyes are rich with equally strong male and female characters, as tough as they are feminine. In the background, you can feel the changes that are to sweep across Africa. These are pioneering times and the characters work hard and play hard. The land is fertile, but in this savage and dangerous country with its extremes of climate the members of the community need to rely on each other. Passions are seldom far from the surface, and relationships are formed with little heed to suburban niceties. The authors love for the countryside is infectious. Her characters are very obviously drawn from life, and as you follow their fortunes with her you will feel the history of a bygone era.
Fields of Vision
Filmed images dominate our time, from the movies and TV that entertain us to the news and documentary that inform us and shape our cultural vocabulary. Crossing disciplinary boundaries, Fields of Vision is a path-breaking collection that inquires into the power (and limits) of film and photography to make sense of ourselves and others. As critics, social scientists, filmmakers, and literary scholars, the contributors converge on the issues of representation and the construction of visual meaning across cultures. From the dismembered bodies of horror film to the exotic bodies of ethnographic film and the gorgeous bodies of romantic cinema, Fields of Vision moves through eras, genres, and soci...
Art After Appropriation
Beginning with the first comprehensive account of the discourse of appropriation that dominated the art world in the late 1970s and 1980s, Art After Appropriation suggests a matrix of inflections and refusals around the culture of taking or citation, each chapter loosely correlated with one year of the decade between 1989 and 1999. The opening chapters show how the Second World culture of the USSR gave rise to a new visibility for photography during the dissolution of the Soviet Union around 1989. Welchman examines how genres of ethnography, documentary and travel are crossed with fictive performance and social improvisation in the videos of Steve Fagin. He discusses how hybrid forms of subj...
