Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Goddess and the Nation
Making the case for a new kind of visual history, The Goddess and the Nation charts the pictorial life and career of Bharat Mata, “Mother India,” the Indian nation imagined as mother/goddess, embodiment of national territory, and unifying symbol for the country’s diverse communities. Soon after Mother India’s emergence in the late nineteenth century, artists, both famous and amateur, began to picture her in various media, incorporating the map of India into her visual persona. The images they produced enabled patriotic men and women in a heterogeneous population to collectively visualize India, affectively identify with it, and even become willing to surrender their lives for it. Fil...
Gandhi in the Gallery
- Mohandas K. Gandhi has been described as an artist of non-violence, crafting as he did a set of practices of the self and politics that earned him the mantle of Mahatma, the great soul. Mohandas K. Gandhi has been described as 'an artist of non-violence, ' crafting as he did a set of practices of the self and politics that earned him the mantle of Mahatma, 'the great soul.' His philosophy and praxis of satyagraha, non-violent civil disobedience, has been analyzed extensively. But is satyagraha also an aesthetic regime, with practices akin to a work of art? Is Gandhi, then, an artist of disobedience? Sumathi Ramaswamy explores these questions with the help of India's modern and contemporary...
The Lost Land of Lemuria
Annotation This is a fascinating study of Lemuria--a mythical continent which was once believed to bridge the land masses of India and Africa millennia ago before ultimately sinking into the Indian sea. Like the lost city of Atlantis, many people--from Theosophists to Tamil nationalists--have considered Lemuria their "lost cradle of civilization."
Passions of the Tongue
Why would love for their language lead several men in southern India to burn themselves alive in its name? Passions of the Tongue analyzes the discourses of love, labor, and life that transformed Tamil into an object of such passionate attachment, producing in the process one of modern India's most intense movements for linguistic revival and separatism. Sumathi Ramaswamy suggests that these discourses cannot be contained within a singular metanarrative of linguistic nationalism and instead proposes a new analytic, "language devotion." She uses this concept to track the many ways in which Tamil was imagined by its speakers and connects these multiple imaginings to their experience of colonial and post-colonial modernity. Focusing in particular on the transformation of the language into a goddess, mother, and maiden, Ramaswamy explores the pious, filial, and erotic aspects of Tamil devotion. She considers why, as its speakers sought political and social empowerment, metaphors of motherhood eventually came to dominate representations of the language.
Terrestrial Lessons
Prologue: Global itineraries, Earth inscriptions -- In pursuit of a global thing -- "As you live in the world, you ought to know something of the world"--The global pandit -- Down to Earth? Of girls and globes -- "It's called a globe. It is the Earth. Our Earth!" -- Epilogue: The conquest of the world as globe
Barefoot Across the Nation
This book is the first inter-disciplinary engagement with the work of Maqbool Fida Husain, arguably India's most iconic contemporary artist today, whose life and work are intimately entangled with the career of independent India as a democratic, secular and multi-ethnic nation. For more than half a century, and across thousands of canvases, Husain has painted individuals and objects, events and incidents that offer an astonishing visual chronicle of India through the ages. The 13 articles in this volume - written by distinguished artists, curators, anthropologists, historians, art historians and critics, sociologists and scholars of post-colonial literature and religion - critically examine ...
Terrestrial Lessons
Why and how do debates about the form and disposition of our Earth shape enlightened subjectivity and secular worldliness in colonial modernity? Sumathi Ramaswamy explores this question for British India with the aid of the terrestrial globe, which since the sixteenth century has circulated as a worldly symbol, a scientific instrument, and not least an educational tool for inculcating planetary consciousness. In Terrestrial Lessons, Ramaswamy provides the first in-depth analysis of the globe’s history in and impact on the Indian subcontinent during the colonial era and its aftermath. Drawing on a wide array of archival sources, she delineates its transformation from a thing of distinction possessed by elite men into that mass-produced commodity used in classrooms worldwide—the humble school globe. Traversing the length and breadth of British India, Terrestrial Lessons is an unconventional history of this master object of pedagogical modernity that will fascinate historians of cartography, science, and Asian studies.
Husain's Raj
- This will be the first monograph-length analysis of Husain's paintings- Husain's Raj Series featured playful vignettes of the Raj that introduced the British Empire in India to a new generation of viewers- Husain's signature modernist style is modulated to accommodate this playful engagement with his colonial pastThis monograph forefronts the ludic quality in the work of Maqbool Fida Husain, postcolonial India's most iconic modernist and also arguably its most playful. His Images of the Raj or the Raj Series comprise paintings densely packed with bodies and objects, English and native, men and women (and some animals too), who are brought together in visual action in a manner that is enorm...
Beyond Appearances?
`Beyond Appearances? provides a dynamic fourm for the main exponents of the anthropological turn in studies of South Asian popular visual culture, and will prove an inspiration for a generation of emerging scholars' - The Journal of the Royal Anthropological Institute A striking feature of modern-day society is the ubiquity of the visual or the image in everyday life. Modernity seems to be marked by the hegemony of its vision, with everything being measured by its ability to show or be shown. But how does this linking of the visual to the modern stand up to scrutiny when placed within the contexts of the complicated picture-worlds, print-complexes and image-cultures of India? This is the pri...
Empires of Vision
Empires of Vision brings together pieces by some of the most influential scholars working at the intersection of visual culture studies and the history of European imperialism. The essays and excerpts focus on the paintings, maps, geographical surveys, postcards, photographs, and other media that comprise the visual milieu of colonization, struggles for decolonization, and the lingering effects of empire. Taken together, they demonstrate that an appreciation of the role of visual experience is necessary for understanding the functioning of hegemonic imperial power and the ways that the colonized subjects spoke, and looked, back at their imperial rulers. Empires of Vision also makes a vital p...
