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Low-firing and Burnishing
This book covers techniques of firing and finishing at low temperature without using glazes. Many ancient cultures and contemporary potters use methods of low firing, adding slips and burnishing pieces to create a more natural finish. The advantages are that it can be done without a kiln using old dustbins, pits dug out of the earth, or bonfires, meaning that providing you have outdoor space, it can be done on a low budget. This book is a step-by-step practical approach and beginner's guide, which focuses on how to do low firing and natural finishes, with many illustrations of beautiful work by contemporary makers. Chapters include burnishing, terra sigillata, smoke-firing, pit-firing, saggar firing and raku techniques.
In the Potter's Kitchen
"In the Potters Kitchen comes out of Sumi von Dassow's love of both cooking and pottery, and her desire to share both passions with as many people as possible. Besides her own explorations in the studio and kitchen, she's reached out to potters who share her passion of food and clay to make this book a truly one-of-a-kind experience. You'll discover information on materials, glazes and what to consider when making pots to cook in and serve on. You'll also find many step-by-step techniques for creating casseroles to tagines, as well as scores of examples from dozens of artists, well-tested recipes and more. If you are a potter who loves to cook (or a cook who loves to pot), happy potting, and bon appetit!"--Back cover.
Barrel, Pit, and Saggar Firing
This new handbook reflects the growing interest in pit firing and related techniques. The articles included here were carefully selected to illustrate the wide range of approaches to barrel, pit and saggar firing. Works ranging from wheel-thrown and coil-built pots to complex sculptures are tied together by a similarity in the firing process. Standard versions of these firing techniques as well as innovative variations are discussed. The editors of The American Ceramic Society, Ceramics Monthly magazine, and of this book, are sure that artists, teachers, students, and collectors alike will find value in these pages. Whether the book is used by ceramic artists and students as inspiration for new work, or by teachers as a source of ideas for projects or workshops, or by pottery aficionados as a stepping stone to greater understanding of the art, we hope it brings enjoyment to all who read it.
Surface Decoration
None
Extruder, Mold & Tile
Extruder, Mold and Tile:Forming Techniques includes a wide variety of articles on forming techniques that go beyond throwing and handbuilding. Drawing primarily from articles published within the past 4 years, this book covers different techniques that utilize extruders or molds during the forming process and also includes tilemaking techniques. Discussions about molds and moldmaking, plaster, extruder use and projects, and tilemaking tips, techniques, and projects.
Glazes and Glazing
None
Colour in Glazes
An essential handbook for studio potters working towards achieving a fantastic spectrum of colourful glazes. Colour in Glazes teaches you all the methods for achieving colour in glazes, focusing on colouring oxides in detail, including the newly available rare earth oxides. Find out about the types of base glazes and the fluxes used to make them in relation to colour response as well as using colouring oxides to achieve depth and variety of colour, rather than resorting to commercial ceramic stains. Discover the practical aspects of mixing, applying, testing and adjusting glazes, and explore a large section of test tiles and glaze recipes for use on white earthenware, stoneware and porcelain fired in electric, gas and salt kilns. This new edition, fully updated and revised, contains advances in technology and new discoveries in the Periodic Table. It is an infallible handbook to achieving the colour you want, and to help you broaden your palette.
Throwing Large
Throwing large work is a challenging area and takes a differentapproach to throwing normal ware. This book looks at throwingpurely from the perspective of making very large work. It assumes thereader can already throw, but different techniques are needed whenmaking large work because of all the added problems - it can buckleduring making, collapse if not moved to the kiln safely and warp in thefiring. Not to mention that the techniques needed to physicallythrow much larger work are very different. This book looks at allof this, offering clear guidance on how to make work successfully,covering the various techniques used, (such as throwing on coils andthrowing in sections, or blow-torching work before continuing to throw)as well as how to avoiddisastrous pitfalls. Although we do have bits of information in otherbooks, this would be a handy guide collecting all the relevantmaterial. The handbook we already have called Large-scale Ceramicsfocuses on handbuilding.
Zulu Pottery
"A brief history of and guide to contemporary Zulu pottery"--Back cover
