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Durgeshnandini
Published in 1865, Bankim Chandra Chatterjee’s first Bengali novel Durgeshnandini revolutionised Bengali prose writing. Many consider it to be the first modern novel in an Indian language. Durgeshnandini is set in the sixteenth century during the reign of the Mughal emperor Akbar, when the Mughal army was fighting the Pathans for control over territories in eastern India. Many characters in the book—Mughals, Rajputs and Pathans—are historical figures. With this as the backdrop, the author skilfully sets up a romance between a young Rajput commander of the Mughal army and the daughter of a minor ruler. The romance becomes layered when a charming Pathan princess also falls in love with the Rajput commander in defiance of her suitor, the Pathan army chief. Prevailing social norms barred love across caste and religion. Bankim Chandra seems to question this in this novel in an indirect way. The novel ran into thirteen editions during BankimChandra’s lifetime and was translated into several languages.
Dictionary of South & Southeast Asian Art
This basic dictionary of South and Southeast Asian art offers clear and concise explanations of hundreds of useful terms. With over 1,300 entries and 112 line illustrations, this volume makes a handy reference for anyone interested and engaged in South and Southeast Asia Entries range from terms encountered in South and Southeast Asian history, religion, mythology, literature, to those specific to art and architecture, and are drawn from the diverse religious traditions of the region.
Essays on Indian Economy
Objective of the series of essays on Indian History and Culture is to select contributions which could interest, educate and inspire our readers. Attempt has been made to make available to our readers best literature written by renowned scholars, through the ages, to enable our students, teachers, policymakers and our general readers to analyse the themes, they are interested in, in proper historical perspectives. This will enable them to think, write and dream of a developed India of twenty first century. How far the study of our history, religion, culture, economy, philosophy, music, science, law, education, technology, trade, art, architecture etc. can provide to us inputs for a bright brilliant and vibrant India, is one of the major concern of these volumes.
Literary Research and Postcolonial Literatures in English
Postcolonial literatures can be defined as the body of creative work written by authors whose lands were formerly subjugated to colonial rule. In previous volumes of this series, the research literature of former British colonies Australia, Canada, Ireland, and New Zealand have been addressed. This volume offers guidance for those researching the postcolonial literature of the former British colonies in Africa, the Caribbean, and South Asia. Among the forty nations represented in this volume are South Africa, India, Pakistan, Ghana, Jamaica, Swaziland, Belize, and Namibia. With the exception of South Africa (which formed the Union of South Africa in 1910), this guide picks up its coverage in 1947, when both India and Pakistan gained their independence. The literature created by writers from these nations represents the diverse experiences in the postcolonial condition and are the subject of this book. The volume provides best-practice suggestions for the research process and discusses how to take advantage of primary text resources in a variety of formats, both digital and paper based: bibliographies, indexes, research guides, archives, special collections, and microforms.
Essays in Indian History
This volume offers a collection of several of Professor Habib's essays, providing an insightful interpretation of the main currents in Indian history.
Teaching South and Southeast Asian Art
This volume challenges existing notions of what is “Indian,” “Southeast Asian,” and/or “South Asian” art to help educators present a more contextualized understanding of art in a globalized world. In doing so, it (re)examines how South or Southeast Asian art is being made, exhibited, circulated and experienced in new ways in the United States or in regions under its cultural hegemony. The essays presented in this book examine both historical and contemporary transformations or lived experiences of monuments and regional styles (sites) from South or Southeast Asian art in art making, subsequent usage, and exhibition-making under the rubric of “Indian,” “South Asian,” “or “Southeast Asian” Art.
Burmese Silver Art: Masterpieces Illuminating Buddhist, Hindu and Mythological Stories of Purpose and Wisdom
Burmese master silversmiths produced a magnificent body of work from the mid-19th to the early 20th centuries – the Burmese Silver Age. This aesthetic and functional work is characterized by a unique decorative style and superb technical artistry. Many of the artefacts are embellished with mysterious visual narratives drawn from ancient religious and mythological sources, communicating spiritual beliefs and values that resonate to this day. Burmese silverwork is a distinct and little-known genre of silver art. This book tackles this obscurity by illuminating and describing for the first time 100 Burmese silver artefacts in a stunning photographic gallery. This silverwork – from the Noble...
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Coolies, Capital and Colonialism
Endogamy, the custom forbidding marriage outside one's social class, is central to social history. This study considers the factors determining who married whom, whether partner selection changed over the past three hundred years and regional differences between Europe and South America.
