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The Autobiography of an Indian Princess. By Sunity Devee (Maharani of Cooch Behar). Originally Published 1921. TABLE OF CONTENTS Chapter I MY CHILDHOOD Chapter II MY FAMILY Chapter III FESTIVALS AND FESTIVAL DAYS Chapter IV MY ROMANCE Chapter V MY MARRIAGE Chapter VI EARLY MARRIED DAYS Chapter VII LIFE AT COOCH BEHAR Chapter VIII MY FIRST VISIT TO ENGLAND Chapter IX ENGLISH SOCIETY Chapter X HAPPY DAYS IN INDIA Chapter XI EDUCATION OF THE BOYS Chapter XII SAD DAYS Chapter XIII ANOTHER BLOW Chapter XIV VICEROYS I HAVE KNOWN Chapter XV LATER YEARS
Reproduction of the original: The Autobiography of an Indian Princess by Devee Sunity
Embark on a fascinating journey through royalty and change with "The Autobiography of an Indian Princess" by Sunity Devee. Join the esteemed author as she shares her personal story, offering readers a unique perspective on Indian culture, tradition, and societal evolution. As you delve into Devee's captivating narrative, prepare to be transported to the opulent world of Indian royalty. From the grandeur of palaces to the intricacies of courtly life, each page offers a glimpse into a bygone era marked by tradition and transition. But beyond the splendor and glamour, "The Autobiography of an Indian Princess" delves into deeper themes of identity, autonomy, and the pursuit of personal fulfillme...
Although the princes of India have been caricatured as oriental despots and British stooges, Barbara Ramusack's study argues that the British did not create the princes. On the contrary, many were consummate politicians who exercised considerable degrees of autonomy until the disintegration of the princely states after independence. Ramusack's synthesis has a broad temporal span, tracing the evolution of the Indian kings from their pre-colonial origins to their roles as clients in the British colonial system. The book breaks ground in its integration of political and economic developments in the major princely states with the shifting relationships between the princes and the British. It represents a major contribution, both to British imperial history in its analysis of the theory and practice of indirect rule, and to modern South Asian history, as a portrait of the princes as politicians and patrons of the arts.
Until the 1920s, to be a Maharani, wife to the Maharajah, was to be tantalizingly close to the power and glamour of the Raj, but locked away in purdah as near chattel. Even the educated, progressive Maharani of Baroda, Chimnabai—born into the aftermath of the 1857 Indian Mutiny—began her marriage this way, but her ravishing daughter, Indira, had other ideas. She became the Regent of Cooch Behar, one of the wealthiest regions of India while her daughter, Ayesha, was elected to the Indian Parliament. The lives of these influential women embodied the delicate interplay between rulers and ruled, race and culture, subservience and independence, Eastern and Western ideas, and ancient and moder...
Autobiographical reminiscences of Indian women; covers the period, 1921-1991.
"In Maharanis Lucy Moore recreates the lives of four women: two grandmothers, a daughter and a granddaughter, all of them princesses of the royal courts of India." "Full of spirit and courage, each maharani changed the world she lived in, shaping the way modern Indian women define themselves. This is an intimate portrait of a nation during an era of great change - the rise and fall of the Raj and India's long road to Independence and beyond."