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I Want to Enjoy My Life
Vinay belongs to middle class family and He wants to be rich in a very short time. He also knows that in a short time money can’t be earned from right way, so he chose the illegal cricket match betting, dabba trading and illegal possession of land. Vinay's desire to make money and a physical relationship with married woman Manvi, which Vinay believs right but his friend Kunal does not agree with him. Vinay was inspired by Rocky, who is a very big bookie of cricket match bet. Vinay gets help from his friend from Arjun and a young politician Dharam. FROM BOOK “So what my friend, what is wrong and what is right, it’s immaterial. Important is that how to earn money.” Vinay responded and ...
Portrait of a Director
Satyajit Ray was India's first film-maker to gain international recognition as a master of the medium, and today he continues to be regarded as one of the world's finest directors of all time. This book looks at his work.
My Adventures with Satyajit Ray
For those who know their Indian cinema, Shatranj Ke Khilari is film-maker Satyajit Ray's only feature film in Hindi/Urdu and also his most expensive film, employing lavish stage design and stars of both Mumbai and Western cinema. A period piece set in nineteenth-century Lucknow, capital of the state of Oudh, the film revolves around the court of the flamboyant artist-king Wajid Ali Shah against the backdrop of the East India Company's avaricious annexation of Oudh in 1856.Jindal, Ray's young and artistically committed producer of Shatranj Ke Khilari, looks back on the gripping story of how Ray came to direct the film despite his unequivocal declaration that he would never write and direct a film that was not in Bengali. Quoting extensively from Ray's fascinating unpublished letters to Jindal, it evokes the driving passion, original historical research and trademark devotion to detail that Ray brought to every aspect of the production.
Basu Chatterji
A behind-the scenes look at Basu Chatterji's most loved films This is the enigma of Basu Chatterji. His films did not have the box-office ingredients that could make them a distributor's hot pick, nor were they art house cinema that needed unravelling over many cups of tea. He was the quintessential 'middle-of-the-road' film-maker, a genre that he founded in Bollywood. His films, whether it be Chhoti Si Baat or Rajnigandha or Chitchor, were about common people and common problems, such as employment and love, social and economic inequalities, and joint family conflicts. Like fellow cartoonist R.K. Laxman, who created the 'common man', Chatterji too was an auteur of the common man, whose jour...
Fifty Classic British Films, 1932-1982
200 striking photographs, in-depth commentaries, plot synposes, contemporary reviews, and more — about 50 British classics from yesterday and today. Preface. Text. Alphabetical list of films. Bibliography.
Before I Forget
In his sparkling memoir, M.K. Raina documents the many lives he has lived. From sharing the stage with some of the most celebrated actors in India to his journey as a young man witnessing the violence and horrors rampant through the streets of Kashmir, an entire history of northern India is painted with subtle elegance. Brimming with delightful anecdotes as well as poignant, painful memories of a region that once was, this book is a tour de force.
Satyajit Ray
Interviews with India's preeminent film director and creator of the Apu trilogy
Encyclopaedia of Hindi Cinema
The Encyclopaedia Which Brings Together An Array Of Experts, Gives A Perspective On The Fascinating Journey Of Hindi Cinema From The Turn Of The Last Century To Becoming A Leader In The World Of Celluloid.
Sûrya India
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(English) LITERATURE IN FILMS & MEDIA STUDIES (Paper-2)
Purchase e-Book of (English) (Paper - 2) LITERATURE IN FILMS & MEDIA STUDIES (English Edition) of B.A. 6th Semester for all UP State Universities Common Minimum Syllabus as per NEP. Published By Thakur Publication
