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The Treasure
Words are prayerfully complaining about whose playful writing? Beautiful images are seen wrapped in paper clothing. This is the opening couplet of Ghalibs Divan and it captures his view of the badly broken world in which he lived and Gods indifference to human condition. The poet faces God and poses a question: Why did you create this universe? What was the purpose? If this is your creation, why do we have so much misery and suffering? Was this creation an act of playfulness or did it have a nobler purpose? People praying and pleading in front of the Creator with paper clothing covering their naked bodies is symbolic of their complete helplessness. In many ways, this sets the stage for Ghalibs struggle to make sense of reality and find a new rationale for our relationship with God.
Sahir
Sahir Ludhianvi (1921-1980), a remarkable film lyricist, was also an iconic literary poet. Surinder Deol paints a sensitive portrait that reveals an artist who was aware of the depth of his poetic message as well as of his ability to present it in words that captured the reader's imagination. Sahir looked outward at the world to find beauty in nature for inspiration while at the same time raising his voice against poverty, deprivation, and the denial of social justice. The book contains free verse translation of over ninety of Sahir's literary creations, including poems, ghazals, bhajans, and a long peace poem called Parchhaaiyaan (The Shadows). The author strives to bring together four distinct elements of Sahir's work that make him one of the most loved poets of our generation: his deep-rooted love of nature, his snug romanticism, his sensitivity to human suffering, and his unceasing optimism for a better tomorrow.
India’s Freedom Struggle and the Urdu Poetry
Poetry, mainly Urdu poetry, played a very significant role in India’s freedom struggle. This book explores the poetic contributions going back centuries of colonial rule, which became songs of freedom and captured both the poignancy and fervor of revolution, protest, and hope. Urdu became one of the essential languages in colonial India, used by both political leaders and many young revolutionaries in speeches and writings as slogans for freedom and a call to action. Poets such as Josh Malihabadi, Firaq Gorakhpuri, Sahir, Makhdoom, Kaifi Azmi, Majaz, Majrooh, and Faiz Ahmad Faiz wrote highly patriotic poetry which was used not only to inspire and help mobilize people but also to offer crit...
Endless Life
"ENDLESS LIFE portrays a woman's search for love and meaning in an increasingly complex world. Written in lyrical prose, the story transports the reader to a variety of locales, from the suburbs of Washington, D.C., to the opulent mansions of New Delhi, to exotic beaches of Goa, and to the centuries-old villages of the Indian countryside. The story traces events in the life of Malti, a sensitive, emotionally vulnerable, and tradition bound young girl, who grows up to be a tough, independent, and resourceful woman fighting for socially sensitive issues like girls' education, while coping with a heart-rending tragic loss in her own life. In Malti's own words, "Life is a flow; it's a continuum. Nothing really goes away. We continue to live despite all the hardships and tragedies. We plan new things, always expecting to see better days in the future. We never stop dreaming." It is this act of not stopping to dream that makes life "endless.""
Faiz
Mujhse pehli si mohabbat meri mahbuub n maang ('My dearest, don't ask for the love we once had) This line from Faiz's first poetry collection deeply touched the public consciousness, and it signalled the arrival of a new kind of poet who not only wrote about agonies of love but at the same time confronted the issues of daily struggles, including poverty, hunger, injustice and the oppressive colonial regime. He fused his lyrical compositions with the grammar of revolution and resistance that was needed while not giving up on alluring descriptions of the beloved's tresses and ruby lips. There was the beloved, he said, but there was also the struggle of attaining freedom, and these two things w...
Consulting with Nonprofits
At last! A comprehensive guide to the art, craft, and business of consulting with nonprofits and community groups . . . Nonprofit consulting requires specialized skills and knowledge of how the sector works. This guide gives you the resources and tools to help you provide quality assistance throughout your career: experienced consultants will find it an invaluable reference; new consultants will get oriented to the sector and find step-by-step guidance through the entire process; technical specialists will gain insights into the larger processes that shape nonprofit organizations; for-profit consultants and business sector volunteers will discover how to shift their expertise to match the un...
Stability and Security in the Baltic Sea Region
The book examines the security puzzles posed by the remaining legacies of dominance and conflict in the Baltic Sea region as governments seek to integrate the three Baltic sates in a more stable system of cooperative security.
Myriad Shades of Life in Mirza Ghalib
The book is an anthology of seven critical essays on the work of Mirza Ghalib, and considers a number of issues such as comparisons between him and Muhammad Iqbal, William Shakespeare and John Donne. It also foregrounds the most distinguishing features in his poetry, including his art of dialectical poetics, the obsession with the theme of death throughout his poetry, and the representation of Karbala and Ahle-Bayt in his work. The book thus highlights the different shades of meaning in both his poetry and letters. These myriad shades are embedded in Ghalib’s vision of life. Like Shakespeare and Sophocles, Ghalib details the colourfulness of life in all its horror and glory. Just as life itself is colourful in its myriad shades, Ghalib’s poetry offers us a vision of life which is pluralistic, multifarious and universal at the same time.
Negotiating Across Cultures
In this revised edition, as in the first, Cohen explores how cultural factors have affected U.S. dealings with Japan, China, Egypt, India, and Mexico. He demonstrates that there are two quite different models of negotiation: "low context." a predominantly verbal and explicit style typical of individualistic societies such as the United States, and "high context," a style associated with nonverbal and implicit communication more typical of traditionally interdependent societies.
