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Lucy Pescitelli is a virgin pushing thirty, working part-time at a funeral home and still living with her mother Marge. A woman so domineering that she forces Lucy to help her commit suicide by following step-by-step instructions as if they were a recipe for deviled eggs. Now, Lucy is on her own for the first time. The social mores of Jane Austen meet the city streets of Rocky Balboa as Lucy must negotiate a world of rigid expectations, entertain a cast of comical characters, and decide whom to marry or not in the still tradition-bound South Philadelphia of the early 1990s.
Although international scientific cooperation - particularly in meteorology - was established previous to the first International Polar Year, the IPY-1 (1882-83) is considered to be the first revolutionary step towards an extensive international cooperation in the polar areas for the benefit of science rather than national prestige and territorial gain. This was followed by IPY-2 (1932-33) and IPY-3 - actually the International Geophysical Year (1957-58) - before the crowning effort of IPY-4 (2007-08). The history of these years is recounted here and explains the political, economic, technical and scientific conditions and expectations that laid the basis for each IPY and which gradually expanded both the scope and extent of our understanding of the complexities in polar regions
"An intelligent, moving read" (Pages) and "a testament to women’s friendship and to Ann Hood’s talent" (Hilma Wolitzer). After the loss of her only child, Mary Baxter finds herself unable to read or write, the activities that used to be her primary source of comfort. She reluctantly joins a knitting circle as a way to fill her lonely days—not knowing it will change her life. As they teach Mary new knitting techniques, the women in the circle also reveal their own secrets of loss, love, and hope. With time, Mary is finally able to tell her own story of grief, and in so doing finds the spark of life again.
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"Makes an excellent case for Parrott as an unjustly forgotten historical figure."—The New Yorker "Remind[s] us of the brazenly talented women sidelined by convention."—New York Times The riveting biography of Ursula Parrott—best-selling author, Hollywood screenwriter, and voice for the modern woman. Credited with popularizing the label "ex-wife" in 1929, Ursula Parrott wrote provocatively about divorcées, career women, single mothers, work-life balance, and a host of new challenges facing modern women. Her best sellers, Hollywood film deals, marriages and divorces, and run-ins with the law made her a household name. Part biography, part cultural history, Becoming the Ex-Wife establish...
As featured in the New York Times “Modern Love” column * a Redbook Magazine must-read * Rumpus, Hello Giggles, Bustle, and Southern Living magazine Fall book pick Fugitives from a man as alluring as he is violent, Andrea Jarrell and her mother develop a powerful, unusual bond. Once grown, Jarrell thinks she’s put that chapter of her life behind her—until a woman she knows is murdered, and she suddenly sees that it’s her mother’s choices she’s been trying to escape all along. Without preaching or prescribing, I’m the One Who Got Away is a life-affirming story of having the courage to become both safe enough and vulnerable enough to love and be loved.
Jan Mayen is a volcanic island surrounded by the deep Greenland, Iceland and Norwegian Seas. There, atmospheric and oceanic processes unleash potential energy that forces very dynamic interactions between sea and air. This unique geophysical focal point generates climatic variability in northern Europe, and supports marine biological production that sustains the yield of large living resources. The marine populations are clearly fluctuating with variations in climate, and raises questions about effects of man-made climate change. Since the last Ice Age the sinking of Greenland Sea Deep-Water has been a substantial driving force for the Global Thermo-Haline Circulation which feeds warm Atlant...
These essays share award-winning teachers' strategies for adapting their classrooms to the ever-changing environment: "Professional Development Has Shaped Me and My Classroom" (Kay Wallace); "Teachers Go Back to School" (Steven T. Jackson); "Keeping Up With Change" (Caryn Smith Long); "Self-Reflection: Looking Over Your Own Shoulder" (Susan Barr); "Change Doesn't Have to Hurt" (Allison Gregerson); "I Am a Teacher and I Would Be None Other" (Lynn Kaufman); "Changing Students' Attitudes about Failure with One Word: Overload" (Jeff McAdoo); "Embracing Change" (Jim Brown); "Immersion to Inspiration" (Erika Reynolds); "Facing the Old and New" (Peter Riffle); "Why Are We Here?" (Jeff McAdoo); "Edu...
Remnants of the curious and peculiar ways humankind has marked the archaeological landscape are abundant but often ignored: wrecked aircraft, abandoned airfields, old highway billboards, derelict boats, movie props, and deserted mining operations. In this book, archaeologist P.J. Capelotti explores places and things that people do not typically think of as archaeological sites and artifacts, introducing readers to the most extreme fieldwork taking place today. Capelotti shows that even seemingly ordinary objects from the recent past hold secrets about the cultural history of humans. He investigates the site where a stunt copy of the Orca, the fishing boat used in the movie Jaws, was stripped...