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First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company. In Her Own Voice examines the literary history of women’s nonfiction writing through studies of individual writers, their works, and their careers. The essays in this collection consider the development of women’s public voices, relationships between women essayists and their editors and readers, and the fuzzy line that divides—or seems to divide—fiction from nonfiction. The book includes studies of some of the best known American women essayists, including Margaret Fuller, Lydia Maria Child, and Fanny Fern, and articles on women writers whose work has received very little attention, such as Gail Hamilton, Anna Julia Cooper, Ann Sophia Stephens, and Zitkala-Sa.
Traveling to Unknown Places presents a compelling, incisive analysis of how French and American writers reshaped their personal and collective identities as they traveled in foreign countries after the social upheavals of the eighteenth-century Atlantic revolutions. Delving into the experiences of renowned figures like Flora Tristan and Margaret Fuller alongside lesser-known postrevolutionary travelers, this book illuminates how cross-cultural encounters pushed writers to redefine their views of nationality, language, race, slavery, gender, religion, science, and political ideologies. Lloyd Kramer deftly demonstrates how unsettling journeys challenged cultural preconceptions and fostered int...
Teaching Modernist Anglophone Literature features fresh classroom approaches to teaching modernism, with an emphasis on pedagogy grounded in educational theory and contemporary digital media tools. It offers techniques for improving students’ close reading, critical thinking/writing, and engagement with issues of gender, race, class, and social justice. Discussions are raised of subjectivity, perception, the nature of language, and the function of art. Innovative project ideas, assignments, and examples of student work are offered in a special annex. This volume fills a gap in higher education pedagogy uniquely suited to the experimental nature of modernism. Madden and McKenzie’s inspiring volume can steer the teaching of modernist literature in creative, new directions that benefit both teachers and students. Contributors are: Susan Hays Bussey, William A. Johnsen, Benjamin Johnson, Mary C. Madden, Laci Mattison, Precious McKenzie, Susan Rowland, and Kelsey Squire.
Generally critics and interpreters of Uncle Tom have constructed a one-way view of Uncle Tom, albeit offering a few kind words for Uncle Tom along the way. Recovering Uncle Tom requires re-telling his story. This book delivers on that mission, while accomplishing something no other work on Harriet Beecher Stowe has fully attempted: an in-depth statement of her political thought. Heroeuvre, in partnership with that of her husband Calvin, constitutes a demonstration of the permanent necessity of moral and prudential judgment in human affairs. Moreover, it identifies the political conditions that can best guarantee conditions of decency. Her two disciplines-philosophy and poetry-illuminate the ...
From 1803 to 1807, Charles Brockden Brown served as editor and chief contributor to the Literary Magazine, and American Register, a popular Philadelphia miscellany. His position allowed him to observe and comment upon life in the United States and transatlantic world during the nineteenth century's first decade. This book considers how Brown's Literary Magazine contributed to the development of cultural cohesiveness and political stability in the young United States. It explores the intellectual and cultural setting in which this Philadelphia miscellany was published, the political writing that appears in what Brown claimed was a politically neutral venue, and the social and cultural criticism that attempts to guide the development of the American character. During his twenty years as an author, he participated in disseminating texts of cultural and literary worth. Brown's essays and reviews assisted in the establishment of reading habits in America and influenced the public reception of the early American press.
More than a century after his death, Walt Whitman remains a fresh phenomenon. Startling discoveries and massive transcription efforts are enabling new insights into his life and achievements. In the past few years new breakthroughs have proliferated, including the publication of a long-lost Whitman novel, Jack Engle, along with a hitherto unknown health guide for urban men and previously undiscovered poems. Myriad other documents have become more readily available, including largely unmined troves of journalism, narrative and documentary prose, and experimental note-keeping. Leaves of Grass and Whitman's literary life as a whole are thus ripe for reconsideration. The Oxford Handbook of Walt Whitman embraces this expanded view of Whitman and charts new pathways in Whitman Studies by bringing in new perspectives, methods, and contexts.
The first large-scale, collaborative study of women's voices and their vital role in the American transcendentalist movement. Many of its seventeen distinguished scholars work from newly recovered archives, and all offer fresh readings of understudied topics and texts, shedding light on female contributions.
Many of the finest critics working in American literature explore the representation of time from colonial times to the present.
Righteous Violence examines the struggles with the violence of slavery and revolution that engaged the imaginations of seven nineteenth-century American writers--Margaret Fuller, Ralph Waldo Emerson, Frederick Douglass, Henry David Thoreau, Louisa May Alcott, Nathaniel Hawthorne, and Herman Melville. These authors responded not only to the state terror of slavery and the Civil War but also to more problematic violent acts, including unlawful revolts, insurrections, riots, and strikes that resulted in bloodshed and death. Rather than position these writers for or against the struggle for liberty, Larry J. Reynolds examines the profoundly contingent and morally complex perspectives of each aut...
"Examines the artwork of Hammatt Billings, George Cruikshank, Winslow Homer, Eastman Johnson, Henry Ossawa Tanner, and Thomas Satterwhite Noble to show how, as Uncle Tom's Cabin gained popularity, visual strategies were used to coax the subversive potential of Stowe's work back within accepted boundaries that reinforced social hierarchies"--Provided by publisher.