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Terry Winters’s work of the past decade weaves disparate strains of idea, object, and physical operations into the primary logic of his art. His art contains an astonishing array of forms and demonstrates the equally surprising breadth of his artistic language. This retrospective volume continues where the mid-career survey (1992) at the Whitney Museum concluded, presenting the past decade of Winters’s innovative work in paintings, prints, drawings, and artists’ books. Terry Winters presents the ways in which the artist creates sets and subsets of distinctive works that interact with bodies of previous and current work. Also included are images by the artist that have not previously be...
Defining an artistic era or movement is often a difficult task, as one tries to group individualistic expressions and artwork under one broad brush. Such is the case with impressionism, which culls together the art of a multitude of painters in the mid-19th century, including Monet, Cézanne, Renoir, Degas, and van Gogh. Basically, impressionism involved the shedding of traditional painting methods. The subjects of art were taken from everyday life, as opposed to the pages of mythology and history. In addition, each artist painted to express feelings of the moment instead of hewing to time-honoured standards. This description of impressionism, obviously, is quite broad and can apply to a wid...
An exhibition publication featuring curatorial essays and works from the Metropolitan Museum of Art, New York
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The newest titles in our Campus Guide series are these guides to Phillips Academy, Andover and Duke University. They present architectural tours of two of America's finest campuses, revealing the stories behind the historic and contemporary campus buildings, gardens, and works of sculpture.Phillips Academy, founded in 1778, blends colonial, Federal, neo-Georgian, and modernist styles. Noted architects whose buildings appear on campus are Charles Bulfinch; Peabody and Stearns; McKim, Mead, and White; and Frederick Law Olmsted.Duke University was officially founded in 1924. Until 1950 it was designed primarily by Julian Abele, one of the few professional African-American architects working in the United States at that time. The campus architecture is best known for its medieval-style Gothic buildings, notably Duke Chapel.
Postscript is the first collection of writings on the subject of conceptual writing by a diverse field of scholars in the realms of art, literature, media, as well as the artists themselves
Featuring 19 color plates and 65 b&w illustrations, this text critically examines the imagery, process, and pictorial structure of works by American painter Edwin Dickinson (1891-1978). Drawing upon 56 years of the artist's journals and several thousand pages of his letters, Ward makes connections b