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A "definitive work," this book presents eleven of the most popular dialects used in plays and drama, breaking them down into key sounds, including "vowel substitutions, dipthongal changes, consonant subsititions, special pronunciations, and pitch patterns." The phonetic alphabet is also included, along with readings for drill and practice.
"This book provides an action-theoretic view of political hope that draws on German idealism, critical theory, and American pragmatism. It offers an alternative to standard perspectives that reduce hope to either a subjective element of individual psychology or to the passive anticipation of the supposedly objective tendencies of the world itself. Featuring chapters on Immanuel Kant, Ernst Bloch, Charles Peirce, and William James, it presents hope instead as a practice of political action that both buttresses and promotes democratic experimentation. By reconstructing hope as a necessary condition for social and political engagement, it furthermore argues for the centrality of utopian thinking for practical action"--
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Robert Tsai’s history invites readers into the circle of defiant groups who refused to accept the Constitution’s definition of who “We the People” are and how their authority should be exercised. It is the story of America as told by dissenters: squatters, Native Americans, abolitionists, socialists, internationalists, and racial nationalists.
Presents the libretto for a musical based on Lois Lowry's "Number the Stars," a story in which the family of Annmarie Johansen and their Christian neighbors aid the Danish Jews during World War II by helping them escape to neutral Sweden.