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Calvinism must be assigned a significant place among the forces that have shaped modern European culture. Even now, despite its history of religious fragmentation and secularization, Europe continues to bear the marks of a pervasive Calvinist ethos. The character of that ethos is, however, difficult to pin down. In this volume, many of the traditional scholarly conundrums about the relationship between Calvinism and the cultural history of Europe are revisited and re-investigated, to see what new light can be shed on them. For example, how has the ethos of Calvinism, or more broadly the Reformed tradition, affected economic thinking and practice, the development of the sciences, views on religious toleration, or the constitution of European polities? In general, what kind of transformations did Calvinism’s distinct spirituality bring about? Such questions demand painstaking and detailed scholarly work, a fine sample of which is published in this volume.
Christianity has understood the environment as a gift to nurture and steward, a book of divine revelation disclosing the divine mind, a wild garden in need of cultivation and betterment, and as a resource for the creation of a new Eden. This Cambridge Companion details how Christianity, one of the world's most important religions, has shaped one of the existential issues of our age, the environment. Engaging with contemporary issues, including gender, traditional knowledge, and enchantment, it brings together the work of international scholars on the subject of Christianity and the Environment from a diversity of fields. Together, their work offers a comprehensive guide to the complex relationship between Christianity and the environment that moves beyond disciplinary boundaries. To do this, the volume explains the key concepts concerning Christianity and the environment, outlines the historical development of this relationship from antiquity to the present, and explores important contemporary issues.
A Scientific Theology is a groundbreaking work of systematic theology in three volumes: Nature, Reality and Theory. Now available as a three volume set.
Drawing inspiration from the widely recognized parody of Ps 8:5 in Job 7:17–18, this study inquires whether other allusions to the Psalms might likewise contribute to the dialogue between Job, his friends, and God. An intertextual method that incorporates both “diachronic” and “synchronic” concerns is applied to the sections of Job and the Psalms in which the intertextual connections are the most pronounced, the Job dialogue and six psalms that fall into three broad categories: praise (8, 107), supplication (39, 139), and instruction (1, 73). In each case, Job’s dependence on the Psalms is determined to be the more likely explanation of the parallel, and, in most, allusions to th...
Introduction -- Authorship -- Friendship -- Love -- Marriage -- Coda
Jan-Olav Henriksen investigates the close relationship between God and human beings via an understanding of religion as clusters of practices that relate humans to ultimacy by different types of representation. Christian religion articulates its belief in God as creator (manifest in the power to be) and redeemer (represented in the life and ministry of Jesus Christ. Christ thus is the primary representation of God as the ultimate reality of love. He is also the true image of God, and the model for how humans are also called to represent God in love. The human features of desire and vulnerability, as these express elements that shape, form, and articulate challenges for human life, present humans with the need for orienting themselves, and for different types of transformation. Christian religion articulates a specific mode of how to cope with these challenges presented by desire and vulnerability: by living in love. Against this backdrop, Henriksen argues that neither how one understands religion, God, nor how to live a life that relates to ultimacy, can be tasks fulfilled as long as history goes on.
ReVisioning: Critical Methods of Seeing Christianity in the History of Art examines the application of art historical methods to the history of Christianity and art. As methods of art history have become more interdisciplinary, there has been a notable emergence of discussions of religion in art history as well as related fields such as visual culture and theology. This book represents the first critical examination of scholarly methodologies applied to the study of Christian subjects, themes, and contexts in art. ReVisioning contains original work from a range of scholars, each of whom has addressed the question, in regard to a well-known work of art or body of work, "How have particular methods of art history been applied, and with what effect?" The study moves from the third century to the present, providing extensive treatment and analysis of art historical methods applied to the history of Christianity and art.
The Anthropocene presents theology, and especially theological anthropology, with unprecedented challenges. There are no immediately available resources in the theological tradition that reflect directly on such experiences. Accordingly, the situation calls for contextually based theological reflection of what it means to be human under such circumstances. This book discusses the main elements in theological anthropology in light of the fundamental points: a) that theological anthropology needs to be articulated with reference to, and informed by, the concrete historical circumstances in which humanity presently finds itself, and b) that the notion of the Anthropocene can be used as a heuristic tool to describe important traits and conditions that call for a response by humanity, and which entail the need for a renewal of what a Christian self-understanding means. Jan-Olav Henriksen explores what such a response entails from the point of view of contemporary theological anthropology and discusses selected topics that can contribute to a contextually based position.
Hearing Faith explores the ways Roman Catholics in the seventeenth-century Spanish Empire used music to connect faith and hearing. From the Royal Chapel in Madrid to Puebla Cathedral in colonial Mexico, communities celebrated Christmas and other feasts with villancicos, a widespread genre of vernacular poetry and devotional music. A large proportion of villancico texts directly address the nature of hearing and the power of music to connect people to God. By interpreting complex and fascinating examples of “music about music” in the context of contemporary theological writing, the book shows how Spanish Catholics embodied their beliefs about music, through music itself. Listening closely to these previously undiscovered and overlooked archival sources reveals how Spanish subjects listened and why.
Suk Yu Chan provides a revisit of John Calvin's interpretation of the doctrine of divine providence and builds upon a vast repository of quality research conducted by previous Reformation scholars. The author adopts a historical approach to explore Calvin's works from 1534–1559, and argues that from 1534–1541, Calvin used the image of the fountain to portray God as the source of everything, who has power to preserve and give life to all creatures on earth. Between the Latin edition of the Institutes in 1539 and the French translation of that work in 1541, Calvin was indecisive about the definition of special providence, articulating a fitful relationship between providence and soteriolog...