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Seventeen ghost stories from England are cozy or comic rather than spooky.
June 1914 and a young woman - Clara Waterfield - is summoned to a large stone house in Gloucestershire. Her task: to fill a greenhouse with exotic plants from Kew Gardens, to create a private paradise for the owner of Shadowbrook. Yet, on arrival, Clara hears rumours: something is wrong with this quiet, wisteria-covered house. Its gardens are filled with foxgloves, hydrangea and roses; it has lily-ponds, a croquet lawn - and the marvellous new glasshouse awaits her. But the house itself feels unloved. Its rooms are shuttered, or empty. The owner is mostly absent; the housekeeper and maids seem afraid. And soon, Clara understands their fear: for something - or someone - is walking through the house at night. In the height of summer, she finds herself drawn deeper into Shadowbrook's dark interior - and into the secrets that violently haunt this house. Nothing - not even the men who claim they wish to help her - is quite what it seems. Reminiscent of Daphne du Maurier, this is a wonderful, atmospheric Gothic page-turner.
Welcome to Roy's house! Come on in and take a look around. There is a big sofa with room for lots of friends, three red fish swimming in a bowl, a yellow chair for reading, and, of course, Roy's studio, filled with paintbrushes. Susan Goldman Rubin pairs her simple narrative style with the energetic works of Roy Lichtenstein to create an early concept book that is also a fun and accessible introduction to one of the twentieth century's most iconic artists.
Advancing with the suspense and deft reportage of the true-crime genre and fueled by the poignancy of a literary memoir, Finding Susan is Molly Hurley Moran's pointed exploration of the disappearance of her sister and her family's descent into the surreal world of psychics and detectives they once dismissed as the stuff of Lifetime movies.
What would Little Women be without the charms of the March family’s cozy New England home? Or Wuthering Heights without the ghost-infested Wuthering Heights? Getting lost in the setting of a good book can be half the pleasure of reading, and Decorating a Room of One’s Own brings literary backdrops to the foreground in this wryly affectionate satire of interior design reporting. English professor and humorist Susan Harlan spoofs decorating culture by reimagining its subject as famous fictional homes and “interviews” the residents who reveal their true tastes: Lady Macbeth’s favorite room in the castle, or the design inspiration behind Jay Gatsby’s McMansion of unfulfilled dreams. Featuring 30 entries of notable dwellings, sidebars such as “Setting Up an Ideal Governess’s Room,” and four-color spot illustrations throughout, Decorating a Room of One’s Own is the ideal book for readers who appreciate fine literature and a good end table.
Cool English is a 6-level contemporary version of Join In. It is organized in lesson plans for each class session. These lesson plans give suggestions on different ways of exploiting the activities, plus extra ideas and materials. It includes clear and concise instructions with step-by-step explanations which simplify lesson-planning for the teacher. The guide is interleaved with the Pupil's Book and contains all the tape scripts. The 2 Audio CDs for the teacher contain all the songs and the recordings from the Pupil's Book, as well as the listening tests. The Tests CD contains pdfs of assessment tests for this level.
The author unwraps a silent but challenging journey of a woman through different phases of her life as a daughter, a wife, a daughter-in-law, a sister-in-law, a mother and a widow. Susan, the central character in the story, goes through these phases and faces every challenge that comes her way. Like stable water in a river, problems come her way in the form of stones, generating waves of replications of sorrow. She, however, deals with all the problems, including her husband’s mental health and life-threatening ailment like HIV infection, family issues, financial difficulties, job problems, compromising on her dreams and the list goes on. She, through her insightful outlook and typical nat...
Susan Clegg had dwelt alone ever since her father's death. She had not been unhappy in dwelling alone, although she had been a good daughter as long as she had a parent to live with. When the parent departed, and indeed some few days before his going, there had arisen a kind of a question as to the possibility of a life-companion for the daughter who must inevitably be left orphaned and lonely before long. The question had arisen in a way highly characteristic of Miss Clegg and had been disposed of in the same manner. The fact is that Miss Clegg had herself proposed to four men and been refused four times. Then her father had died, and, upon the discovery that he was better endowed with worldly wealth than folks had generally supposed, all four had hastened to bring a return suit at once. But Miss Clegg had also had her mind altered by the new discovery and refused them all. From that time to this period of which I am about to write there had never been any further question in her mind as to the non-advisability of having a man in the house.