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A CANDLE IN THE WIND focuses on the prominence of the new women working for the Corporate India of 2013. Breaking traditions they have learnt the ropes of pushing through tenders/contracts in a nation cursed for its political corruption and bureaucratic red-tape. Contrary to stereotypes, some who have even surprised the West’s perception of women in business, have stormed the male bastion in reading minds with sharp acumen and winning over covert deals for their customers with alacrity and temerity, quite often, at risk to themselves and their family. The 40-year old corporate lobbyist, US/UK educated, wife to a cardiologist and mother of two teen-aged children, based in New Delhi, JSK as she is popularly known, an adept at multi-tasking, balances her official work with that of her family obligations, amidst the venal business climate of a country turning the corner to become a world leader. JSK is seen to be always on the move from East to West, in the corridors of power, putting her feminine wiles to best use. Her life has been like the candle in the open space flickering bright to provide light to many, while always at peril to the fluctuating moods of the wind.
Situating her discussion within the context of the history of antimiscegenation regulation in the United States and its construction of power relations and racial meaning, Koshy (English and Asian American studies, U. of Illinois at Urbana-Champaign) conducts close readings of narratives of white-Asian miscegenation in order to track the shifts in racial and sexual ideologies encoded in the texts. Paying particular attention to the differences in the way Asian man/white woman dyads and white man/Asian woman dyads signified differing representations of Asian assimilability, she looks at John Luther Long's Madame Butterfly, D. W. Griffith's film Broken Blossoms, the writings of Filipino American Carlos Bulosan, and Wife and Jasmine by Indian American Bharati Mukherjee.
Bringing together some of the most respected scholars in the field, including Inderpal Grewal, Leela Fernandes, Leigh Gilmore, Susan Koshy, Patrice McDermott, and Sidonie Smith, Just Advocacy? sheds light on the often overlooked ways that women and children are further subjugated when political or humanitarian groups represent them solely as victims and portray the individuals that are helping them as paternal saviors.
Despite being far from the norm, interracial relationships are more popular than ever. Racing Romance sheds special light on the bonds between whites and Asian Americans, an important topic that has not garnered well-deserved attention until now. Incorporating life-history narratives and interviews with those currently or previously involved with an interracial partner, Kumiko Nemoto addresses the contradictions and tensionsùa result of race, class, and genderùthat Asian Americans and whites experience. Similar to black/white relationships, stereotypes have long played crucial roles in Asian American/white encounters. Partners grapple with media representations of Asian women as submissive or hypersexual and Asian men are often portrayed as weak laborers or powerful martial artists. Racing Romance reveals how allegedly progressive interracial relationships remain firmly shaped by the logic of patriarchy and gender inherent to the ideal of marriage, family, and nation in America, even as this ideal is juxtaposed with discourses of multiculturalism and color blindness.
Diaspora in the Middle East and North Africa (MENA) Region and Beyond is very relevant for emerging multidisciplinary Diaspora studies. The region itself has settled or long-term international migrants; Diasporas from neighbouring regions to Diasporas from distant places; Diasporas with the same ethnic/religious/cultural identity as that of natives, to Diasporas having a distinct and divergent ethnic/linguistic identity. The number of these Diasporic communities and their role in economic development is substantial. Their concerns and contributions require academic and research output to understand them and their potential to serve the domestic and foreign objectives of the host countries as well as those of world community.
The Souls of Mixed Folk examines representations of mixed race in literature and the arts that redefine new millennial aesthetics and politics. Focusing on black-white mixes, Elam analyzes expressive worksnovels, drama, graphic narrative, late-night television, art installationsas artistic rejoinders to the perception that post-Civil Rights politics are bereft and post-Black art is apolitical. Reorienting attention to the cultural invention of mixed race from the social sciences to the humanities, Elam considers the creative work of Lezley Saar, Aaron McGruder, Nate Creekmore, Danzy Senna, Colson Whitehead, Emily Raboteau, Carl Hancock Rux, and Dave Chappelle. All these writers and artis...
A comparative analysis of modern African-American and Jewish-American narratives
At the beginning of the twenty-first century, we may be in a “transnational” moment, increasingly aware of the ways in which local and national narratives, in literature and elsewhere, cannot be conceived apart from a radically new sense of shared human histories and global interdependence. To think transnationally about literature, history, and culture requires a study of the evolution of hybrid identities within nation-states and diasporic identities across national boundaries. Studies addressing issues of race, ethnicity, and empire in US culture have provided some of the most innovative and controversial contributions to recent scholarship. Postcolonial Theory and the United States: ...
Probing essays that examine critical issues surrounding the United States's ever-expanding international cultural identity in the postcolonial era Download Plain Text version At the beginning of the twenty-first century, we may be in a "transnational" moment, increasingly aware of the ways in which local and national narratives, in literature and elsewhere, cannot be conceived apart from a radically new sense of shared human histories and global interdependence. To think transnationally about literature, history, and culture requires a study of the evolution of hybrid identities within nation-states and diasporic identities across national boundaries. Studies addressing issues of race, ethni...
This book provides original essays that suggest ways to engage students in the classroom with the cultural factors of American literature. Some of the essays focus on individual authors' works, others view American literature more broadly, and still others focus on the application of culturally based methods for reading. All suggest a closer look at how ethnicity, culture and pedagogy interact in the classroom to help students better understand the complexity of works by African Americans, Native Americans, Asian Americans, Latinos and several other sometimes overlooked American cultural groups. Instructors considering this book for use in a course may request an examination copy here.