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Playwrights in Rehearsal
Playwrights in Rehearsal is an inside look at the writer's role in the creative process of bringing his or her words to life on stage. Susan Letzler Cole, granted rare access to some of the major playwrights of our time, recounts her participation in rehearsal with Arthur Miller, Sam Shepard, Tony Kushner and Suzan-Lori Parks, and others.
They Made a List
Advance Word on Susan Letzler Cole's THEY MADE A LIST (SDSU Press, April 2022)This is a wonderful piece of work, original and brilliant, as well as full of wonder-the wonder of Susan Letzler Cole's parents at their verbal, remarkable daughter for whom they made a list of her first words, and he wonder of the author at her parents' careful attention, of which she made this book. They Made a List will leave you in wonder too, that what began as an intellectual transaction could result in such a beautiful labor of love.Roger Rosenblatt, Author of The Story I Am: Mad About the Writing Lifeand The Book of Love: Improvisations on a Crazy Little Thing
Serious Daring
Serious Daring is the story of the complementary journeys of two American women artists, celebrated fiction writer Eudora Welty and internationally acclaimed photographer Rosamond Purcell, each of whom initially practiced, but then turned from, the art form ultimately pursued by the other. For both Welty and Purcell, the art realized is full of the art seemingly abandoned. Welty’s short stories and novels use images of photographs, photographers, and photography. Purcell photographed books, texts, and writing. Both women make compelling art out of the seeming tension between literary and visual cultures. Purcell wrote a memoir in which photographs became endnotes. Welty re-emerged as a photographer through the publication of four volumes of what she called her “snapshots,” magnificent black-and-white photographs of small-town Mississippi and New York City life. Serious Daring is a fascinating look at how the road not taken can stubbornly accompany the chosen path, how what is seemingly left behind can become a haunting and vital presence in life and art.
The Absent One
Here is presented a new theory of the origins of tragedy, based on its perceived kinship with mourning ritual. Mourners and tragic protagonists alike journey through dangerous transitional states, confront the uncanny, express themselves in antithetical style, and, above all, enact their ambivalence toward their beloved dead. Elements common to both tragedy and mourning ritual are first identified in actual Chinese, African, and Greek funerary rites and then analyzed in tragedies by Aeschylus, Sophocles, Shakespeare, Racine, Ibsen, O'Neill, Miller, Beckett, and Ionesco. Included is a firsthand account of exploration of the tragedy-mourning link in the rehearsal process of the great experimental theater director, Joseph Chaikin. Opening her first chapter, Dr. Cole says, "The grave is the birthplace of tragic drama and ghosts are its procreators. For tragedy is the performance of ambivalence which ghosts emblematize: what we fear in particular--the revenant, the ghost returning to haunt us--is also what we desire--the extending of life beyond the moment of death."
Directors in Rehearsal
Susan Letzler Cole's firsthand account of the rehearsal sessions of acclaimed directors and actors offers a view of what is often hidden from the public eye: what actors and directors do when they prepare a dramatic text for performance. Directors in Rehearsal is based on hundreds of hours observing and recording the directorial work process of such prominent directors as Robert Wilson, Peter Sellars, and JoAnne Akalaitis working with well-known actors and actresses, including Kevin Kline, Amanda Plummer, and David Warrilow, on texts ranging from Shakespeare and Chekhov to the Wooster Group's recent experiments. The result of her extensive research is a behind-the scenes look at 10 theatre directors rehearsing actual productions - Broadway and off-Broadway, political and experimental, text-centered and company created.
Missing Alice
Author Susan Letzler Cole lost her mother, Alice, to colon cancer in 1990. Alice was 78. In this extraordinary journal, Cole explores the ties that bind mothers and daughters: in life, facing death, and during bereavement. The author aptly calls her work “an experimental memoir, the autobiography of two voices.” Here dialogues with her mother, live and late, are spoken in different voices, styles and media, and at divers moments in time. Correspondence and conversation, real and imagined, allow Cole to defy boundaries between child and parent, and the living and the dead. Shunning linear narrative, she favors four literary vantage points: Letters written to her mother three years after A...
Playwrights in Rehearsal
Playwrights in Rehearsal is an inside look at the writer's role in the creative process of bringing his or her words to life on stage. Susan Letzler Cole, granted rare access to some of the major playwrights of our time, recounts her participation in rehearsal with Arthur Miller, Sam Shepard, Tony Kushner and Suzan-Lori Parks, and others.
Backstage at Bunraku
Members of the Osaka Bunraku Troupe reveal in this book the secrets of their diverse arts and crafts, their training, and their proud commitment to their centuries-old art.
The Theater of Maria Irene Fornes
Throughout the anthology, textual analysis is balanced with production criticism. Contributors assess Fornes's connection to the various traditions that have claimed her--absurdism, realism, and surrealism, among others. Several critics reveal Fornes's range by delving deeply into individual plays, particularly the landmark Fefu and Her Friends. Her work as a director is captured in rehearsal logs, interviews with her actors, and a sampling of production reviews from 1965 to 1993. The anthology closes with Fornes's own views on her work, in statements and interviews from each stage of her career. More than twenty production photographs accompany the text.
Directors in Rehearsal
First Published in 1992. A rare behind-the-scenes look at the rehearsal sessions of acclaimed directors and actors. Cole offers a view of what is often hidden from the public eye: what actors and directors do when they prepare a dramatic text for performance.
