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Poetry. "Susan M. Schultz's DEMENTIA BLOG is as astonishing as it is tragic. Following the odd form of the blog, which is written forward in time but read backwards, it charts the fragmented disorienting progression (if this is the word) of her mother's dementia. Schultz sees through her family's personal tragedy to the profound social and philosophical implications of the unraveling of sense and soul: a deranged nation, so unmoored from coherence that it is unable to feel the difference between political rhetoric and the destructiveness of war. Full of intimate personal detail, DEMENTIA BLOG sweetly and sadly unwinds itself into timelessness"--Norman Fischer.
Addresses the problem of silence in contemporary experimental poetry and examines silence as an aesthetic strategy in itself. The result is an extended meditation on the precarious balance among competing forces in liberating poetic discourse from the realms of silence and the impasses it creates.
Poetry has long been thought of as a genre devoted to grand subjects, timeless themes, and sublime beauty. Why, then, have contemporary poets turned with such intensity to documenting and capturing the everyday and mundane? Drawing on insights about the nature of everyday life from philosophy, history, and critical theory, Andrew Epstein traces the modern history of this preoccupation and considers why it is so much with us today. Attention Equals Life argues that a potent hunger for everyday life explodes in the post-1945 period as a reaction to the rapid, unsettling transformations of this epoch, which have resulted in a culture of perilous distraction. Epstein demonstrates that poetry is ...
Poetry. "'What we do in saying, ' Susan Schultz writes, 'is more than words allow us.' Thus her MEMORY CARDS: THOMAS TRAHERNE SERIES unfolds as resource that is both deep and expansive. Schultz makes poems that plumb the mundane with patience and honesty: in that way, this is difficult work, but also work that continuously opens recognitions for the reader ('Difficulty is invitation, after all.'). What emerges is all that poetry can be when attention and intelligence combine toward an ethics of empathy. Schultz listens truly, and such listening creates 'a politics of person, not idea, of love without absorption, of the simple word.'" Elizabeth Robinson"
President Franklin D. Roosevelt put it bluntly, if privately, in 1942-the United States was "a Protestant country," he said, "and the Catholics and Jews are here under sufferance." In Tri-Faith America, Kevin Schultz explains how the United States left behind this idea that it was "a Protestant nation" and replaced it with a new national image, one premised on the notion that the country was composed of three separate, equally American faiths-Protestants, Catholics, and Jews. Tracing the origins of the tri-faith idea to the early twentieth century, when Catholic and Jewish immigration forced Protestant Social Gospelers to combine forces with Catholic and Jewish relief agencies, Tri-Faith Ame...
I started writing memory cards in the late 1990s, and have done so in fits and starts since. Originally, the prose poems were extracted from a manuscript that didn't work. Then, once the operating premise (writing poems incorporating memory that fit an index card or time card) was discovered, I wrote new ones. The first set was MEMORY CARDS & ADOPTION PAPERS FROM POTES & POETS PRESS, 2001. I have always been obsessed with memory-my own, others', and public history-so these cards provide a kinetic container for memory work of various kinds. They complement my other work, which concerns forgetting (Alzheimer's/dementia).
"The author's guidance is backed up by research and hundreds of interviews - information that everyone in business can use: senior executives get the tools to create and sustain effective boards; management gets a clear understanding of good corporate governance; directors get essential information on how to optimize their roles; employees get an accurate reading on the health of their company; and investors get a critical benchmark for evaluating a company."--BOOK JACKET.
"To be alone is to be different. To be different is to be alone, and to be in the interior of this fatal circle is to be lonely. To be lonely is to have failed" (Susan Schultz, 1976) Loneliness carries a significant social stigma, as lack of friendship and social ties is socially undesirable, and social perceptions of lonely people are generally unfavourable. Lonely people often have very negative self-perceptions, believing that the inability to establish social ties is due to personal inadequacies or socially undesirable attributes. This book is divided into three parts. The first part reviews loneliness in general, describing what it is and how it affects us. The second part examines lone...
In an all-too-brief life and literary career, Wayne Kaumualii Westlake (1947–1984) produced a substantial body of poetry. He broke new ground as a poet, translated Taoist classical literature and Japanese haiku, interwove perspectives from his Hawaiian heritage into his writing and art, and published his work locally, regionally, and internationally. Westlake was born on Maui and raised on the island of O‘ahu, where he attended Punahou School, and later the University of Oregon. He earned his B.A. in Chinese studies at the University of Hawai‘i. At the time of his tragic death in 1984, Westlake was at the height of his poetic career. Unfortunately, the only collection of his poems available at the time was a 32-page, limited edition chapbook independently published by a small press. The present volume, long overdue, includes nearly two hundred of Westlake’s poems—most unavailable to the public or never before published.
The only anthology available documenting 100 years of women in American sports