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If Jane Austen was twenty-five today would she be a greenie or a member of the Young Liberals? Probably neither. But for 25-year-old Hazel, reading the classics starting with A is a way to pass the time while jobless and plotless. A chance encounter with an irresistible older man provides a much-needed distraction. When Hazel is partnered with him on a political campaign, her attraction is deepened by the strength of his convictions. Adam seems to be attracted to her too – but why can't she persuade him to embark upon romance? And what does Jane Austen have to teach a young woman about life, love, and literature in the 21st century anyway?
Life sucks when you are a vacuum cleaner-salesman facing redundancy, and your wife of nearly 40 years fills your days and nights with incessant chatter. But when Gloria suddenly and alarmingly stops talking, the silence is more than 59-year Bernard can bear. In desperation, Bernard turns to his ex&–daughter-in-law for help. Meg has issues of her own, and her bright and funny daughter Ella sometimes wonders if her mum is trying so hard to keep her safe it stops them both from spreading their wings. Will Meg's suspicious nature thwart her chance encounter with the kindly but enigmatic Hal? And is there still hope for Bernard and Gloria on the other side of silence?
A Lasting Conversation, Stories on Ageing explores many a spec ts o f ageing including resilience and defeat, satisfaction and reg ret, excitement and fear, love, loss and laughter. These stories are written from various perspectives, including older women and men, their daughters and sons, grandchildren and observers. They present a fascinating picture of what it is to grow old as an Australian. Each story is infused with acute observations and wry humour. A Lasting Conversation includes the work of some of Australia’s best story tellers, Jon Bauer, Tony Birch, Gillian Bouras, Helen Garner, Sonya Hartnett, Kate Grenville, Cate Kennedy, Michael Meehan, Mandy Sayer, Amy Witting and Michelle Wright as well as stories by health care professionals. This collection will be a resource for thebaby-boomers who are approaching old age, older people,their families, carers, doctors and students.
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Preliminary Material -- Reading Feminism in Kate Grenville's Fiction /Susan Sheridan -- Kate Grenville as Public Intellectual /Brigid Rooney -- Author, Author!: The Two Faces of Kate Grenville /Elizabeth Mcmahon -- Madness and Power: Lilian's Story and the Decolonized Body /Bill Ashcroft -- “Africa and Australia” Revisited: Reading Kate Grenville's Joan Makes History /Kwaku Larbi Korang -- “Mobility is the Key”: Bodies, Boundaries, and Movement in Kate Grenville's Lilian's Story /Ruth Barcan -- Homeless and Foreign: The Heroines of Lilian's Story and Dreamhouse /Kate Livett -- “Impossible Speech” and the Burden of Translation: Lilian's Story from Page to Screen /Alice Healy -- Constructions of Nation and Gender in The Idea of Perfection /Sue Kossew -- Poison in the Flour: Kate Grenville's The Secret River /Eleanor Collins -- History, Fiction, and The Secret River /Sarah Pinto -- Learning From Each Other: Language, Authority and Authenticity in Kate Grenville's The Lieutenant /Lynette Russell -- Bibliography -- Notes on Contributors -- Index.
In recent years traditional foundations of respect for others have been challenged on the basis that universal grounds — the assumption that we share a common humanity — have resulted in the exclusion of particular others from full moral consideration or respect. This current questioning of the concept of a common humanity is of enormous significance, in that universalism has been one of the central assumptions of modern western philosophy and a foundational key to its moral and political theory. This book attempts to address the question of just what grounds are needed in order to justify respect for others, and in addressing this question raises issues of fundamental importance; such a...
Lilith and Ross have always been moving; from Cervantes on the Turquoise Coast, to Calgary in Canada, and places in between. Now, in middle-age, the work at home has dried up and they’re back in Calgary, where many years before they suffered a miscarriage and where decades later they have returned for yet another new start. While Ross works away on the oil rig for weeks on end, Lilith unpacks their apartment and is confronted with the need to balance being alone with true loneliness. Her mind wanders, back to the windy plains and white sand beaches of the Turquoise Coast, to her strained and damaged relationships with her parents and brother, to the love between her and Ross and the ache of missing her daughters. She is reminded of the compromises she has made for this life of uncertainty. Of the achievements and disillusionments of her many selves — wife, mother, friend, lover, sister, daughter, artist, expat. Brimming with dualities, Grahame’s novel deals with the ambiguity of life, and the decisions we make in the hope that they will change our lives for the better.
In the one tumultuous day, Ch’anzu loses hir job and finds wife Scarlet in bed with a stranger. As life unexpectedly spirals out of control, Ch’anzu turns to hir charismatic Aunt Maé for comfort and wisdom, and makes the bold move to work on a project in Serengotti, a migrant African outpost in rural Australia. In a novel haunted by the strangeness and yearnings of a displaced community – both beautiful and fractured – Ch’anzu is forced to confront hir many demons. Back in the city, brother Tex has gone missing. In Serengotti violence and infidelity simmer. This is a novel bathed in sensuous, original language, a love letter to the strong women who bind families together despite e...
A powerful, monumental story of a Turkish Armenian family which spans one hundred years, four countries and several generations. A family that disintegrates as a result of genocide, exile and emigration, but which, through acts of courage and compassion, is eventually brought together again - albeit utterly changed. A riveting, imaginative and beautifully written story of a remarkable family.
Quentin ‘Tinny’ Thompson and his German neighbour, Greta, have at least one thing in common. In their tin sheds close to the coast, they are attempting to live out of the firing line of modern society. Tinny’s sons are growing up and one of them, Rock, wants to head to the city and live with his mother, who is sometimes Prue and sometimes Peaches. Greta’s dream of life in Australia began with a school project on the explorer, Ludwig Leichhardt. Heedless of his fate, she decides to follow in his footsteps. However isolation does not guarantee safety. Violence — so visible in a disintegrating Europe — is not contained. It arrives at her shed in the bush in the figure of the disturbed Clive. Lives do not remain static, even for those who resist change. Refuge is a tender exploration of love and friendship, families, race relations, the consolations of the natural world and, above all, what it means to belong.