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Catherine Parr
Romantic, chaotic and terrifying, Catherine Parr's life unfolds like a romance novel. Married at seventeen to the grandson of a confirmed lunatic and widowed at twenty, Catherine chose a Yorkshire lord twice her age as her second husband. Caught up in the turbulent terrors of the Pilgrimage of Grace in 1536, she was captured by northern rebels, held hostage and suffered violence at their hands. Fleeing to the south shortly afterward, Catherine took refuge in the household of Princess Mary and in the arms of the king's brother-in-law, Sir Thomas Seymour. Her employment in Mary's household brought her to the attention of Mary's father, the unpredictable, often-wed Henry VIII. Desperately in love with Seymour, Catherine was forced into marriage with a king whose passion for her could not be hidden and who was determined to make her his queen.
The Western Antiquary
"Reprinted after revision and correction from the 'Weekly Mercury,'" Mar. 1881-May 1884.
Kateryn Parr
Arguably the first queen of the English Reformation, Kateryn Parr's life and works are seminal to an understanding of the Tudor period."--BOOK JACKET.
Voice and Eye in Faulkner's Fiction
Hugh M. Ruppersburg examines the use of narrative viewpoint and structure in four representative novels by William Faulkner: Light in August, Pylon, Requiem for a Nun, and Absalom, Absalom! In his discussion of these four works he refers frequently, and often at length, to Faulkner's other novels and stories, so that the book offers a comprehensive examination of the narrative principle that underlie Faulkner's literary achievement. Ruppersburg shows how the Nobel Prize-winning novelist employed a number of elements to guarantee the impersonality of his fiction--how he built his novels primarily around the speech and thoughts of his characters. The absence of a judgmental authorial or narrat...
Pacific Shooter
"Pacific Shooter is a book of transformations as insubordinate and subversive as Ovid's Metamorphoses -- and with all the taste and twang of a new language. The bourgeois reader will hate it: there's too much magic, too much genius, too much linguistic bliss." -- Susan Mitchell, from her judge's citation "Susan Parr's poetry is an orchestra of rim-shots and flashbang intimacy. 'Wind a sheet around all,' she croons in this vivid collection, 'then bring into the dark this beatific twill.' Her poems pop and vibrate on armatures of spiked sonics and an intellect that twirls with dazzling humor. Awash in verbal intimacies, Parr never forgets to mean, and in doing so she's turned up the potency -- a needle of her verse has a laser's power. Pacific Shooter is the playful sweetness in our last breath, and in these pages, Parr will 'afford you / the machine: the logomotive yo-yo. Go man,' her poems clap. 'Go: yo, yo.'" -- Alex Lemon
Fresh Dialogue Two
Shopping for the freshest new design talent? You'll find them here in Fresh Dialogue 2, the latest entree from the American Institute of Graphic Arts. Showcasing three exciting new voices--Warren Corbitt and Matt Owens from One9ine; Kevin Lyons; and Susan Parr from ReVerb--Fresh Dialogue 2 presents their design ideas and practices through discussion and vivid color images. One9ine is a design company specializing in visual communications for print, broadcast, and interactive media. Corbitt and Owens share a broad and in-depth knowledge ranging from editorial redesign to brand identity and website development. Their current client roster includes Wieden and Kennedy, MoMA, I.D., and Bartle Bog...
In a House of Dreams and Glass
A psychiatric resident's firsthand account reveals his struggles with the homeless, suicidal, and paranoid, and his frustrations with hospital politics and the limitations of an inexact science. Fresh from medical school, Robert Klitzman began his residency in psychiatry with excitement and a sense of mission. But he was not prepared for what he found inside the city psychiatric center where he was to spend three grueling years. In truth, as Dr. Klitzman's absorbing account of his apprenticeship reveals, he never ceased to be surprised—by his patients, by the senior psychiatrists' conflicting advice on how to help them, and by the unpredictable results of the therapies, both psychoanalytic and biologic, that he and his fellow residents practiced. Nights in the emergency room, professional controversy, the minefield of hospital politics, the stress of his own therapy--everything is here, in a passionate and illuminating analysis of a doctor's struggle against tremendous odds to banish his patients' demons.
