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Culture and Identity in Belgian Francophone Writing
Few full-length studies exist in English on French-speaking authors from Belgium. What, if any, are the particular features of francophone Belgian writing? This book explores questions of cultural and literary identity, and offers an overview of currents in critical debate regarding the place of francophone Belgian writing and its relationship to its larger neighbour, but also engages with broader questions concerning the classification of 'francophone' literature. The study brings together well-known and less well-known modern and contemporary writers (Suzanne Lilar, Neel Doff, Dominique Rolin, Jacqueline Harpman, Françoise Mallet-Joris, Jean Muno, Nicole Malinconi, and Amélie Nothomb) whose works share a number of recurring themes and features, notably a preoccupation with questions of identity and alterity. Overall, the study highlights the diverse ways in which these questions of cultural identity and alterity emerge as a dominant theme throughout the corpus, viewed through a series of literary and cultural frameworks which bring together perspectives both local and global.
Rewriting Crusoe
Published in 1719, Defoe's Robinson Crusoe is one of those extraordinary literary works whose importance lies not only in the text itself but in its persistently lively afterlife. This celebratory collection of tercentenary essays testifies to the Robinsonade's endurance, analyzing its various literary, aesthetic, philosophical, and cultural implications in historical context.
Michel Tournier's Metaphysical Fictions
This study of the fictional themes and techniques of Michel Tournier reveals his profound radicalism as a social critic and novelist despite the seeming conventionality of his works. Guided by Tournier's essays and interviews, Petit examines his fiction in light of plot sources, philosophical and anthropological training, and his belief that fiction should change the world. Close study of Vendredi ou les limbes du Pacifique, Le Roi des aulnes, Les Meteores, Gaspard, Melchior et Balthazar, and La Goutte d'or, as well as the short fiction in Le Coq de bruyere and Le Medianoche amoureux, shows Tournier's revolutionary conception of plot structuring as he develops key themes, whether religion, sensuality, or prejudice, in more than twenty years spent reconceiving the nature of fiction.
Françoise Mallet-Joris
From the 1950's, with Le Rempart des béguines, La Chambre rouge, Cordélia, Les Mensonges and L'Empire céleste, down into the 1990's, with Adriana Sposa, Divine, Les Larmes, La Maison dont le chien est fou and Sept démons dans la ville, the work of Françoise Mallet-Joris has exercised a very special fascination over a very large readership. The content of her work, ever developing yet faithful to residual, either lived or observed, studied experience, is wide-ranging and unflinching - family relationships, the individual psyche, belief systems that move from quasi-nihilism to the mystical, sexuality, feminine consciousness, creativity, larger social frameworks, etc. - and she can move wi...
Cleaning Up
To cut costs and maximize profits, hospitals in the United States and many other countries are outsourcing such tasks as cleaning and food preparation to private contractors. In Cleaning Up, the first book to examine this transformation in the healthcare industry, Dan Zuberi looks at the consequences of outsourcing from two perspectives: its impact on patient safety and its role in increasing socioeconomic inequality. Drawing on years of field research in Vancouver, Canada as well as data from hospitals in the U.S. and Europe, he argues that outsourcing has been disastrous for the cleanliness of hospitals—leading to an increased risk of hospital-acquired infections, a leading cause of seve...
Joyce's Audiences
This book presents for the first time a collective examination of the issue of audience in relation to Joyce's work and the cultural moments of its reception. While many of the essays gathered in this volume are concerned with particular readers and readings of Joyce's work, they all, individually and generally, gesture at something broader than a specific act of reception. Joyce's Audiences is an important narrative of the cultural receptions of Joyce but it is also an exploration of the author's own fascination with audiences, reflecting a wider concern with reading and interpretation in general. Twelve essays by an international cast of Joyce critics deal with: the censorship and promotion of Ulysses; the 'plain reader' in modernism; Richard Ellmann's influence on Joyce's reputation; the implied audiences of Stephen Hero and Portrait; Borges's relation with Joyce; the study of Joyce in Taiwan; the promotion of Joyce in the U.S.; the complaint that there is insufficient time to read Joyce's work; the revisions to "Work in Progress" that respond to specific reviews; strategies of critical interpretation; Joyce and feminism; and the 'belated' readings of post-structuralism.
Divine Aporia
The essays in this book bring together postmodern theory, philosophy, psychoanalysis, anthropology, literature, cultural studies, and women's studies to show how a persistent and classical theme in western theological studies (the alterity of the divine reality) has become creatively transcribed and theorized within the postmodern landscape.
Islamism and Cultural Expression in the Arab World
Whereas most studies of Islamism focus on politics and religious ideology, this book analyses the ways in which Islamism in the Arab world is defined, reflected, transmitted and contested in a variety of creative and other cultural forms. It covers a range of contexts of production and reception, from the early twentieth century to the present, and with reference to cultural production in and/or about Morocco, Algeria, Tunisia, Egypt, Yemen, the Gulf, Lebanon and Israel/Palestine. The material engaged with is produced in Arabic, English and French and includes fiction, autobiography, feature films, television series, television reportage, the press, rap music and video games. Throughout, the book highlights the multiple forms and contested interpretations of Islamism in the Arab world, exploring trends and tensions in the ways Islamism is represented to (primarily) Arab audiences and complicating simplistic perspectives on this phenomenon. The book considers repeated and idiosyncratic themes, modes of characterisation, motifs, structures of feeling and forms of engagement, in the context of an ongoing struggle for symbolic power in the region.
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