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Written for the traveler who needs information beyond what is provided in a general guidebook, Travel Resources: An Annotated Guide introduces the reader to comprehensive and specialized travel literature and resources. In this book, author Stephen Walker offers practical and accessible direction for anyone seeking detailed and valuable information on travel, while also instructing readers in ways to find information that may not be included in this guide. Organized by topic, each topic begins with information that is useful to new travelers so that anyone can begin with any topic without any previous knowledge of it. However, the book also goes further so as to provide information useful to the seasoned traveler. The wide variety of topics related to travel provide many new and possibly overlooked opportunities, even for veteran travelers, and the works included have been selected because of the depth with which each treats its subject matter, in order to ensure that each resource is of the quality that today's traveler demands.
What lay behind this shift? Should we attribute it to changes in priestly status? To the development of new techniques for breaching the heart's secrecy? Was new value placed on the secrets subject to confession? These questions are provocative because much recent scholarship implicates medieval penance in evolving western notions of selfhood and the part played by interiority in defining the self. Lateran IV's mandate to confess is characterized as a critical juncture in the history of subjectivity and the rise of a modern sense of self with its noted attributes of inwardness and autonomy. The aim of Sin, Interiority, and Selfhood in the Twelfth-Century West is to uncover the conception of self that underlay the demand that all Christians confess their innermost thoughts. Drawing on sources from the world of the medieval schools, it juxtaposes discussions that treat topics ranging from the difficulties of discerning the source of tears to the mechanics of original sin.
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Television reporter Riley Spartz is recovering from a heart-breaking, headline-making catastrophe when a long-time police source drops two homicide files in her lap in the back of a dark movie theatre. Both cold cases involve women named Susan strangled on the same day, one year apart. Last seen alive in one of the poorest neighbourhoods, their bodies are each dumped in one of the city's wealthiest areas. Riley senses a pattern between those murders and others pulled from a computer database of old death records. She must broadcast a warning soon, especially to viewers named Susan, because the deadly anniversary is very fast approaching. But not just lives are at stake - so are careers!
While not everyone would agree with Alfred Hitchcock's notorious remark that 'actors are cattle', there is little understanding of the work film actors do. Yet audience enthusiasm for, or dislike of, actors and their style of performance is a crucial part of the film-going experience. Screen Acting discusses the development of film acting, from the stylisation of the silent era, through the naturalism of Lee Strasberg's 'Method', to Mike Leigh's use of improvisation. The contributors to this innovative volume explore the philosophies which have influenced acting in the movies and analyse the styles and techniques of individual filmmakers and performers, including Bette Davis, James Mason, Susan Sarandon and Morgan Freeman. There are also interviews with working actors: Ian Richardson discusses the relationship between theatre, film and television acting; Claire Rushbrook and Ron Cook discuss theri work with Mike Leigh, and Helen Shaver discusses her work with the critic Susan Knobloch.