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Bless Your Heart, Rae Sutton
Sometimes what your life is missing is an eccentric group of older ladies to take you under their wing... When Rae Sutton's mama passes away and leaves her the house where she grew up, Rae can't imagine how the little old place might restore her broken life. Mourning the recent loss of her marriage, she takes the house and settles back into her tiny hometown with her fourteen-year-old daughter, Molly Margaret, and their overweight dog. There she’s embraced by her mother's close-knit circle of friends, the Third Thursday ladies. Though almost half their age and far less confident of positive outcomes, Rae joins their ministry-slash-book-club-slash-gossip circle and allows the women to speak...
Can't Make This Stuff Up!
In her highly-anticipated nonfiction debut, humorist, popular blogger, and USA Today bestselling author, Susannah B. Lewis (Whoa! Susannah) uses dry wit and an eye for the absurd to find laughter in even the most challenging circumstances. Millions of online fans have flocked to Susannah B. Lewis's hysterical, take-no-prisoners videos that capture her uproarious yet deeply faithful view of the world. Now she brings to book form her keen eye for the absurd as she reveals her experiences growing up in a small Tennessee town. From the time an escaped albino panther wandered into her backyard to the Thanksgiving when an egg in the table's centerpiece hatched a baby chicken to the kind neighbors who brought casseroles in Tupperware for months—even years—after her father died when she was just eleven years old, the stories she tells delve deeply into the rich culture of the South that molded her. Clinging to the promises of God in times of grief and looking for every opportunity to laugh, Lewis is the wry yet wise girl next door who invites you to sit a spell beside her on the front porch
How May I Offend You Today?
USA Today bestselling author Susannah B. Lewis (creator of Whoa! Susannah) is back with another hilarious take on what so many people are thinking but are afraid to say aloud. Millions of online fans have flocked to Susannah B. Lewis's hysterical, take-no-prisoners rants about her pet peeves in everyday life. Now, in How May I Offend You Today?, Lewis turns her trademark humor to ordinary events that work her nerves--from people who wear t-shirts with indecent images to public displays of affection in the plumbing aisle of Lowe's--while keeping a wry eye on herself and her own temptation to vent grievances "like a teenage girl in overalls and Birkenstocks." Weaving together anecdotes from her distinctly Southern life with frequent references to the Bible, what she calls "our manual for living," Lewis says what many of us have thought, and in the process encourages us to stand firm in our views. The witty-yet-down-to-earth banter and uplifting, inspirational message of How May I Offend You Today? gives readers everywhere the boost necessary to make it through even their most trying days.
Ten Years Taken
REVISED 2017 EDITION: On a rainy September day in 2001, a stranger enters Elle Holley's car and forces her to drive hours away from her Nashville home. The terrified young mother fears her life will soon end at the hand of her abductor. But Elle learns that her kidnapper, Jonathan Marsh, is a prominent Houston businessman who claims to be saving her from a life of middle-class monotony by taking her home to Texas, marrying her and molding her into the ultimate socialite. With a new identity, Elle is forced to play the role of Jonathan's loving housewife, and it doesn't take long for her to discover that her new husband is an incredibly powerful and cunning man. Elle is accepted by high society, and she slowly forms friendships, but soon secrets are uncovered that leave her wondering if her husband is truly the villain. Will Elle Holley ever be reunited with her daughter and with her life of middle-class monotony?
Suspicion on Sugar Creek
Tessa Lambert thought this summer on Sugar Creek Cove would be like any other. She hoped to work on her novel, play Rook with the old lady next door and spend some lazy time with her husband and daughters. But when a new neighbor winds up dead, Tessa and her Rook partner find themselves jumping to suspicious conclusions. Add a young hippie named Rusty to the mix, and these three seem like an unlikely trio to solve an alleged crime. When you're not laughing at the humorous rhetoric in Suspicion on Sugar Creek, you'll be on the edge of your seat wondering how it will all play out.
David Astor
Few newspaper editors are remembered beyond their lifetimes, but David Astor of the Observer is a great exception to the rule. He converted a staid, Conservative-supporting Sunday paper into essential reading, admired and envied for the quality of its writers and for its trenchant but fair-minded views. Astor grew up at Cliveden, the country house on the Thames which his grandfather had bought when he turned his back on New York, the source of the family fortune. His liberal-minded father was a constant support, but his relations with his mother, Nancy, were always embattled. At Oxford he suffered the first of the bouts of depression that were to blight his life; a lost soul for much of the Thirties, he became involved in attempts to put the British Government in touch with the German opposition in the months leading up to the war. George Orwell had urged Astor to champion the decolonisation of Africa, and Nelson Mandela always acknowledged how much he owed to the Observer’s long-standing support. A generous benefactor to good causes, he helped to set up Amnesty International and Index on Censorship. A good man and a great editor, he deserves to be better remembered.
The Ladies of Grace Adieu
A gorgeously illustrated book of short stories from the world of Jonathan Strange and Mr Norrell, the 4-million-copy global bestseller 'These tales read as if Jane Austen had rewritten the Brothers Grimm ... wonderful' Spectator Faerie is never as far away as you think. Sometimes you find you have crossed an invisible line and must cope, as best you can, with petulant princesses, vengeful owls, ladies who pass their time embroidering terrible fates or with endless paths in deep, dark woods and houses that never appear the same way twice. The heroines and heroes bedevilled by such problems in these fairy tales include a conceited Regency clergyman, an eighteenth-century Jewish doctor and Mary, Queen of Scots, as well as two characters from Jonathan Strange & Mr Norrell: Strange himself and the Raven King.
Piranesi
Piranesi lives in the House. Perhaps he always has. In his notebooks, day after day, he makes a clear and careful record of its wonders: the labyrinth of halls, the thousands upon thousands of statues, the tides that thunder up staircases, the clouds that move in slow procession through the upper halls. On Tuesdays and Fridays Piranesi sees his friend, the Other. At other times he brings tributes of food and waterlilies to the Dead. But mostly, he is alone. Messages begin to appear, scratched out in chalk on the pavements. There is someone new in the House. But who are they and what do they want? Are they a friend or do they bring destruction and madness as the Other claims? Lost texts must be found; secrets must be uncovered. The world that Piranesi thought he knew is becoming strange and dangerous
Stop Motion: Craft Skills for Model Animation
To make great animation, you need to know how to control a whole world: how to make a character, how to make that character live and be happy or sad. You need to create four walls around them, a landscape, the sun and moon - a whole life for them. You have to get inside that puppet and first make it live, then make it perform. Susannah Shaw provides the first truly practical introduction to the craft skills of model animation. This is a vital book in the development of model animation which, following the success of Aardman's first full-length film 'Chicken Run',is now at the forefront of modern animation. Illustrated in full colour throughout you are shown step by step how to create successful model animation. Starting with some basic exercises, readers will learn about developing a story, making models, creating sets and props, the mechanics of movement, filming, post production and how to set about finding that elusive first job in a modern studio.
A Truth Universally Acknowledged
Why are we so fascinated with Jane Austen’s novels? Why is Austen so universally beloved? The essayists in this volume offer their thoughts on the delightful puzzle of Austen’s popularity. Classic and contemporary writers—novelists, essayists, journalists, scholars, and a filmmaker—discuss the tricks and treasures of Austen’s novels, from her witty dialogue, to the arc and sweep of her story lines, to her prescriptions for life and love. Virginia Woolf examines Austen’s maturation as an artist and speculates on how her writing would have changed had she lived another twenty years, while Anna Quindlen examines the enduring issues of social pressure and gender politics that make Pride and Prejudice as vital today as ever. From Harold Bloom to Martin Amis, Somerset Maugham to Jay McInerney, Eudora Welty to Amy Bloom, each writer reflects on Austen’s place in both the literary canon and our cultural imagination.
