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The Stanford Companion to Victorian Fiction
An engaging guide to a rich literary heritage, The Stanford Companion presents a fascinating parade of novels, authors, publishers, editors, reviewers, illustrators, and periodicals that created the culture of Victorian fiction. Its more than 6,000 alphabetical entries provide an incomparable range of useful and little-known source material, its scholarship enlivened by the author's wit and candor.
Victorian England's Bestselling Author
George W.M. Reynolds (1814–79) was one of the biggest-selling novelists of the Victorian era. He was the author of over 58 novels and short stories and his “penny blood” The Mysteries of London, serialised in weekly numbers between 1844 and 1848, sold over a million copies. A controversial figure in his lifetime, Reynolds’s Mysteries, and its follow-up The Mysteries of the Court of London (1849–56), contained tales of crime, vice, and highly sexualised scenes. For this reason Charles Dickens remarked that Reynolds’s name was one “with which no lady’s, and no gentleman’s, should be associated.” Yet Reynolds was much more than just a novelist; he was lauded by the working classes as their champion and campaigned for universal suffrage. To further the working classes’ cause, he established two newspapers: Reynolds’s Political Instructor and Reynolds’s Weekly Newspaper. The latter newspaper, as Karl Marx recognized, became the principal organ of radical and labour politics. This book provides a biography of Reynolds and reproduces his editorials from Reynolds’s Political Instructor as well as excerpts from his fiction.
A Gothic Bibliography (Unabridged)
An important and unique work about Gothic fiction, by"the major anthologist of supernatural and Gothic fiction", Montague Summers.
Nineteenth-Century Serial Narrative in Transnational Perspective, 1830s−1860s
This volume examines the emergence of modern popular culture between the 1830s and the 1860s, when popular storytelling meant serial storytelling and when new printing techniques and an expanding infrastructure brought serial entertainment to the masses. Analyzing fiction and non-fiction narratives from the United States, France, Great Britain, Germany, Austria, Turkey, and Brazil, Popular Culture—Serial Culture offers a transnational perspective on border-crossing serial genres from the roman feuilleton and the city mystery novel to abolitionist gift books and world’s fairs.
Dickens, Reynolds, and Mayhew on Wellington Street
A glance over the back pages of mid-nineteenth-century newspapers and periodicals published in London reveals that Wellington Street stands out among imprint addresses. Between 1843 and 1853, Household Words, Reynolds’s Weekly Newspaper, the Examiner, Punch, the Athenaeum, the Spectator, the Morning Post, and the serial edition of London Labour and the London Poor, to name a few, were all published from this short street off the Strand. Mary L. Shannon identifies, for the first time, the close proximity of the offices of Charles Dickens, G.W.M. Reynolds, and Henry Mayhew, examining the ramifications for the individual authors and for nineteenth-century publishing. What are the implications...
The Origins of the English Marriage Plot
Examines how and why marriage plots became the English novel's most popular form in the eighteenth century. This book will be of interest to students and researchers of eighteenth and early nineteenth-century English literature and culture as well as feminist literary history.
The Musical World
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The Popular Press Companion to Popular Literature
In this pioneering work Victor Neuberg has assembled a wealth of information about popular literature, from the invention of the printing press to the present. This guide, by judicious selection, gives a vivid picture of the range and variety of popular literature and its producers. Besides describing the main genres, the author has also included the social, cultural and commercial background to the production of popular literature, factors that were crucial in influencing the forms it took.
