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"Jane Austen wrote her six novels in a small English village almost 200 years ago. She never travelled abroad and she never mentioned Australia or New Zealand. So why do people "down under" read her novels today? Why do they watch films based on her books in record-breaking numbers? Why do they find her plots, characters and ideas so relevant to their lives? ..."--Back cover.
"First published in the United Kingdom in 2012 by Frances Lincoln Limited under the title Happily ever after: a celebration of Pride and prejudice"--T.p. verso.
Throughout the 19th and early 20th centuries, countless distinguished writers made the long and arduous voyage across the seas to Australia. They came to give lecture tours and make money, to sort out difficult children sent here to be out of the way; for health, for science, to escape demanding spouses back home, or simply to satisfy a sense of adventure. In 1890, for example, Robert Louis Stevenson and his wife Fanny arrived at Circular Quay after a dramatic sea voyage only to be refused entry at the Victoria, one of Sydney's most elegant hotels. Stevenson threw a tantrum, but was forced to go to a cheaper, less fussy establishment. Next day, the Victoria's manager, recognising the famous ...
“The period illustrations and dance diagrams are charming, but Fullerton's discussion of dance in Austen's novels is both incisive and entertaining. From the Netherfield ball in Pride and Prejudice to Anne Elliot playing the piano as her friends dance in Persuasion, Fullerton explains how dancing moves the action forward in each book and what it reveals about various characters. (She even draws heavily on the unfinished The Watsons.) By the end, readers will long to revisit the dance scenes in Austen's world and follow her heroines' practice of talking over the ball afterward with friends over a cup of tea. A beautifully illustrated exploration of dance in the life and novels of Jane Austen. “ -Shelf Awareness Drawing on contemporary accounts and illustrations, and a close reading of the novels as well as Austen's correspondence, Susannah Fullerton takes the reader through all the stages of a Regency Ball as Jane Austen and her characters would have known it.
Jane Austen and Crime shows the crimes Jane Austen included in her novels, puts them into the context of the Georgian age, and examines, for the first time. the symbolism and morality of crime and punishment in her fiction. It shows how Jane Austen's contemporaries would have reacted to these crimes and how they would have been punished.--Back cover.
"In this generous account of life on the land and in the kitchen, trailblazing cook Annie Smithers chronicles her quest for a more sustainable existence, in harmony with the environment and the self. Part meditation, part memoir, the book offers practical advice and wisdom gleaned from a life dedicated to seasonal food and living lightly on the ground beneath her feet. Annie's story spans thirty years of productive gardens and kitchens across country Victoria. Now settled on a plot of land in Lyonville, which she farms for her family and her restaurant, du Fermier, she shares her hard-won lessons: setting up du Fermier, the gardens and the buildings on the farm; working with the weather, wat...
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Famous author Olive Wellwood writes a special private book, bound in different colours, for each of her children. In their rambling house near Romney Marsh they play in a story-book world - but their lives, and those of their rich cousins and their friends, the son and daughter of a curator at the new Victoria and Albert Museum, are already inscribed with mystery. Each family carries its own secrets. They grow up in the golden summers of Edwardian times, but as the sons rebel against their parents and the girls dream of independent futures, they are unaware that in the darkness ahead they will be betrayed unintentionally by the adults who love them. This is the children's book.
Fraud, forgery and murder, set in the high-stakes world of fine art. 'Barry Maitland is one of Australia's finest crime writers.' - Sunday Tasmanian 'Maitland stacks his characters in interesting piles, and lets his mystery burn busily and bright.' - Courier-Mail When the Russian wife of the owner of one of the most valuable private collections of modern art in the UK is found dead, Detective Chief Inspector David Brock is drawn into a high-stakes world very different to his own. From the dealers and galleries in London's West End, his investigations take him to Hanover, Miami and New York on the trail of international forgery and fraud. At the same time, his old colleague Detective Chief Inspector Kathy Kolla, who now leads one of the Metropolitan Police Murder Investigation teams, finds herself at the wrong end of a corruption charge. With her whole career in the balance, she will do almost anything to clear her name. 'No one drops so many wonderful threads to a story or ties them so satisfyingly together at the end.' - The Australian 'Maitland is right up there with Ruth Rendell in my book.' - Australian Book Review