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The Arabian Nights in Transnational Perspective
In a 2004 meeting marking the Arabian Nights' tercentennial at the Herzog August Library in Wolfenb'ttel, Germany, nineteen international scholars presented their work on the transnational aspects of the Arabian Nights. This volume collects their papers, whose topics range from the history of the Arabian Nights manuscripts, to positioning the Nights in modern and postmodern discourse, to the international reception of the Nights in written and oral tradition. Essays are arranged in five sections. The first section contains essays on Galland's translation and its "continuation" by Jacques Cazotte. The second section treats specific characteristics of the Nights, including manuscript tradition...
Iraqi Arab Nationalism
Peter Wien presents a provocative discussion on the history of Iraq and the growth of nationalism during the 1930s and early 1940s. He deconstructs the established view that a large proportion of the nationalist movement in Iraq during this period was heavily influenced by Nazi Germany, arguing that the admiration for Germany was highly nuanced, and only rarely translated into admiration for Nazism. National unity and patriotism were important, but models of leadership were overwhelmingly based on Iraqis and not Hitler. Analyzing the activities of the Iraqi youth and Jewish Iraqis, Iraqi Arab Nationalism gives an understanding of Iraqis from diverse backgrounds. It incorporates source material not previously used in discussions of Iraq and nationalism and contains autobiographical and biographical material from officers, intellectuals and politicians, along with contemporary journalistic writings, which sheds new light on Iraqi nationalism.
Story-telling in the Framework of Non-fictional Arabic Literature
ed. by Stefan Leder ; Beitr. teilw. engl., teilw. dt., teilw. franz. ; Beitr. teilw. dt., teilw. engl., teilw. franz.
Transformations in Sacrificial Practices
The main thrust of the contributions in this volume run counter to the notion of a universally applicable theory of sacrifice, and rather aimed at investigating transformations in sacrificial practices from cross-cultural and transhistorical perspectives. Exploring a broad spectrum of texts, case studies and social practices from Greco-Roman antiquity as well as the Ancient Near East and Egypt to the modern Middle East, the Indian subcontinent and Indonesia diverging cultural perceptions and definitions of the topic "sacrifice" are examined and thereby new insights into the processes of modification and transformation of sacrificial rituals are gained.
Handbook of Autobiography / Autofiction
Autobiographical writings have been a major cultural genre from antiquity to the present time. General questions of the literary as, e.g., the relation between literature and reality, truth and fiction, the dependency of author, narrator, and figure, or issues of individual and cultural styles etc., can be studied preeminently in the autobiographical genre. Yet, the tradition of life-writing has, in the course of literary history, developed manifold types and forms. Especially in the globalized age, where the media and other technological / cultural factors contribute to a rapid transformation of lifestyles, autobiographical writing has maintained, even enhanced, its popularity and importanc...
Transcultural Turbulences
Today, hardly anything moves as fast across the globe as images and media. This fact opens new avenues to explore social and cultural change, but also poses new theoretical challenges of how to grasp and better understand these changes and flows. Moreover, such movements across geophysical and cultural borders have a historical depth that enables us to explore globalisation and localisation in new ways. Transculturality is still a relatively new field of research in the Humanities through which we sharpen our competence and ‘literacy’ to come to terms with the complexity of globalised cultures. This volume ventures into new domains of research on the transculturality of images and addresses the need to develop new or modify established often ethno- and Eurocentric interpretations of what happens when images travel. It does so by bringing together cutting-edge research from fields such as art history, cultural anthropology, colonial history, Islamic studies, religious studies and literary criticism.
Exile and Expatriation in Modern American and Palestinian Writing
This book examines the distinction between literary expatriation and exile through a 'contrapuntal reading' of modern Palestinian and American writing. It argues that exile, in the Palestinian case especially, is a political catastrophe; it is banishment by a colonial power. It suggests that, unlike expatriation (a choice of a foreign land over one’s own), exile is a political rather than an artistic concept and is forced rather than voluntary — while exile can be emancipatory, it is always an unwelcome loss. In addition to its historical dimension, exile also entails a different perception of return to expatriation. This book frames expatriates as quintessentially American, particularly intellectuals and artists seeking a space of creativity and social dissidence in the experience of living away from home. At the heart of both literary discourses, however, is a preoccupation with home, belonging, identity, language, mobility and homecoming.
Die Geheimnisse der oberen und der unteren Welt: Magie im Islam zwischen Glaube und Wissenschaft
Die Geheimnisse der oberen und der unteren Welt (The Secrets of the Upper and the Lower World) offers fascinating new insights into magic as a cultural feature of the Islamic world focusing on historical developments, key figures, and modern-day practices.
Deception: Spies, Lies and Forgeries
We have entered a ‘post-truth era’, in which, Daniel J. Boorstin notes, ‘believability’ has become an acceptable substitute for ‘truth’, and ‘manifold deceptions of our culture’ are difficult to separate from ‘its few enduring truths’. In this era, communities and individuals may feel routinely duped, cheated or betrayed. Though truth may be considered intrinsically valuable, deception may sometimes be useful or necessary. Sometimes there is pleasure in the spectacle of deception. The essays in this volume address a variety of areas, coming from different disciplines and methodological approaches: what unites them is the notion of deception. Deception is not just one thing: it can be used for personal liberation and expression; it can be use as a tool of state oppression and sometimes it is purely entertainment. We encounter deception every day of our lives: these essays explore some the ways in which we do.
