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Contact Spaces of American Culture
What do tent cities, basketball courts, slave ships, and Facebook have in common? They are spaces of American culture where an idea of 'Americanness' emerges through a concrete form of contact on the one hand and through its mediated representation on the other. This collection of essays examines these contact spaces - and their myriad and complex configurations of culture - along a spatial axis, highlighting the interconnectedness of the local and the global in concrete spaces of American culture, both inside and outside the US, and from the world wide web. One line of inquiry studies metaphors of contact, the other one reads media texts as contact spaces and investigates the role of mediation. (Series: American Studies in Austria - Vol. 12)
Beauty Ideals, Appearances, and Body Images in Disneys Feature Films
Disney films reflect the current values and beliefs of society and have the power to influence their audiences in the perception of what is beautiful, and whether appearance does or does not matter. This book gives an overview of beauty ideals, body images, and appearances in Disneys feature films. Seven main films are chosen for this analysis to allow for a comparison across time: Snow White and the Seven Dwarves (1937), Cinderella (1950), The Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992), The Hunchback of Notre Dame (1996), and Frozen (2013). The survey determines to what extent Disney films make use of the beauty-goodness stereotype the equation of appearance and...
The Embarrassment of Being Human
With the message that everything in a sense is alive, thus allowing us to join forces with new politico-ethical communities stretching across human and nonhuman realms, the new materialisms have captivated the minds of many academics, artists, and intellectuals by stressing that it is time to return to a premodern mindset and discard modernity and its concepts of secularization, autonomy, and finitude. The Embarrassment of Being Human not only demonstrates how these magical materialisms are beset by grave theoretical and practical inconsistencies and self-contradictions. It also demonstrates how their demand for humans to step down and allow for an emancipation of things qualifies the new materialisms as a metaphysics of neoliberalism that reproduces and fortifies the self-contradictions rampant in the current neoliberal hegemony. While helping us to gain a comprehensive understanding of the tenets of the eerie ills of our epoch, the critique of the new materialisms can furthermore inspire us to appreciate how the exact inversion of the new materialist complex amounts to a revitalization of the modern project. A revitalization that is critical to think our epoch differently.
Stroke Recovery with Cellular Therapies
Stroke is the leading cause of serious, long term disability. This book proposes different cellular therapies under investigation to promote neural regeneration after stroke. Authored by an international panel of scientists and clinicians, this volume is a vital, one-of-a-kind resource for all scientists interested in regenerative medicine.
A Summer of Murder
When a fireman dies in the explosion of a secret weapons cache, German detective Louise Boni investigation reveals connections with both neo-Nazis and illegal arms dealers. "Bristles with invention." — Guardian.
Brainlesion: Glioma, Multiple Sclerosis, Stroke and Traumatic Brain Injuries
This book constitutes the thoroughly refereed post-workshop proceedings of the International Workshop on Brain Lesion (BrainLes), Brain Tumor Segmentation (BRATS) and Ischemic Stroke Lesion Segmentation (ISLES), held in Munich, Germany, on October 5, 2015, in conjunction with the International Conference on Conference on Medical Image Computing and Computer-Assisted Intervention, MICCAI 2015. The 25 papers presented in this volume were carefully reviewed and selected from 28 submissions. They are grouped around the following topics: brain lesion image analysis; brain tumor image segmentation; ischemic stroke lesion image segmentation.
Violent Women in Print
West Germany's terrorist period of the 1970s is still a troubling and fascinating subject for Germans, not least because of the high proportion of women involved, most notoriously Ulrike Meinhof. The present study examines the West German print media of the 1960s and 1970s, from the right-wing 'Bild' to the left-leaning 'Der Spiegel'to explore how violent women - both terrorists and others - were represented in image and text. This is the first book to explore print-media representations of German terrorism from an explicitly gendered perspective, and one of very few books in English to addres.
Contemporary Quality TV
Ever since HBO's slogan "It's Not TV, It's HBO" launched in 1996, so-called quality television has reached a new level of marketing, recognition, and indeed quality. With other networks imitating the formula, the "HBO effect" triggered a wave of creative output. This turn to quality set off two shifts: (a) Contemporary television staged an international resurgence of the auteur, and (b) America transformed into an "on-demand nation." The chapters in this volume analyze new television lifestyles including marginalized perspectives, fan participation, and an emerging nostalgia correlated with trash aesthetics.
Writing Migration through the Body
Writing Migration through the Body builds a study of the body as a mutable site for negotiating and articulating the transnational experience of mobility. At its core stands a selection of recent migration stories in Italian, which are brought into dialogue with related material from cultural studies and the visual arts. Occupying no single disciplinary space, and drawing upon an elaborate theoretical framework ranging from phenomenology to anthropology, human geography and memory studies, this volume explores the ways in which the skin itself operates as a border, and brings to the surface the processes by which a sense of place and self are described and communicated through the migrant body. Through investigating key concepts and practices of transnational embodied experience, the book develops the interpretative principle that the individual bodies which move in contemporary migration flows are the primary agents through which the transcultural passages of images, emotions, ideas, memories – and also histories and possible futures – are enacted.
