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Warfare in Tenth-Century Germany
A complete survey of the military campaigns of the early Saxons, tactics, strategy, and logistics, demonstrating in particular the sophistication of the administration involved. Over the course of half a century, the first two kings of the Saxon dynasty, Henry I (919-936) and Otto I (936-973), waged war across the length and breadth of Europe. Ottonian armies campaigned from the banks of the Oder in the east to the Seine in the west, and from the shores of the Baltic Sea in the north, to the Adriatic and Mediterranean in the south. In the course of scores of military operations, accompanied by diligent diplomatic efforts, Henry and Otto recreated the empire of Charlemagne, and established th...
Canones: The Art of Harmony
The so-called ‘Canon Tables’ of the Christian Gospels are an absolutely remarkable feature of the early, late antique, and medieval Christian manuscript cultures of East and West, the invention of which is commonly attributed to Eusebius and dated to first decades of the fourth century AD. Intended to host a technical device for structuring, organizing, and navigating the Four Gospels united in a single codex – and, in doing so, building upon and bringing to completion previous endeavours – the Canon Tables were apparently from the beginning a highly complex combination of text, numbers and images, that became an integral and fixed part of all the manuscripts containing the Four Gosp...
Dying for the Faith, Killing for the Faith
The message of the old testamentary Maccabees is martial and pernicious as well as already pointed out by Erasmus of Rotterdam. The circumstances in which the Maccabeean literature emerged are complex and have not yet been explored by scholars in all their details; even more complex is the history of its influence, the Wirkungsgeschichte in the sense Hans-Georg Gadamer has given to the term, a history which was to large extent a purely Christian one. The early Christians saw the Maccabees as prototypical martyrs. Later they discovered warrior heroes whose courage was the measure of whoever fought in the name of God or freedom: Saxons, Scots, or citizens of Cologne who rose up against their rulers. This history of influence is the focus of the essays collected in this book, which extend thematically and chronologically from the cult of martyrs in late antiquity to the time of the modern wars of liberation.
Medieval Cologne
In Anglophone literature, historical questions about urban, socio-economic, political, religious, and cultural development have often been answered using Anglo-French, Anglo-Low Countries, and Anglo-Italian paradigms and sources. Medieval Germany has been largely overlooked, seen as a peripheral and irrelevant anomaly. Conversely, scholars from the German Rhineland have mostly remained within the traditions of civic public history and Landesgeschichte. As a result, they rarely engage with the historical questions raised in wider European discourses. This volume challenges these historiographical propensities by offering a fresh perspective on medieval urban Germany. It aims to integrate Cologne and the Rhineland more accurately and equitably into the wider histories of medieval Europe. The book engages with historical questions of wider relevance across both German and European medieval histories. It invites all scholars and students of medieval Europe to utilize Cologne as a key source for their research and writing.
The Tree of Life
The tree of life is an iconic visual symbol at the edge of religious thought over the last several millennia. As a show of its significance, the tree bookends the Christian canon; yet scholarship has paid it minimal attention in the modern era. In The Tree of Life a team of scholars explore the origin, development, meaning, reception, and theology of this consequential yet obscure symbol. The fourteen essays trek from the origins of the tree in the texts and material culture of the ancient Near East, to its notable roles in biblical literature, to its expansion by early church fathers and Gnostics, to its rebirth in medieval art and culture, and to its place in modern theological thought.
Strange Beauty
"A study of reliquaries as a form of representation in medieval art. Explores how reliquaries stage the importance and meaning of relics using a wide range of artistic means from material and ornament to metaphor and symbolism"--Provided by publisher.
Iconophages
An unprecedented art-historical account of practices of image ingestion from ancient Egypt to the twentieth century Eating and drinking images may seem like an anomalous notion but, since antiquity, in the European and Mediterranean worlds, people have swallowed down frescoes, icons, engravings, eucharistic hosts stamped with images, heraldic wafers, marzipan figures, and other sculpted dishes. Either specifically made for human consumption or diverted from their original purpose so as to be ingested, these figured artifacts have been not only gazed upon but also incorporated—taken into the body—as solids or liquids. How can we explain such behavior? Why take an image into one’s own bo...
Forgery, Replica, Fiction
Credulity -- Reference by artifact -- Germany and "Renaissance"--Forgery -- Replica -- Fiction -- Re-enactment.
Reassessing the Roles of Women as 'Makers' of Medieval Art and Architecture (2 Vol. Set)
The twenty-four studies in this volume propose a new approach to framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women, moving beyond today's standard division of artist from patron.
Negotiating the Landscape
Negotiating the Landscape explores the question of how medieval religious identities were shaped and modified by interaction with the natural environment. Focusing on the Benedictine monastic community of Stavelot-Malmedy in the Ardennes, Ellen F. Arnold draws upon a rich archive of charters, property and tax records, correspondence, miracle collections, and saints' lives from the seventh to the mid-twelfth century to explore the contexts in which the monks' intense engagement with the natural world was generated and refined. Arnold argues for a broad cultural approach to medieval environmental history and a consideration of a medieval environmental imagination through which people perceived...
