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Woods Lanyer: Woman Poet C
  • Language: en
  • Pages: 215

Woods Lanyer: Woman Poet C

Aemilia Bassano Lanyer sought public fame as a poet in 1611, at the height of the largely misogynistic reign of James I. This book situates her life and work among the major poets of Elizabethan and Jacobean England.

Modern Blocks
  • Language: en
  • Pages: 228

Modern Blocks

Meet the new kids on the block. “If you are looking for quilt block ideas, this is for you. From pinwheel to whimsical, you’ll find lots you like.” —yarnsandfabrics.co.uk Today’s most talented modern quilters put a fresh and fun spin on 99 traditional block designs. Chock full of step-by-step instructions, how-to photographs and helpful hints, this collection of inspiring projects makes it easy for any sewer—no matter what level of expertise—to quilt in a modern style with impressive results. Try something entirely new or put a twist on classic blocks—choose from pieced, appliquéd, and embroidered designs Fresh and fun 12” blocks are beginner-friendly with complete cutting...

Natural Emphasis
  • Language: en
  • Pages: 336

Natural Emphasis

  • Type: Book
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  • Published: 1984
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  • Publisher: Unknown

Clear and mostly traditional in its approach to verse analysis, with a new look at the development of versification in Modern English, Natural Emphasis makes wide-ranging use of recent theoretical and linguistic studies to examine the chief contributions of poets from Chaucer to Dryden.

The Poems of Aemilia Lanyer
  • Language: en
  • Pages: 196

The Poems of Aemilia Lanyer

Aemilia Lanyer (1569-1645) was the first woman poet in England who sought status as a professional writer. Her book of poems is dedicated entirely to women patrons. It offers a long poem on Christ's passion, told entirely from a woman's point of view, as well as the first country house poem published in England. Almost completely neglected until very recently, her work changes our perspective on Jacobean poetry and contradicts the common assumption that women wrote nothing of serious interest until much later. Mistress and friend of influential Elizabethan courtiers, Lanyer gives us a glimpse of the ideas and aspirations of a talented middle class Renaissance woman.

Teaching Tudor and Stuart Women Writers
  • Language: en
  • Pages: 433

Teaching Tudor and Stuart Women Writers

The increased attention to women's literature of the early modern period has reinvigorated literary study, not by supplanting the traditional canon but by renewing our interest in it. As the volume editors note, "Teaching Spenser's The Faerie Queene is a richer experience when one also teaches Wroth's Urania." Teaching Tudor and Stuart Women Writers summarizes the latest scholarship on British women writers who lived from roughly 1500 to 1700 and suggests strategies for presenting their works in the classroom. Thirty-six essays discuss frequently anthologized pieces by such women as Margaret Cavendish, Elizabeth I, Mary Sidney, and Mary Wroth as well as the writings of women who have come to the notice of scholars only recently. The volume addresses women's roles in early modern society and women's limited access to education and opportunities for writing; provides background for understanding literary, religious, historical, and social texts; gives biographies of certain writers; lists texts suitable for presentation in the undergraduate classroom; suggests models for lower-level surveys as well as semester-length graduate seminars; and details the availability of primary sources.

Milton's Theology of Freedom
  • Language: en
  • Pages: 225

Milton's Theology of Freedom

At the centre of John Milton’s epic poem Paradise Lost (1667) is a radical commitment to divine and human freedom. This study situates Paradise Lost within the context of post-Reformation theological controversy, and pursues the theological portrayal of freedom as it unfolds throughout the poem. The study identifies and explores the ways in which Milton is both continuous and discontinuous with the major post-Reformation traditions in his depiction of predestination, creation, free will, sin, and conversion. Milton’s deep commitment to freedom is shown to underlie his appropriation and creative transformation of a wide range of existing theological concepts.

We Love Color
  • Language: en
  • Pages: 148

We Love Color

Some of the biggest names in quiltmaking have joined with Robert Kaufman Fabrics to share a gorgeous variety of quilts made with vibrant Kona Cotton Solids, in both modern and traditional styles. Known for their original style and use of color, these sixteen designers show much fun it is to play with solids, no matter what your skill level. There’s not a print in sight! Experiment with precision piecing, improvisational quilting, or appliqué. Includes a Kaufman color index so you can match the exact fabric for each pattern. Project designers were selected by Susanne Woods, Acquisitions Editor at C&T Publishing

Hat Shop
  • Language: en
  • Pages: 149

Hat Shop

Discover the world of hats with this collection of 25 projects from contemporary designers all over the world, each hand-selected for their freshly sewn flair and skilled millinery work.

Milton and the Poetics of Freedom
  • Language: en

Milton and the Poetics of Freedom

"Offers new readings of Milton's major works, including Areopagitica, Paradise Lost, Paradise Regained, and Samson Agonistes, highlighting how Milton shifts the parlance of freedom and liberty from the arena of civic order to that of the individual conscience engaged in the process of choosing; this, in turn, invites readers to consider alternatives even to Milton's own positions"--

The Uncertain World of Samson Agonistes
  • Language: en
  • Pages: 176

The Uncertain World of Samson Agonistes

  • Type: Book
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  • Published: 2001
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  • Publisher: DS Brewer

Ambiguity, present in all aspects of the poem, is seen as central to Milton's authorial intentions. Shawcross proposes that the many ambiguities surrounding Milton's dramatic poem Samson Agonistes are intentional: the actual words, the dates of composition, the genre, and the characters - particularly Samson and Dalila but including Manoa, Harapha, and the Chorus. Ambiguity also lies in Milton's presentation of political issues both philosophical and practical, his treatment of gender concepts, the constant questioning of the reader, and the poem's effect. Discussing all these elements, Shawcross follows with a detailed reading of the text which argues that it remains purposefully ambiguous, reflecting Milton's own recognition of the uncertainty of the content, and suggesting that Milton himself would question some of the nice 'solutions' that modern scholarship has offered in the last two decades. JOHN SHAWCROSS is Professor of English, Emeritus, University of Kentucky.