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Thought-leaders contributing to this volume include Alvin Tan, Kwa Chong Guan, Yang Razali Kassim, Kishore Mahbubani, Gerard Ee, and more!This volume comprises essays republished from various issues of the annual journal of the National University of Singapore Society called Commentary.The third in a series that provides bite-sized reviews of the history of Singapore's development in a range of areas of public policy, it delves into the most challenging of them all — defining the Singapore nation, a quest that began just under six decades ago.This is an enterprise that the pioneer generation of political leaders recognised would provide collective purpose and the soul to what government an...
This edited book not only makes a much-needed contribution to research in arts education but also provides a strong grounding of evidential support for Singapore arts education, in contrast to the current state of affairs in arts education in many parts of the world where severe cuts in funding, lackluster support for the arts and imperialist agendas are pervasive. The case of and for Singapore – presented in this edited book through rich descriptions of the dedicated, contextualized practices of arts educators, artists and researchers – offers readers many valuable lessons and reflections on the continued survival and advancement of arts education.
Case studies and theoretical essays introduce the basic principles necessary to identify and explain the symbols and practices each unique human group holds sacred or inalienable. The authors apply the methods of political science, social psychology, anthropology, journalism, and educational research. They build on the insights of Gordon Allport, Charles Taylor, and Max Weber to describe and analyze the patterns of behavior that social groups worldwide use to maintain their identities.
This book offer a series of lucid and incisive readings of Derrida's work, as well as an elegiac tribute in more personal terms.
Developed as an exploratory study of artworks by artists of Singapore and Malaysia, Retrospective attempts to account for contemporary artworks that engage with history. These are artworks that reference past events or narratives, of the nation and its art. Through the examination of a selection of artworks produced between 1990 and 2012, Retrospective is both an attribution and an analysis of a historiographical aesthetic within contemporary art practice. It considers that, by their method and in their assembly, these artworks perform more than a representation of a historical past. Instead, they confront history and its production, laying bare the nature and designs of the historical proje...
Histories, Practices, Interventions: A Reader in Singapore Contemporary Art brings together key writings about ideas, practices, issues and art institutions that shape the understanding of contemporary art in Singapore. This reader is conceived as an essential resource for advancing critical debates on post-independence Singapore art and culture. It comprises a total of thirty-three texts by art historians, art theorists, art critics, artists and curators. In addition, there is an introduction by the co-editors, Jeffrey Say and Seng Yu Jin,as well as three section introductions contributed by Seng Yu Jin; artist, curator and writer Susie Wong; and art educator and writer Lim Kok Boon.Bundle set: A Reader in Singapore Modern and Contemporary Art
Living Art: Indonesian Artists Engage Politics, Society and History is inspired by the conviction of so many of Indonesia’s Independence-era artists that there is continuing interaction between art and everyday life. In the 1970s, Sanento Yuliman, Indonesia’s foremost art historian of the late twentieth century, further developed that concept, stating: ‘New Indonesian Art cannot wholly be understood without locating it in the context of the larger framework of Indonesian society and culture’ and the ‘whole force of history’. The essays in this book accept Yuliman’s challenge to analyse the intellectual, sociopolitical and historical landscape that Indonesia’s artists inhabite...
These volumes comprise of essays by Singapore thought-leaders republished from various issues of the annual journal of the National University of Singapore Society called Commentary.
What is the society you want to see take shape in Singapore in the years ahead? How can we ensure it will be a society where there is gender equality, where every person can live the life they want? A diverse group of writers — women and men, teenagers and octogenarians, artists. academics, caregivers, journalists, doctors, lawyers, and many others — offer their thoughts about these questions and more, their vision of the ideal Singapore. Their essays will make you think, and you too may begin to say 'Why not?'.
A constellation of thoughts by 25 established and emerging scholars who plot the indices of modernity and locate new coordinates within the shifting landscape of art. These newly commissioned essays are accompanied by close to 200 full-colour image plates.