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Alexis Sinclair was handsome and powerful, he could get any women he wanted, but there was only one he desired.He had guarded her since the day she was born and loved her since she became a woman. The Regime didn’t want her to develop her powers and had told him not to interfere in her life, just guard her.But no one tells Alexis Sinclair what to do.He brought her to his world.But was it a good choice? His world was violent.Had he only given her sorrows and death?She would have to sacrifice a lot, was it worth it?
Liam McEwan was a successful and handsome man, on the surface. But Liam had a dark soul who messed with his life. Was his life always going to be like this? His bad temper put him in trouble, but he was tired of living the life people expected from him. There was an emptiness he couldn’t explain. Then one day he met Scarlett. Scarlett’s life had been hell, well it still was. She blamed it on herself. Just like Liam she had a dark soul, but one she couldn’t handle. Had life given them a change or were they only going to hurt each other?
Alexis Sinclair was handsome and powerful, he could get any women he wanted, but there was only one he desired. He had guarded her since the day she was born and loved her since she became a woman. The Regime didn't want her to develop her powers and had told him not to interfere in her life, just guard her. But no one tells Alexis Sinclair what to do. He brought her to his world. But was it a good choice? His world was violent. Had he only given her sorrows and death? Was it worth it?
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The monster under the bed is real. In fact, all the monsters are real, as well as all the heroes and everything in between. All Fiction is real and lives in a place called Story. however, plenty of Fiction hangs out in the Mortal world living both innocent and nefarious lives. This might not mean much to the average Mortal unaware of the Fictional characters living among them, but for The Last Scion - the only Mortal that can kill Fiction - things are about to become very complicated. Tessa Battle is that Mortal. And Story is long from done with Tessa no matter how much she would like to deny her destiny. With more than one monster chasing her and questionable allies like The Snow Queen and Robin Hood, Tessa is going to need all the superpowers he inherited just to stay alive. In fact, it may be a good thing that behind her back Stories call Tessa THE STORYKILLER.
As soloist, master class teacher, and pianist of the world-renowned Beaux Arts Trio, Menahem Pressler can boast of four Grammy nominations, three honorary doctorates, more than 80 recordings, and lifetime achievement awards presented by France, Germany, and Israel. Former Pressler student William Brown traces the master's pianistic development through Rudiakov, Kestenberg, Vengerova, Casadesus, Petri, and Steuermann, blending techniques and traditions derived from Beethoven, Chopin, Liszt, and J. S. Bach. Brown presents Pressler's approach to performance and teaching, including technical exercises, principles of relaxation and total body involvement, and images to guide the pianist's creativity toward expressive interpretation. Insights from the author's own lessons, interviews with Pressler, and recollections of more than 100 Pressler students from the past 50 years are gathered in this text. Measure-by-measure lessons on 23 piano masterworks by, among others, Bach, Bartók, Debussy, and Ravel as well as transcriptions of Pressler's fingerings, hand redistributions, practicing guidelines, musical scores, and master class performances are included.
Ever since the first Swedish-born immigrants to Oregon began settling in the 1850s, Swedes have had a big impact on its development. Among the first immigrants was shoemaker Carl M. Wiberg, who arrived in the summer of 1852 and settled in Portland. By 1930, roughly 45 percent of all Swedish immigrants were living in the Portland metro area. Other areas of Swedish settlement included Astoria, Coos Bay, Tillamook, southwestern Oregon, and Morrow County. At first, the Swedish language was the unifying force among the immigrants. Today, it is the celebration and sharing of Swedish traditions and culture. There are many reasons why Swedes were attracted to the United States, including religious freedom, better economic conditions, and, for young men, escaping compulsory military service. Many immigrant Swedes did not come directly to Oregon but were attracted to the state and its employment opportunities after the completion of the transcontinental railroad.
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive t...
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