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A collection of 34 English and Scottish ballads arranged for harp. The ballads date from the fifteenth through the nineteenth centuries, and range from the well known to the rare and unusual. They can be played on a lap harp with a range of just two and a half octaves, or on larger harps. They can also be played on flute, violin, guitar, or any melody instrument. The book includes lyrics, historical notes, and illustrations. The pieces are in the key of C, or in sharp keys. All of the pieces include fingerings and chord symbols.
For her ninth book of Celtic harp music, Suzanne Guldimann has researched and arranged 18 historic pieces of music drawn from and inspired by Jane Austen's personal collection of music. As a bonus, the not-quite-period English country dance popularized by the 1995 A&E version of Pride and Prejudice is included. The collection features classical pieces by Mozart, Handel and Gluck; and a haunting and romantic selection of the French, Italian, Scottish and Irish traditional airs that were tremendously popular during the late 18th/early 19th century, including several with lyrics by Robert Burns, and two pieces reported to have been among Jane Austen's personal favorites.All of the pieces in the collection are arranged to fit on a small harp with just three octaves, but can also be played on larger harps or on any melody instrument. Each arrangement includes fingering, chord symbols, lyrics when available and historic notes.
Twenty-five medieval, Renaissance, and traditional Christmas carols from throughout Europe and America, arranged for harp. All of the pieces can be played on a lap harp with a range of just two and a half octaves, or on a larger harp. They can also be played on flute, violin, guitar, or any melody instrument. The book includes lyrics, historical notes, and is illustrated by the author. The pieces are in the key of C, or in sharp keys. All of the pieces include fingerings and chord symbols. This is the revised third edition of the book.
"The real Malibu, the one beyond the tabloid stories and the mega-mansions, is a continually surprising place where incredible natural beauty has made it one of the most desired, fought over, and storied coastlines on earth. This book offers a look at the history and nature of this famous seaside community"--back cover.
In The Othering of Women in Silent Film: Cultural, Historical, and Literary Contexts, Barbara Tepa Lupackexplores the rampant racial and gender stereotyping depicted in early cinema, demonstrating how those stereotypes helped shape American attitudes and practices. Using social, cultural, literary, and cinema history as a focus, this book offers insights into issues of Othering, including discrimination, exclusion, and sexism, that are as timely today as they were a century ago. Lupack not only examines the ways that dominant cinema of the era imprinted indelible and pejorative images of women—including African Americans, Native Americans, Asians, Hispanics, and New Women/Suffragists—but also reveals the ways in which a number of pioneering early filmmakers and performers attempted to counter those depictions by challenging the imagery, interrogating the stereotypes, and re-politicizing the familiar narratives. Scholars of film, gender, history, and race studies will find this book of particular interest.
Suzanne Guldimann has researched and arranged for lap harp 25 medieval and Renaissance Christmas carols. All of the pieces can be played on a harp with a range of just two and a half octaves. They can also be played on larger harps, or on any melody instrument. The book includes lyrics and historical notes, as well as illustrations. The pieces are fingered and are in the key of C, or in sharp keys. All of the pieces include chord symbols. This is the revised, third edition of the original 1998 book.
At Home in the World examines the extraordinary and largely unheralded role women played in forging the modern environmental movement, specifically in California.
"The COVID-19 disaster in California's prisons stands out as the worst medical prison catastrophe in the state's history. Three-quarters of the state's prison population was infected; 264 incarcerated people and 50 staff members died. In Fester, authors Hadar Aviram and Chad Goerzen expose the COVID-19 correctional experience through hundreds of first-person accounts, months of courtroom observations, years of carefully collected quantitative COVID-19 data, and a wealth of policy documents. Already vulnerable from decades of overcrowding and abysmal healthcare, California's prison population bore the brunt of the COVID-19 horror. Fester bears witness to the immense suffering we bring on ourselves and our fellow humans through dehumanization, fear, and ignorance, and stands as a monument for a brave coalition of incarcerated and formerly incarcerated people, family members and loved ones, advocates and activists, doctors and journalists, who worked to shed light on one of the darkest times in the Golden State's correctional system"--
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This book contains 41 arrangements and transcriptions of some of the world's most famous classics. They were carefully selected so that they could be arranged for and played on the pedal free harp, although some of the pieces require retuning the harp in the key of E-flat. Biographical information on many of the composers is also included. the CD contains all of the songs from the book as performed on solo harp by author Susan Peters.