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Women Journalists at Ground Zero tells the rich and moving stories of 24 journalists who reported live from New York City, Washington, D.C., and the Pittsburgh area during and following the September 11 terrorist attacks on the World Trade Center and Pentagon. Recounting their professional and personal experiences in reporting a disaster of great magnitude, women such as ABC's Cynthia McFadden and Ann Compton, CNN's Judy Woodruff, NBC's Rehema Ellis, and many other television, radio, newspaper, magazine, and photojournalists show us how the news "happened" and what it takes to cover crisis.
During what some have called the 'most televised war in history, ' did journalistic objectivity fall by the wayside? Were the experiences of embedded journalists in Iraq markedly different from reporters who went on their own? Reporting from the Front is a provocative look at media and the Iraq War-spanning issues from basic reporting and coverage to ethical dilemmas, personal safety, and training with the military. Featuring interviews with journalists such as Anne Garrels and Ivan Watson of NPR and Bob Schieffer and Byron Pitts of CBS, among others, Reporting from the Front offers personal insights from a wide range of correspondents, producers, editors, photojournalists, media managers, and military and defense officials about reporting on Iraq as well as on previous wars and other conflicts
Viewer Discretion Advised shows where our media has gone wrong and what we can do about it. Established media critic Jeffrey McCall illustrates the problems with much of contemporary media content, why it is this way, and how consumers can actively shape the media. He sets out to increase our understanding of how different media work and how media content affects us daily, addressing a number of key media issues. McCall explains how the news agenda is shaped and why it fails to effectively inform the citizenry; how the First Amendment does and doesn't work; and how to manage children's media use. He further highlights the overwhelming influence of big media corporations in dictating cultural standards and the government's role in regulating the media. The final chapter is a helpful guide on how readers can actively challenge media companies. Stop complaining about media content—change it!
As the literature on military-media relations grows, it is informed by antagonism either from journalists who report on wars or from ex-soldiers in their memoirs. Academics who attempt more judicious accounts rarely have any professional military or media experience. A working knowledge of the operational constraints of both professions underscores Shooting the Messenger. A veteran war correspondent and think tank director, Paul L. Moorcraft has served in the British Ministry of Defence, while historian-by-training Philip M. Taylor is a professor of international communications who has lectured widely to the U.S. military and at NATO institutions. Some of the topics they examine in this wide...
“An eminently useful text for television and Web journalism. No other text does such thorough job of integrating new media into traditional TV reporting. The authors' blog is a great way to keep updated and introduce current material into the class, and the online interactive workbook has some truly inventive exercises.” - Michael Cremedas, Syracuse University This fully updated Third Edition of Advancing the Story, by Debora Halpern Wenger and Deborah Potter, builds on the essential strengths of the original text by providing clear instruction on reporting and producing for multiple platforms, real-world examples, advice from professional journalists and exercises to stimulate additiona...
This volume sets out the state-of-the-art in the discipline of journalism at a time in which the practice and profession of journalism is in serious flux. While journalism is still anchored to its history, change is infecting the field. The profession, and the scholars who study it, are reconceptualizing what journalism is in a time when journalists no longer monopolize the means for spreading the news. Here, journalism is explored as a social practice, as an institution, and as memory. The roles, epistemologies, and ethics of the field are evolving. With this in mind, the volume revisits classic theories of journalism, such as gatekeeping and agenda-setting, but also opens up new avenues of theorizing by broadening the scope of inquiry into an expanded journalism ecology, which now includes citizen journalism, documentaries, and lifestyle journalism, and by tapping the insights of other disciplines, such as geography, economics, and psychology. The volume is a go-to map of the field for students and scholars—highlighting emerging issues, enduring themes, revitalized theories, and fresh conceptualizations of journalism.
With the words "This is London," Edward R. Murrow's groundbreaking radio broadcasts from 1939 to 1941 brought the blitz into America's living rooms. Countering the tide of U.S. isolationism, Murrow told his huge audience that the United States could not avoid a confrontation with Hitler and that the bombs it heard falling during his reports would eventually be targeted at American cities. But although often cited as the paragon of journalistic objectivity, Murrow had a clear agenda--to bring America into the war--and he slanted his broadcasts accordingly. And behind the scenes, he helped the British court U.S. public opinion and secure American funds for a British intelligence operation. Bro...
"De-westernising journalism studies in an intelligent way, this book deserves to be read around the world."---Professor James Curran, Goldsmiths, University of London, United Kingdom --
The book exposes and confirms the betrayal of the American people by its leaders in relation to the attacks of 11 September 2001. It constitutes a thorough, compact and state-of-the-art reference guide to this crime against humanity, its political purpose, its cover-up and the failure of bringing its authors to justice. The approach is forensic and fact-oriented. The book is the result of over 18 years of research. It is modular in structure and backed-up by nearly 1,000 notes that refer solely to open official and mainstream sources. Readers are provided a one-click access to most sources. The book is designed to serve as a solid informational basis for committed citizens, teachers, journalists, lawyers, graduate students, academics and decision-makers.
The concept of boundaries has become a central theme in the study of journalism. In recent years, the decline of legacy news organizations and the rise of new interactive media tools have thrust such questions as "what is journalism" and "who is a journalist" into the limelight. Struggles over journalism are often struggles over boundaries. These symbolic contests for control over definition also mark a material struggle over resources. In short: boundaries have consequences. Yet there is a lack of conceptual cohesiveness in what scholars mean by the term "boundaries" or in how we should think about specific boundaries of journalism. This book addresses boundaries head-on by bringing together a global array of authors asking similar questions about boundaries and journalism from a diverse range of perspectives, methodologies, and theoretical backgrounds. Boundaries of Journalism assembles the most current research on this topic in one place, thus providing a touchstone for future research within communication, media and journalism studies on journalism and its boundaries.