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Painting the Divine
"In Painting the Divine: Images of Mary in the New World, we selected approximately forty-five works from the two principal viceroyalities of the Spanish empire - Mexico and Peru - that portray key evens and moments in the life of Mary, as well as examples of various apparitions. We also highlight pieces produced by New Mexican artists who developed hybrid styles distinctly their own, combining traditional Christian symbols with unique regional aesthetics"--Page 7.
The Virgin, Saints, and Angels
"There is astonishingly little literature in English on painting in the Viceroyalty of Peru. Published in association with the Cantor Center for Visual Arts, this exhibition catalogue explores a little known aspect of the history of art that is increasingly appreciated for its energy and originality. Although the initial impetus for paintings in South America was provided by artists who came from Europe, they were soon outnumbered by natives who become proficient in decorating churches and public buildings. The 56 paintings--never previously published--in the Thoma Collection offer an accurate and compelling survey of the diverse schools of painting that developed in the vast regions of the Viceroyalty which yielded the present day countries of Peru, Bolivia, Ecuador, Colombia, Chile, Paraguay, Uruguay, and Argentina."--Publisher description.
Journeys to New Worlds
Published on the occasion of an exhibition held Feb. 16-May 19, 2013 at the Philadelphia Museum of Art, Philadelphia, Pennsylvania.
The Immaculate Conception in Spanish Art
This book explores the importance of the Immaculate Conception in Spanish art and culture.
An Overview of the Pre-suppression Society of Jesus in Spain
In An Overview of the Pre-suppression Society of Jesus in Spain, Patricia W. Manning offers a survey of the Society of Jesus in Spain from its origins in Ignatius of Loyola’s early preaching to the aftereffects of its expulsion. Rather than nurture the nascent order, Loyola’s homeland was often ambivalent. His pre-Jesuit freelance sermonizing prompted investigations. The young Society confronted indifference and interference from the Spanish monarchy and outright opposition from other religious orders. This essay outlines the order’s ministerial and pedagogical activities, its relationship with women and with royal institutions, including the Spanish Inquisition, and Spanish members’ roles in theological debates concerning casuistry, free will, and the immaculate conception. It also considers the impact of Jesuits’ non-religious writings.
Velázquez's 'Las Meninas'
Velázquez's 1656 masterpiece Las Meninas has inspired an avalanche of published attention since it was first placed on public view in the Museo del Prado in 1819. The essays in this volume survey the responses to the painting in the nineteenth century, when Velázquez's fame outside Spain peaked. They include introductions to interpretations of Las Meninas by twentieth-century art historians, critics, philosophers, and art theorists, as well as the modern appropriation of the work by Picasso.
Bartolomé Esteban Murillo (1617-1682)
"Illustrated, this important book offers a new look at the career of one of the central figures of the Spanish golden age. It will be an indispensable addition to the libraries of scholars, students, and lovers of Spanish painting alike."--BOOK JACKET.
Painting in Spain in the Age of Enlightenment
Distributed for Spanish Institute/Indianapolis Museum of Art, Exhibition catalog.
The Cambridge Companion to Velázquez
The Cambridge Companion to Velázquez offers a synthetic overview of one of the greatest painters of Golden Age Spain and seventeenth century Europe. With contributions from art historians and those working in other disciplines, this book offers fresh approaches to the vast literature on this artist. The essays also guide the reader to an understanding of Velázquez's work--his training in his native Seville, reflections in his oeuvre of artistic currents from outside Spain, and how Velázquez's religious paintings may be understood within the religious context of Counter-Reformation Spain.
Spanish Polychrome Sculpture 1500-1800 in United States Collections [exposición]
It is the mission of The Spanish Institute to foster a wider understanding of the history and culture of Spain in the United States and its influence on the heritage of this country. This exhibition, which will travel from our galleries in the far northeast to southern California via Texas, literally delivers our message far and wide.
