You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This volume is a collection of papers revealing the largely unexplored boundary between linguistic and literary approaches to classical texts. Eleven contributions by various scholars discuss a wide range of linguistic and literary apects of classical texts: the narratee in the prologues of Sophocles’ Trachiniae and of Euripides, the chronology in Pindar’s Odes, the relation between tense-aspect and Discourse Modes in Thucydides, Xenophon, Vergil and Ovid, the use of aspect in the Law Code of Gortyn, expressions of futurity and the word order of adjectives in Herodotus, and, finally, ancient and modern views on word order. Following an interdisciplinary approach, all contributions aim at bridging the gap between linguistic and literary study of classical texts.
The narrative style of the Aeneid suggests immediacy and involves the reader, while at the same time both narrator and reader know what the outcomes of the story will be. In ‘Tenses in Vergil’s Aeneid: Narrative Style and Structure’, Suzanne Adema investigates the role of the Latin tenses in this presentational style. Adema presents a framework to analyze and describe the use of tenses in Latin narrative texts from a linguistic and narratological point of view. The framework concerns the temporal relations between a narrator and the states of affairs in his story on the sentence level, discourse modes on the global text level and narrative progression on the level of narrative and descriptive sequences.
The book lays bare the narrative form of Silius’ text. It focuses on the phenomenon of ambiguity due to the epic’s constant oscillation between fact and fiction, highlighting Roman triumph in defeat and defeat through triumph.
In this two-volume work, the first full-scale treatment of its kind in English, Harm Pinkster applies contemporary linguistic theories and the findings of traditional grammar to the study of Latin syntax. He takes a non-technical and principally descriptive approach, based on literary and non-literary texts dating from c.250 BC to c.450 AD. The volumes contain a wealth of examples to illustrate the grammatical phenomena under discussion, many of them from the works of Plautus and Cicero, alongside extensive references to other sources of examples such as the Oxford Latin Dictionary and the Thesaurus Linguae Latinae. While the first volume explored the simple clause, this second volume focuses on the complex sentence and discourse. The first three chapters examine different types of subordinate clause; the following four then explore relative clauses, coordination, comparison, and secondary predicates. Later chapters investigate information structure and extraclausal expressions, word order, and discourse and related features. The Oxford Latin Syntax will be a valuable and up-to-date resource both for professional Latinists and all linguists with an interest in Classics.
In Speech and Thought in Latin War Narratives, Suzanne Adema offers linguistic and narratological tools to analyse and interpret narratorial choices in speech and thought representation in Latin narratives. Her approach combines insights from (cognitive) linguistic and narratological theories and has been tested and adjusted through corpus based research (Caesar, Vergil, Sallust). The approach is a useful tool to unveil rhetorical uses of speech and thought representation in Latin war narrative by means of close readings of Caesar’s Bellum Gallicum 1 and 7, and Vergil’s Aeneid 11 and 12. Focusing on the attitudes of the narrators towards war, Adema provides new insights into these texts and offers linguistic and narratological contributions to literary and historical discussions about the Bellum Gallicum and the Aeneid.
The perception of demons in late antiquity was determined by the cultural and religious contexts. Therefore the authors of this volume take into consideration a wide variety of texts stemming from different religious milieus ranging from spells, apocalypses, martyrdom literature to hagiography and focus specifically on the literary aspects of the transformation of the demonic in this period of transition.
In Tenses in Vergil's Aeneid, Suzanne Adema presents a framework to analyze the role of tenses in Latin narrative texts. She applies the framework to the tense forms of the Aeneid, investigating their role in its narrative style and structure.
For almost fifty years, much has been written concerning Mark 16:9-20. During the same time period, evidence once counted against Mark 16:9-20 was shown to be otherwise. In this study, David W. Hester surveys modern scholarship (1965-2011) surrounding the passage. He examines the passage itself--the external evidence, with particular attention paid to the manuscripts and the patristics, especially those of the second and third centuries; and the internal evidence, featuring details that are problematic as well as those that favor Markan authorship. Finally, a proposal concerning the origin of the passage is presented. The first edition of Mark's Gospel ended at 16:8, resulting in the manuscr...
A collection of papers revealing the boundary between linguistic and literary approaches to classical texts.
Explores the relationship between the present tense and the conceptualisation of 'presence' in Greek from a cognitive perspective.