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This study considers the performativity of sound-producing sculptures made in the twenty-first century through a cultural history of certain works. A subfield of the sound art medium, sonic sculpture presents new possibilities in sensory engagement with the viewer, creating a mediated experience for eye and ear. Contextualized within three linking nodes of sonic engagement – sonic sculpture as a socially engaged art, listening to history, and the use of the human body as the material of sonic sculpture itself – each chapter interrogates one or two works by a contemporary artist. These in-depth analyses of the works serve as lenses to the artists’ larger practices and engagements with things that sound. Artists covered include Nick Cave, Kara Walker, Janet Cardiff, George Bures Miller, and Ragnar Kjartansson. The book will be of interest to scholars working in art history, sound studies, musicology, and cultural studies.
A critical look at American Ambassador to the UN Daniel Patrick Moynihan's valiant stand against its 1975 declaration of Zionism as a form of racism shows just how much — and how little — Moynihan's moment accomplished, and how relevant it remains today.
First Published in 1982. Comprehensive and controversial, this book presents an overview of the energy options available and their attendant risks. The entire energy cycle- from raw material to final energy production- is examined in depth so that accurate and detailed assessments can be made of the risks of energy options.
The Political Economy is ideally suited as a supplementary text for courses in American government and politics, policy studies, business-government relations, and economic issues and policy making. It integrates selections from the very finest new and classical works of political and economic analysis, by distinguished scholars, into a comprehensive overview of the American political system.
A former member of the Civil Rights Division of the US Department of Justice, established in 1957, explains the agency's role in combating institutionalized racism. He discusses political realities, national priorities, the widening of the mandate, weathering political shifts in Washington, conflicts between career civil servants and political appointees, and other aspects. He also analyzes the consequences of its litigation positions and considers whether the structure of enforcement should be changed. Annotation copyrighted by Book News, Inc., Portland, OR
Located less than a mile from Juárez, the Stanlee and Gerald Rubin Center for Visual Arts at the University of Texas at El Paso is a non-collecting institution that serves the Paso del Norte region. In Curating at the Edge, Kate Bonansinga brings to life her experiences as the Rubin’s founding director, giving voice to a curatorial approach that reaches far beyond the limited scope of “border art” or Chicano art. Instead, Bonansinga captures the creative climate of 2004–2011, when contemporary art addressed broad notions of destruction and transformation, irony and subversion, gender and identity, and the impact of location on politics. The Rubin’s location in the Chihuahuan deser...
The High Priests of American Politics offers an incisive look at how and why lawyers dominate legislatures in the United States and what impact, for better or worse, this dominance has on the broader governmental system.