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Flowers in a Vase with a Clump of Cyclamen and Precious Stones
Daffodils, pink roses with heads bowed, an orange lily, flaming tulips, bright blue irises and dozens of other flowers fill the painting. The variety of flowers and the bright colours are magnificent and appear to burst out of the panel. Flowers in a Vase with a Clump of Cyclamen and Precious Stones is a masterpiece by one of the most important painters from the late sixteenth and early seventeenth centuries: Jan Brueghel I (1568-1625). Although people would also call him 'Flower Brueghel', he only began painting vases of flowers in his late thirties. Flowers in a Vase with a Clump of Cyclamen and Precious Stones is one of the earliest and finest examples, a stunning masterpiece through which this Phoebus Focus zooms in on the sources of inspiration, motivation and method of the master who concentrated on all this floral beauty with such dedication and precision.
Crazy about Dymphna
In the early sixteenth century, the popularity of Saint Dimpna made the abbot of the abbey of Tongerlo decide to have a huge altarpiece that would depict the life story of this special saint. The assignment came into the hands of the Antwerp painter Goossen Van der Weyden, grandson of Flemish Primitive Rogier, who took over many elements from his grandfather in his eclectic style.0The result of this assignment, the monumental Dimpna altarpiece, was recently acquired by The Phoebus Foundation. The panels were treated in the Foundation's restoration studio for three years. The astonishing result led to new insights into the history of the altarpiece, its maker and commissioner, and about the cult of Saint Dimpna. Leading specialists shed their light on the altarpiece and their years of research are now bundled in this luxurious, richly illustrated publication.00Exhibition: Sint-Dimpnakerk, Geel, Belgium (27.03.-07.06.2020) / Art Museum of Estonia - Niguliste Museum, Tallinn, Estonia (20.06. ? 04.10.2020 ).
Vase of Flowers with Vanitas Symbols
"Let yourself be captivated by the floral splendour of Vase of Flowers with Vanitas Symbols by Jan Davidsz. De Heem (1606-1684). De Heem belongs to the canon of Dutch Baroque painting and astonishes everyone with the refined painting technique with which he creates his flower still lives. Through historical sources and material-technical research, you will be introduced to the flourishing seventeenth century and the exuberant and colourful Baroque painting of the time." -- Phoebus Foundation website.
Zot van Dimpna. Een wereld vol passie, lef en rebellie
In the early sixteenth century, the popularity of Saint Dimpna made the abbot of the abbey of Tongerlo decide to have a huge altarpiece that would depict the life story of this special saint. The assignment came into the hands of the Antwerp painter Goossen Van der Weyden, grandson of Flemish Primitive Rogier, who took over many elements from his grandfather in his eclectic style.0The result of this assignment, the monumental Dimpna altarpiece, was recently acquired by The Phoebus Foundation. The panels were treated in the Foundation's restoration studio for three years. The astonishing result led to new insights into the history of the altarpiece, its maker and commissioner, and about the cult of Saint Dimpna. Leading specialists shed their light on the altarpiece and their years of research are now bundled in this luxurious, richly illustrated publication.00Exhibition: Sint-Dimpnakerk, Geel, Belgium (27.03.-07.06.2020) / Art Museum of Estonia - Niguliste Museum, Tallinn, Estonia (20.06. ? 04.10.2020 ).
Bloemenvaas met varkensbrood en edelstenen. Een geschilderd juweel van Jan I Brueghel (1568-1625).
Narcisjes, neerhangende roze rozen, een oranje lelie, gevlamde tulpen, felblauwe irissen en tientallen andere bloemen vullen het beeldvlak. De variatie aan bloemen en de felle kleuren zijn overweldigend en spatten van dit paneeltje. Bloemenvaas met varkensbrood en edelstenen is een meesterwerk van een van de belangrijkste schilders uit de late zestiende en vroege zeventiende eeuw: Jan I Brueghel (1568-1625). Hoewel hij ook wel ?Bloemenbrueghel? werd genoemd, begon hij pas als late dertiger bloemenvazen te schilderen. Bloemenvaas met varkensbrood en edelstenen is een van de vroegste en mooiste voorbeelden. Aan de hand van dit overweldigende pronkstuk zoomt deze Phoebus Focus in op de inspiratiebronnen, de drijfveren en de werkwijze van de meester die zich met zo veel overgave en precisie richtte op al die bloemenpracht.
